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Artworks

98,525 records · Bronze on marble base · Art Institute Chicago
Ambiguous Standards of Electricity (III)
Ambiguous Standards of Electricity (III)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Ambiguous Standards of Specification (II)
Ambiguous Standards of Specification (II)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Ambiguous Standards of Protest (VII)
Ambiguous Standards of Protest (VII)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Ambiguous Standards of Time (I)
Ambiguous Standards of Time (I)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Untitled (No Comment)
Untitled (No Comment)
Barbara Kruger
Three-channel video installation, color, with sound; 9 min. 25 sec. · 2020
Art Institute of Chicago
dna:study
dna:study
McArthur Binion
Ink, oil paint stick and paper on board · 2020
Art Institute of Chicago
We Were Lost in Our Country
We Were Lost in Our Country
Tuan Andrew Nguyen
Single-channel video installation, sound, color, 35 min. · 2019
Art Institute of Chicago
Three Lives and Three Reincarnations
Three Lives and Three Reincarnations
Bingyi
Ink on silk · 2019
Art Institute of Chicago
Untitled
Untitled
Trisha Donnelly
Azul Bahia granite in three parts · 2019
Art Institute of Chicago
THE AIDS CRISIS IS STILL BEGINNING
THE AIDS CRISIS IS STILL BEGINNING
Gregg Bordowitz
Vinyl · 2019
Art Institute of Chicago
Learning to Use Fire
Learning to Use Fire
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
Untitled, from the series "Jaguar Informative"
Untitled, from the series "Jaguar Informative"
Yná Kabe Rodríguez
Ink on paper · 2019
Art Institute of Chicago
Tiger Water Maker Jaguar
Tiger Water Maker Jaguar
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen and ballpoint pen · 2019
Art Institute of Chicago
Study for ‘Medusa’s Flight’
Study for ‘Medusa’s Flight’
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
Uche, All Dressed Up, from the series "The Royal House of Allure"
Uche, All Dressed Up, from the series "The Royal House of Allure"
Sabelo Mlangeni
Inkjet print · 2019
Art Institute of Chicago
Untitled
Untitled
Albert Oehlen
Lacquer and oil on Dibond · 2019
Art Institute of Chicago
Lucas Blalock Reading 3.221: Objects Can Only Be Named. Signs Are Their Representatives. I Can Only Speak About Them: I Cannot Put Them Into Words. Propositions Can Only Say How Things Are, Not What They Are.
Lucas Blalock Reading 3.221: Objects Can Only Be Named. Signs Are Their Representatives. I Can Only Speak About Them: I Cannot Put Them Into Words. Propositions Can Only Say How Things Are, Not What They Are.
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
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