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Artworks

34 records · Brown ink with gray wash
Design for a Book Illustration of Circe and Odysseus [recto]
Design for a Book Illustration of Circe and Odysseus [recto]
Thomas Stothard
pen and gray and brown ink with gray wash over graphite on wove paper · 1798
National Gallery of Art
Vision of Sainted Benedictine Monk
Vision of Sainted Benedictine Monk
Francesco Saverio Mergolo, Italian
Brush and brown ink with gray wash; verso: pen and brown ink with black chalk on off-white laid paper · 1776
Cooper Hewitt, Smithsonian Design Museum
Woman from a Procession, from the Palazzo Mattei
Woman from a Procession, from the Palazzo Mattei
Jacques-Louis David
pen and dark brown ink with gray wash over graphite on beige laid paper · 1775
National Gallery of Art
Woman with a Raised Hand, from the Villa Medici
Woman with a Raised Hand, from the Villa Medici
Jacques-Louis David
brown ink with gray wash over graphite on laid paper · 1775
National Gallery of Art
Orante from the Villa Medici
Orante from the Villa Medici
Jacques-Louis David
brown ink with gray wash over traces of graphite on laid paper · 1775
National Gallery of Art
Woman from the Villa Medici
Woman from the Villa Medici
Jacques-Louis David
brown ink with gray wash over traces of graphite on laid paper · 1775
National Gallery of Art
Woman from the Villa Borghese
Woman from the Villa Borghese
Jacques-Louis David
brown ink with gray wash over graphite on laid paper, partly stained with oil · 1775
National Gallery of Art
Woman with a Mirror, from the Villa Borghese
Woman with a Mirror, from the Villa Borghese
Jacques-Louis David
brown ink with gray wash over graphite on laid paper, partly stained with oil · 1775
National Gallery of Art
Ascension Day Festival at Venice
Ascension Day Festival at Venice
Canaletto
pen and brown ink with gray wash over traces of graphite, tip of the brush with black wash, heightened with a few touches of white gouache (laid on thick eighteenth-century paper) · 1765
National Gallery of Art
The "Giovedì Grasso" Festival before the Ducal Palace in Venice
The "Giovedì Grasso" Festival before the Ducal Palace in Venice
Canaletto
pen and brown ink with gray wash over traces of graphite, tip of the brush with black wash, heightened with touches of white gouache (laid on thick eighteenth-century mount) · 1763
National Gallery of Art
A Venetian Courtyard, in the Procuratie Nuove
A Venetian Courtyard, in the Procuratie Nuove
Canaletto
pen and brown ink with gray wash over traces of graphite on laid paper · 1760
National Gallery of Art
Fantasy of an Ancient Bath
Fantasy of an Ancient Bath
Giovanni Battista Piranesi
pen and brown ink with gray wash and traces of red chalk, on laid paper pasted down on the remains of Piranesi's original mount · 1755
National Gallery of Art
Saint Wenceslas at the Vintage, Attended by Angels and Putti
Saint Wenceslas at the Vintage, Attended by Angels and Putti
Franz Anton Maulbertsch
Brown ink with gray wash · 1744
The Metropolitan Museum of Art
An Ancient Forum with Porticos
An Ancient Forum with Porticos
Giovanni Battista Piranesi
pen and brown ink with gray wash over black chalk on laid paper · 1742
National Gallery of Art
The Madonna and Child in Glory with Saints Gregory the Great and Andrew
The Madonna and Child in Glory with Saints Gregory the Great and Andrew
Antonio Balestra
pen and brown ink with gray wash over black chalk on laid paper · 1734
National Gallery of Art
Aeneas Carrying Anchises from Burning Troy
Aeneas Carrying Anchises from Burning Troy
Gaspare Diziani
pen and brown ink with gray wash on tan laid paper · 1733
National Gallery of Art
Interior Scene with Soldiers at a Table
Interior Scene with Soldiers at a Table
Charles Parrocel, French
pen and brown ink with gray wash on white laid paper · 1725
Cleveland Museum of Art
The Fall of the Rebel Angels
The Fall of the Rebel Angels
Giovanni Battista Tiepolo
pen and brown ink with gray wash over black chalk, and pen and black ink with gray wash; scattered unrelated touches of red chalk on left · 1717
National Gallery of Art
Birth of Venus
Birth of Venus
Sir James Thornhill
pen and brown ink with gray wash on laid paper · 1710
National Gallery of Art
The Massacre of the Innocents
The Massacre of the Innocents
Giovanni Antonio Pellegrini
pen and brown ink with gray wash and white gouache heightening over red chalk · 1700
National Gallery of Art
Cavalry Battle
Cavalry Battle
Charles Parrocel
pen and brown ink with gray wash on laid paper · 1688
National Gallery of Art
Illusionistic Architecture for the Vault of San Ignazio
Illusionistic Architecture for the Vault of San Ignazio
Andrea Pozzo
pen and gray and brown ink with gray wash on two joined sheets of heavy laid paper · 1685
National Gallery of Art
Landscape
Landscape
Salvator Rosa
pen and brown ink with gray wash on laid paper · 1662
National Gallery of Art
Grove of Trees
Grove of Trees
Claude Lorrain
pen and brown ink with gray wash on laid paper · 1640
National Gallery of Art
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