Database / Artworks
Artworks

Group of Draped Standing Figures
Henry Moore
Pen and black ink and black crayon, with brush and gray wash, graphite and touches of red conte crayon, heightened with white gouache, on cream wove paper · 1942
Art Institute of Chicago

Stage Design, Indian Palace Garden for the Ballet "Genghis Khan" by Luigi Henry
Romolo Achille Liverani, Italian
theater, drawing — pen and black ink, brush and gray wash, graphite on white laid paper · 1828
Cooper Hewitt, Smithsonian Design Museum

Stage Design, Tent of Genghis Khan, for the Ballet "Genghis Khan" by Luigi Henry
Romolo Achille Liverani, Italian
theater, drawing — pen and black ink, brush and gray wash, graphite on white laid paper · 1828
Cooper Hewitt, Smithsonian Design Museum

Design for a Painted Porcelain Plate, Les Meringues (Meringues) for the Service des Objets de Dessert (Dessert Service)
Jean Charles Develly, French
ceramics, drawing — pen and brown ink, brush and gray wash, graphite on cream laid paper, border in pen and brown ink · 1819
Cooper Hewitt, Smithsonian Design Museum

Design for a Painted Porcelain Plate, Fruits à l'eau de Vie (Fruits in Plum Liquor) for the Services des Objets de Dessert (Dessert Service)
Jean Charles Develly, French
ceramics, drawing — pen and brown-gray ink, brush and gray wash, graphite on cream laid paper, border in pen and gray ink · 1819
Cooper Hewitt, Smithsonian Design Museum

Inkstand
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and gray wash, graphite on off-white laid paper · 1810
Cooper Hewitt, Smithsonian Design Museum

Inkstand
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and gray wash, graphite on off-white laid paper, lined · 1800
Cooper Hewitt, Smithsonian Design Museum

Inkstand
Giuseppe Barberi, Italian
furniture, drawing — pen and brown ink, brush and gray wash, graphite on off-white laid paper · 1800
Cooper Hewitt, Smithsonian Design Museum

Sepulchral Monument for the Monk Bonafede
Giuseppe Barberi, Italian
architecture, drawing — pen and brown ink, brush and gray wash, graphite, on blued-white laid paper · 1800
Cooper Hewitt, Smithsonian Design Museum

Fighting Knights Before Castle
Robert Ker Porter
Pen and orange-red ink, with brush and gray wash, graphite, and traces of red chalk, on cream wove paper, squared in graphite · 1795
Art Institute of Chicago

Fighting Knights Before Castle
Sir Robert Ker Porter
Pen and orange-red ink, with brush and gray wash, graphite, and traces of red chalk, on cream wove paper, squared in graphite · 1795
Art Institute of Chicago

Stage Design: the Interior of a Tent
Giuseppe Barberi, Italian
theater, drawing — pen and brown ink, brush and gray wash, graphite, on off-white laid paper · 1790
Cooper Hewitt, Smithsonian Design Museum

Sheet of studies with female figure kneeling and embracing standing figure
John Flaxman, English
Pen and black ink, brush and gray wash, graphite · 1775
The Metropolitan Museum of Art

Sheet of studies with female figure kneeling and embracing standing figure
John Flaxman
Pen and black ink, brush and gray wash, graphite · 1775
The Metropolitan Museum of Art

Doorway of San Salvatore in Lauro with Decoration for the Funeral of King Frederick August III of Poland, Rome, Italy
Carlo Marchionni, Italian
architecture, interiors, drawing — brush and gray wash, graphite; border and inscription in pen and brown ink on off-white laid paper · 1763
Cooper Hewitt, Smithsonian Design Museum

Design for a Hemicycle, Villa Albani, Rome, Italy
Carlo Marchionni, Italian
architecture, drawing — pen and brown, gray ink, brush and gray wash, graphite, on cream laid paper · 1753
Cooper Hewitt, Smithsonian Design Museum

Design for a Fountain with Pegasus, for the Villa Albani, Rome
Carlo Marchionni, Italian
architecture, drawing — pen and brown ink, brush and gray wash, graphite on cream laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum

Design of Wall Decoration and Equestrian Monument for Law Courts, Naples, Italy
Giovanni Battista Natali III, Italian
architecture, drawing — pen and black ink, brush and gray wash, graphite on ivory paper · 1750
Cooper Hewitt, Smithsonian Design Museum

Design for a Fan: Capriccio with Roman Ruins and the Farnese Hercules
Giovanni Paolo Panini, Italian
Pen and brown ink, brush and gray wash, graphite on cream laid paper, lined · 1750
Cooper Hewitt, Smithsonian Design Museum

Altar with Tabernacle and Two Priests in Conversation
Filippo Marchionni, Italian
Pen and brown ink, brush and gray wash, graphite on white laid paper · 1750
Cooper Hewitt, Smithsonian Design Museum

Two Designs for a Pile of Trophies Surmounted by a Figure of Victory (or Fame)
Giuseppe Barberi, Italian
metalwork, drawing — pen and brown ink, brush and gray wash, graphite on off-white laid paper · 1746
Cooper Hewitt, Smithsonian Design Museum

Harbor Scene
Nikolaus Gottfried Stuber
Pen and brown ink, brush and gray wash, graphite, over black chalk. Laid paper. · 1725
The Metropolitan Museum of Art

Harbor Scene
Nikolaus Gottfried Stuber, German
Pen and brown ink, brush and gray wash, graphite, over black chalk. Laid paper. · 1725
The Metropolitan Museum of Art

Boats Becalmed
Willem van de Velde II
Brush and gray wash, graphite · 1648
The Metropolitan Museum of Art