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Artworks

98,525 records · Cast concrete · Art Institute Chicago
Triumphs of Julius Caesar: Canvas No. V
Triumphs of Julius Caesar: Canvas No. V
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IX
Triumphs of Julius Caesar: Canvas No. IX
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Penitent Magdalene
Penitent Magdalene
Titian Ramsay Peale II
Red chalk, with stumping, on ivory laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Coxie
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Head of Neptune
Head of Neptune
James Barry
Pen and brown ink with brush and gray wash and traces of graphite, on ivory laid paper, laid down on cream laid paper · 1700
Art Institute of Chicago
Return of Agamemnon
Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Portrait of a Gentleman
Portrait of a Gentleman
Christian Friedrich Zincke
porcelain · 1700
Art Institute of Chicago
Portrait of a Man
Portrait of a Man
Charles Claude Dubut
Wax on slate · 1700
Art Institute of Chicago
Sketches of Angels and Putti
Sketches of Angels and Putti
Daniel Gran
Pen and brown ink, with brush and gray wash, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphaelle Peale
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso)
Pyramus and Thisbe (recto); Three Male Figures with Mausoleum Floor Plan (verso)
Thomas Banks
Black chalk with brown ink inscriptions (recto) and black chalk (verso) on ivory laid paper · 1700
Art Institute of Chicago
Holy Family with the Infant St. John
Holy Family with the Infant St. John
Francesco Trevisani
oil paint · 1700
Art Institute of Chicago
Coffer
Coffer
André
Oak, tortoiseshell, brass, gilded copper, gilded bronze, pewter, ebony, and oiled paper · 1700
Art Institute of Chicago
Mater Dolorosa
Mater Dolorosa
Pierre Subleyras
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Mater Dolorosa
Mater Dolorosa
Pierre Subleyras
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Brunk
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Child's Head (Recto) Nude Male Figure (Verso)
Child's Head (Recto) Nude Male Figure (Verso)
Antonio da Correggio
Black chalk heightened with white chalk, on ivory laid paper, laid down on cream wove paper · 1700
Art Institute of Chicago
Tankard
Tankard
Cornelius Kierstede
Silver · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Vella
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Vella
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Kirchner
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Maklouf
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Egil
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Architect Submitting Designs to Patron
Architect Submitting Designs to Patron
Francesco Fontebasso
Pen and black ink, and brush and gray wash, on cream laid paper · 1700
Art Institute of Chicago
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