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Artworks

182 records · Brush and brown ink
Standing figure,Oyster Shells [above]; Elephants Helping Each Other Out of a Trap [below]
Standing figure,Oyster Shells [above]; Elephants Helping Each Other Out of a Trap [below]
Jan van der Straet, called Stradanus, Flemish
Medium: Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brush and brown ink over black chalk, with corrections by the artist in white opaque paint, on laid paper · 1596
Cooper Hewitt, Smithsonian Design Museum
Hunting Ducks using Pumpkins in the West Indies
Hunting Ducks using Pumpkins in the West Indies
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brown ink, brush and brown wash over black chalk on laid paper Verso: pen and brush and brown ink over black chalk, with corrections by the artist in white opaque paint, on laid paper · 1596
Cooper Hewitt, Smithsonian Design Museum
A Hilly Landscape with Figures Near a Ravine
A Hilly Landscape with Figures Near a Ravine
Brueghel, Jan, the elder
Pen and brush and brown ink and brush and brown wash on ivory laid paper · 1595
Art Institute of Chicago
A Castle on a Crag in a Mountainous Landscape
A Castle on a Crag in a Mountainous Landscape
Joos de Momper, II
Pen and brown ink, with brush and brown ink wash and touches of black ink wash, over traces of black chalk, on cream laid paper · 1595
Art Institute of Chicago
Crane Hunt using Cones [above]; Bust-length Portrait of Jacob, Lion with a Blindfold, Map of a Fortified City [below left]; Wildcat Hunt [below right]
Crane Hunt using Cones [above]; Bust-length Portrait of Jacob, Lion with a Blindfold, Map of a Fortified City [below left]; Wildcat Hunt [below right]
Jan van der Straet, called Stradanus, Flemish
Pen and brush and brown ink over black chalk, with corrections by the artist in white opaque paint on laid paper. · 1595
Cooper Hewitt, Smithsonian Design Museum
A Hilly Landscape with Figures Near a Ravine
A Hilly Landscape with Figures Near a Ravine
Jan Brueghel the Elder
Pen and brush and brown ink and brush and brown wash on ivory laid paper · 1595
Art Institute of Chicago
Pietas
Pietas
Jan van der Straet, called Stradanus, Flemish
Recto: pen and brush and brown ink over black chalk, with corrections by the artist in white opaque paint, on laid paper Verso: pen and brown ink, brush and brown wash, over black chalk on laid paper · 1594
Cooper Hewitt, Smithsonian Design Museum
Saint Paul
Saint Paul
Guercino
Pen and brown ink, brush and brown ink, over leadpoint or graphite. · 1591
The Metropolitan Museum of Art
Saint Paul
Saint Paul
Francesco Barbieri
Pen and brown ink, brush and brown ink, over leadpoint or graphite. · 1591
The Metropolitan Museum of Art
Saint Paul
Saint Paul
Guercino
Pen and brown ink, brush and brown ink, over leadpoint or graphite. · 1591
The Metropolitan Museum of Art
Caritas Romana
Caritas Romana
Abraham Bloemaert, Dutch
Brush and brown ink with wash, over traces of black chalk, on off white laid paper, laid down on cream card · 1584
Art Institute of Chicago
Caritas Romana
Caritas Romana
Abraham Bloemaert
Brush and brown ink with wash, over traces of black chalk, on off white laid paper, laid down on cream card · 1584
Art Institute of Chicago
Group of Figures by a River
Group of Figures by a River
Agostino Tassi
Pen and brown ink with brush and brown ink, on buff laid paper, laid down on ivory laid card · 1580
Art Institute of Chicago
Deposition of Christ
Deposition of Christ
Michelangelo Buonarroti
Brush and brown ink, heightened with red chalk, over graphite, on cream laid paper, laid down on cream laid paper · 1580
Art Institute of Chicago
Flagellation of Saint Catherine
Flagellation of Saint Catherine
Bernardino Lanino
Brush and brown ink and brown wash, with black ink, heightened with white gouache and white oil paint, with black chalk, on lunette-shaped blue laid paper, squared in red chalk, laid down on cream laid paper · 1550
Art Institute of Chicago
The Supper at Emmaus
The Supper at Emmaus
Bonifacio
Brush and brown ink, brown wash, heightened with white, over black chalk underwriting, on blue paper. · 1536
The Metropolitan Museum of Art
Sacrifice of Isaac
Sacrifice of Isaac
Orsi
Brush and brown ink and wash, heightened with lead white (partly oxidized), covered with shellac, on cream laid paper, laid down on card · 1531
Art Institute of Chicago
Mary Magdalene [verso]
Mary Magdalene [verso]
Biagio Pupini
brush and brown ink with brown wash heightened in white over black chalk · 1524
National Gallery of Art
Mary Magdalene [recto]
Mary Magdalene [recto]
Biagio Pupini
brush and brown ink with brown wash heightened in white over black chalk · 1524
National Gallery of Art
Adoration of the Shepherds: Upper Half
Adoration of the Shepherds: Upper Half
Giulio Romano
Brush and brown ink, heightened with lead white (discolored), on tan laid paper · 1501
Art Institute of Chicago
Madonna and Child
Madonna and Child
Garofalo
Brush and brown ink and brown wash, heightened with lead white (discolored), with touches of charcoal, on cream laid paper · 1501
Art Institute of Chicago
Adoration of the Shepherds: Upper Half
Adoration of the Shepherds: Upper Half
Giulio Romano
Brush and brown ink, heightened with lead white (discolored), on tan laid paper · 1501
Art Institute of Chicago
Madonna and Child
Madonna and Child
Benvenuto Tisi da Garofalo
Brush and brown ink and brown wash, heightened with lead white (discolored), with touches of charcoal, on cream laid paper · 1501
Art Institute of Chicago
Saint George and the Dragon
Saint George and the Dragon
Raphael
brush and brown ink heightened with white over black chalk, incised with stylus · 1501
National Gallery of Art
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