Database / Artworks

Artworks

629 records · Brush and black ink
Fishermen Drying Nets before Castle
Fishermen Drying Nets before Castle
Elizabeth Murray
Charcoal and stumping with brush and black ink on ivory wove paper · 1850
Art Institute of Chicago
River with Castle Ruin and Boat II
River with Castle Ruin and Boat II
Elizabeth Murray
Charcoal and stumping and scraping, with brush and black ink on ivory wove paper · 1850
Art Institute of Chicago
Mountain Stream with Boat
Mountain Stream with Boat
Elizabeth Murray
Charcoal with stumping, with brush and black ink on ivory wove paper · 1845
Art Institute of Chicago
Interior in the House of Lord Chamberlain O'Neill, Strandraede, Copenhagen
Interior in the House of Lord Chamberlain O'Neill, Strandraede, Copenhagen
Christian Olavius Zeuthen, Danish
Pen and brush and black ink, watercolor, graphite on paper · 1844
Cooper Hewitt, Smithsonian Design Museum
Coastal Landscape
Coastal Landscape
Félix Bracquemond
brush and black ink with (faded) blue wash on brown wove paper · 1833
National Gallery of Art
Chicks
Chicks
Félix Bracquemond
brush and black ink with touches of gray wash over graphite on brown paper · 1833
National Gallery of Art
"Balustrades des Orchestres de la barriere du Trone"
"Balustrades des Orchestres de la barriere du Trone"
Félix Duban, French
Watercolor, brush and black ink, wash, graphic Support: off-white laid paper mounted on off-white paper · 1833
Cooper Hewitt, Smithsonian Design Museum
Vessel of the Russian Line (Vaisseau de ligne russe)
Vessel of the Russian Line (Vaisseau de ligne russe)
Christoffer Wilhelm Eckersberg
Pen and black ink, with brush and black ink wash and touches of graphite, on ivory laid paper · 1827
Art Institute of Chicago
Vessel of the Russian Line (Vaisseau de ligne russe)
Vessel of the Russian Line (Vaisseau de ligne russe)
Christoffer Wilhelm Eckersberg
Pen and black ink, with brush and black ink wash and touches of graphite, on ivory laid paper · 1827
Art Institute of Chicago
Lafayette (Two Views)
Lafayette (Two Views)
Thomas Sully
brush and black ink with gray and brown wash on wove paper · 1825
National Gallery of Art
Heidelberg Castle
Heidelberg Castle
Samuel Prout, English
Brush and black ink and gray wash, over graphite, on cream wove paper, laid down on blue covered wove card · 1825
Art Institute of Chicago
Heidelberg Castle
Heidelberg Castle
Samuel Prout
Brush and black ink and gray wash, over graphite, on cream wove paper, laid down on blue covered wove card · 1825
Art Institute of Chicago
Altar Tablet with the Arms of Pope Pius VII
Altar Tablet with the Arms of Pope Pius VII
Luigi Righetti, Italian
furniture, drawing — pen and black ink, brush and gray, brown, yellow wash, over graphite, ruled border in brush and black ink on light blue laid paper · 1820
Cooper Hewitt, Smithsonian Design Museum
Sea Horses
Sea Horses
Suzanne Duchamp
Watercolor, pen, and brush and black ink on cream wove paper; laid down onto buff wove paper · 1819
Art Institute of Chicago
Arabs Resting
Arabs Resting
Eugenio Lucas Villamil
Brush and gouache with brush and black ink on beige paper · 1817
The Metropolitan Museum of Art
Arabs Resting
Arabs Resting
Eugenio Lucas Villaamil
Brush and gouache with brush and black ink on beige paper · 1817
The Metropolitan Museum of Art
Wallpaper Design: Psyche Bringing to Venus a Glass from the Fountain of Youth
Wallpaper Design: Psyche Bringing to Venus a Glass from the Fountain of Youth
Merry-Joseph Blondel, French
Graphite, black, white chalk, brush and black ink on brown coated paper mounted to thin ply paperboard · 1815
Cooper Hewitt, Smithsonian Design Museum
Wallpaper Design: Reconciliation of Venus and Psyche
Wallpaper Design: Reconciliation of Venus and Psyche
Merry-Joseph Blondel, French
Graphite, black, white chalk, brush and black ink on brown coated paper mounted to paperboard · 1815
Cooper Hewitt, Smithsonian Design Museum
Fingal Mourning Over the Body of Malvina, from Ossian's Berrathon
Fingal Mourning Over the Body of Malvina, from Ossian's Berrathon
Anne-Louis Girodet de Roussy-Trioson
Black chalk with brush and black ink and brown wash, heightened with white gouache, on ivory laid paper prepared with a gray wash · 1810
Art Institute of Chicago
Seascape
Seascape
William Trost Richards
brush and black ink with wash over graphite on wove paper · 1809
National Gallery of Art
Statue of the Madonna in the Mountains
Statue of the Madonna in the Mountains
David Fried
Brush and black ink and gray wash, with graphite, on cream wove paper · 1804
Art Institute of Chicago
Studies after the Oath of the Tennis Court (recto); Studies after the Oath of the Tennis Court: Group with Maupetit de la Mayenne Carried by His Two Sons (verso)
Studies after the Oath of the Tennis Court (recto); Studies after the Oath of the Tennis Court: Group with Maupetit de la Mayenne Carried by His Two Sons (verso)
Jean-Pierre Norblin de la Gourdaine
Pen and black ink, brush and black ink and gray wash, and black chalk(recto) and pen and brown ink, black chalk, and brush and brown and gray wash (verso), on gray laid paper · 1804
Art Institute of Chicago
Studies after the Oath of the Tennis Court (recto); Studies after the Oath of the Tennis Court: Group with Maupetit de la Mayenne Carried by His Two Sons (verso)
Studies after the Oath of the Tennis Court (recto); Studies after the Oath of the Tennis Court: Group with Maupetit de la Mayenne Carried by His Two Sons (verso)
Jean-Pierre Norblin de la Gourdaine
Pen and black ink, brush and black ink and gray wash, and black chalk(recto) and pen and brown ink, black chalk, and brush and brown and gray wash (verso), on gray laid paper · 1804
Art Institute of Chicago
Statue of the Madonna in the Mountains
Statue of the Madonna in the Mountains
Caspar David Friedrich
Brush and black ink and gray wash, with graphite, on cream wove paper · 1804
Art Institute of Chicago
Go to pageof 27