Database / Artworks
Artworks
Design for the Letter P of a Pictoral Alphabet: Pope
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter I of a Pictoral Alphabet: Idolatry
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter M of a Pictoral Alphabet: Molière
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter L of a Pictoral Alphabet: The Reading Lesson
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letters Y and Z of a primer: Yacht/ Zéphir (Yachts driven by Zephyrs)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter U of a Pictoral Alphabet: Urania
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letter A of a primer: Ange Gardien (Guardian Angel)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter G of a Pictoral Alphabet: Greek Warfare
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letter C of a pictorial alphabet: Confession
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letter B of a pictorial alphabet: Bienfaisance (Charity)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter D of a Pictorial Alphabet: Dieu (God)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter E of a Pictoral Alphabet: Etude (Study)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter T of a Pictoral Alphabet: Turk
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter O of a Pictoral Alphabet: Odalisque
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter N of a Pictoral Alphabet: Napoléon
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letters V and X of a Pictoral Alphabet: Victoire/Xystus (Victory in the Xystus)
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the letter S of a primer: Satan
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper. · 1830
Cooper Hewitt, Smithsonian Design Museum
Design for the Letter J of a Pictoral Alphabet: Jupiter
Victor Vincent Adam, French
Graphite, pen and bistre ink, brush and ink wash, with white heightening on cream paper · 1830
Cooper Hewitt, Smithsonian Design Museum
Allegorial Painting; Head of the Virgin
Fortunato Duranti, Italian
Pen and bistre ink, brush and ink wash on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Two Lovers in a Landscape
Fortunato Duranti, Italian
Pen and bistre ink, brush and ink wash on pricked paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Man at Supper with Attendants
Felice Giani, Italian
Pen and bistre ink, brush and ink wash on paper · 1795
Cooper Hewitt, Smithsonian Design Museum
Design for a panel
Gilles Paul Cauvet, French
Pen and black ink on paper with brush and ink wash · 1775
Cooper Hewitt, Smithsonian Design Museum
Ornament Panel
Etienne de Lavallée-Poussin, French
Pen and brown ink, brush and ink wash, graphite on paper · 1770
Cooper Hewitt, Smithsonian Design Museum
Design for a title page or frontispiece dedicated to the Empress Maria Theresa
Johann Gottfried Eichler The Younger, German
Pen and black ink, brush and ink wash · 1742
Cooper Hewitt, Smithsonian Design Museum