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Artworks

436 records · Blue laid paper
Last Supper
Last Supper
Domenico Tintoretto
Brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper · 1538
Art Institute of Chicago
Last Supper
Last Supper
Tintoretto
Brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on ivory laid paper · 1538
Art Institute of Chicago
The Last Judgment
The Last Judgment
Tintoretto
Pen and brown ink, with gray gouache, over black chalk, heightened with lead-white gouache (discolored), on blue laid paper, pieced, and laid down on ivory laid paper · 1538
Art Institute of Chicago
The Descent from the Cross
The Descent from the Cross
Federico Barocci
black with stumping, heightened with white chalk on blue laid paper, partially incised for transfer · 1535
National Gallery of Art
The Adoration of the Shepherds
The Adoration of the Shepherds
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white, on blue laid paper, laid down on ivory laid paper · 1533
Art Institute of Chicago
Dead Christ Supported by Holy Women and Angels
Dead Christ Supported by Holy Women and Angels
Orsi
Pen and brown ink on blue laid paper, laid down on ivory laid paper · 1531
Art Institute of Chicago
Studies for the Virgin and Child (recto)
Studies for the Virgin and Child (recto)
Camillo Boccaccino
black chalk with white heightening on blue laid paper · 1527
National Gallery of Art
Christ Among the Doctors
Christ Among the Doctors
Lambert Lombard
Pen and brown ink and brush and blue wash, heightened with lead white (partly discolored), on blue laid paper (faded), laid down on ivory laid paper · 1526
Art Institute of Chicago
Roman Soldiers Arresting Saint Peter (?)
Roman Soldiers Arresting Saint Peter (?)
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxidized), on blue-gray laid paper, laid down on blue laid paper · 1525
Art Institute of Chicago
Philosophers Discussing the Terrestrial Globe
Philosophers Discussing the Terrestrial Globe
Perino del Vaga
Pen and brown ink, with brush and brown wash, and brush and black ink, on blue laid paper, laid down on ivory laid card · 1521
Art Institute of Chicago
Male Head and Sketch of Right Hand Holding Stylus
Male Head and Sketch of Right Hand Holding Stylus
Correggio
Red chalk on blue laid paper, laid down on cream laid card · 1520
Art Institute of Chicago
Male Head and Sketch of Right Hand Holding Stylus
Male Head and Sketch of Right Hand Holding Stylus
Antonio Allegri Da Correggio
Red chalk on blue laid paper, laid down on cream laid card · 1520
Art Institute of Chicago
The Adoration of the Magi
The Adoration of the Magi
Biagio Pupini
pen and brown ink with brown and gray wash, heightened with white gouache on blue laid paper · 1520
National Gallery of Art
Male Head and Sketch of Right Hand Holding Stylus
Male Head and Sketch of Right Hand Holding Stylus
Antonio da Correggio
Red chalk on blue laid paper, laid down on cream laid card · 1520
Art Institute of Chicago
Story of Niobe: Youth with Horse; Worshippers
Story of Niobe: Youth with Horse; Worshippers
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), and graphite, on blue laid paper (faded to brown) · 1519
Art Institute of Chicago
Story of Niobe: Worshippers; Latona
Story of Niobe: Worshippers; Latona
Polidoro da Caravaggio
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), and graphite, on blue laid paper, laid down on cream wove paper · 1519
Art Institute of Chicago
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Carpaccio
Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper · 1507
Art Institute of Chicago
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)
Vittore Carpaccio
Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper · 1507
Art Institute of Chicago
Joachim and the Angel
Joachim and the Angel
Albrecht Dürer
woodcut on blue laid paper; laid down · 1504
National Gallery of Art
Shepherd Carving an Inscription on Tree Trunk with Figures and Sheep in Background
Shepherd Carving an Inscription on Tree Trunk with Figures and Sheep in Background
Agostino Tassi
Pen and brown ink, with brush and brown wash, with traces of graphite, on blue laid paper (faded to brown), laid down on ivory laid paper · 1500
Art Institute of Chicago
Virgin and Child
Virgin and Child
Giovanni Bellini
Pen and brown ink, and brush and brown wash, on blue laid paper, edge mounted to cream wove card · 1500
Art Institute of Chicago
Conversion of St. Paul (recto); Man Seen from Back (verso)
Conversion of St. Paul (recto); Man Seen from Back (verso)
Giovanni Antonio da Pordenone
Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized) (recto), and black chalk and touches of red chalk (verso), on blue laid paper · 1500
Art Institute of Chicago
Wine Harvest
Wine Harvest
Tintoretto
Pen and brown ink, with brush and brown wash, heightened with lead white, on blue laid paper, tipped onto card · 1500
Art Institute of Chicago
The Betrothal of the Virgin
The Betrothal of the Virgin
Albrecht Dürer
woodcut on blue laid paper · 1471
National Gallery of Art
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