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Artworks

103 records · Chain
'Crazy Quilt'
'Crazy Quilt'
Lana Almedia Marcellus Jeffery
Silk, plain, twill, and satin weaves; some with supplementary patterning warps, some with supplementary patterning and brocading wefts, some velvet, some with self-patterning; some painted, warp ikat, or engraved roller printed; pieced; appliquéd with cotton and silk, cut solid velvet; stamped; and embroidered with silk in buttonhole, chain, detached chain, cross, double feather, herringbone, satin, single satin, split, and stem stitches; laid work and couching; backed with cotton, plain weave; roller printed · 1896
Art Institute of Chicago
Genealogy Quilt
Genealogy Quilt
Catharine L. Clark
Wool, cotton, and silk, twill weaves and plain weave cut solid velvet, some stamped; pieced; embroidered with silk in back, single back, buttonhole, chain, detached chain, feather, double feather, herringbone, satin, single satin, and stem stitches; backed stitch couching; edged with cotton, plain weave; backed with cotton, satin weave; sewn with cotton thread · 1896
Art Institute of Chicago
Tunic (Jibbeh)
Tunic (Jibbeh)
Mahdist peoples
Layers of cotton, plain weave; pieced and quilted; appliquéd with wool and wool and cotton plain weaves and wool twill weaves; embroidered with cotton in chain, cross, and a derivative of herringbone stitches; applied plied yarn edging; lined with cotton plain weaves; pieced · 1885
Art Institute of Chicago
Man's Robe
Man's Robe
Yoruba
Cotton, strips of warp-resist dyed striped plain weave with supplementary brocading wefts; embroidered with silk in open chain stitches; faced with cotton, warp-faced stripe plain weave and plain weave · 1875
Art Institute of Chicago
Shoulder Cloth (?)
Shoulder Cloth (?)
Komering
Cotton, bands of plain weave, of plain weave embroidered with cotton in chain, double running, eyelet hole and satin stitches; of plain weave with supplementary patterning and brocading wefts; of single interlocking tapestry weave; of weft twining; of weft resist dyed (weft ikat) plain weave; plied knotted warp fringe · 1875
Art Institute of Chicago
Vestment (For a First-degree Taoist Priest)
Vestment (For a First-degree Taoist Priest)
Han-Chinese
Silk and cotton, plain weaves and silk, plain weave self-patterned by ground weft floats; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in chain, eyelet, and satin stitches; laid work and couching; collar and edge trim: silk, warp-float faced 4:1 and 6:1 satin weaves; lined with ramie, plain weave · 1850
Art Institute of Chicago
"Pumpkin Blossom" Quilt
"Pumpkin Blossom" Quilt
Mrs. George F. Gale
Cotton, plain weave; appliquéd; embroidered in satin, chain and running stitches; machine stitch quilted; edged · 1848
Art Institute of Chicago
"Pumpkin Blossom" Quilt
"Pumpkin Blossom" Quilt
Mr.
Cotton, plain weave; appliquéd; embroidered in satin, chain and running stitches; machine stitch quilted; edged · 1848
Art Institute of Chicago
"Pumpkin Blossom" Quilt
"Pumpkin Blossom" Quilt
Mr.
Cotton, plain weave; appliquéd; embroidered in satin, chain and running stitches; machine stitch quilted; edged · 1848
Art Institute of Chicago
Bedcover
Bedcover
Rebecca C. Hayward
Wool, broken twill weave; fulled; embroidered with wool and silk in back, individual back, looped back (cut to form pile), chain, feather, fly, long-armed cross, satin, individual satin, and stem stitches; lined with cotton, plain weave; roller and possibly block printed; glazed · 1844
Art Institute of Chicago
Akhnif (Man's Cape)
Akhnif (Man's Cape)
Ait Ouaouzguite Confederation
Wool and cotton: wedge and slit tapestry weave; embroidered with wool and cotton in heavy chain, herring bone, interlacing, and stem stitches; twined and wrapped main warp cut fringe; added wrapped cut fringe and leather binding stitched with hemp · 1825
Art Institute of Chicago
Sampler
Sampler
Clarissa Emerson
Linen, plain weave; embroidered with silk in cross, satin, stem, long and short, chain, upright Gobelin, oblique Gobelin, and feather stitches; laid work and couching; painted · 1822
Art Institute of Chicago
Sampler
Sampler
Mary Follet
embroidery & stitching, sampler — medium: silk embroidery on linen foundation technique: plain weave foundation; cross, stem, chain, running, and surface satin stitching · 1802
Cooper Hewitt, Smithsonian Design Museum
Sampler
Sampler
Ann
Linen, plain weave; embroidered with silk in chain, cross, eyelet, hem, satin and single satin stitches · 1801
Art Institute of Chicago
Sampler
Sampler
Ann Morris
Linen, plain weave; embroidered with silk in chain, cross, eyelet, hem, satin and single satin stitches · 1801
Art Institute of Chicago
L'Hiver (Winter)
L'Hiver (Winter)
Pierre Antoine Mongin
Silk, warp-float faced satin weave; embroidered with silk and chenille yarns in chain and satin stitches; couching; surface pigment added to embroidered stitches · 1801
Art Institute of Chicago
Woman's Ceremonial Skirt (tapis)
Woman's Ceremonial Skirt (tapis)
Paminggir
Two panels joined: stripes of cotton, warp resist dyed (warp ikat), plain weave with paired warps; cotton and silk, plain weave with supplementary brocading wefts: and stripes of cotton, plain weave embroidered with silk and gold-leaf-over-lacquered-paper-strip wrapped silk in back, chain, stem and surface satin stitches; laidwork and couching · 1801
Art Institute of Chicago
Ceremonial Waist Sashes (ikak pinggang)
Ceremonial Waist Sashes (ikak pinggang)
Minangkabau
Cotton and silk and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, weft-faced, warp ribbed plain weave, and slit tapestry weave; ends of wool, plain weave; fulled; with hammered white metal fitting and fringe of chain and cut, hammered end pieces · 1801
Art Institute of Chicago
Sampler
Sampler
Morris
Linen, plain weave; embroidered with silk in chain, cross, eyelet, hem, satin and single satin stitches · 1801
Art Institute of Chicago
Bonnet Veil
Bonnet Veil
Mary N. Keith
Silk, machine-made twist net; embroidered in chain stitches (tambour work); edged with machine-made picots · 1800
Art Institute of Chicago
Central Medallion Quilt with "Yankee Puzzle" or "Hour Glass"  Borders
Central Medallion Quilt with "Yankee Puzzle" or "Hour Glass" Borders
Mary Carpenter Jones
Center: cotton, plain weave; embroidered with silk, cotton, and wool in buttonhole, chain, cross, single cross, feather, Roumanian, satin, single satin, stem, and twined double running stitches. Squares: cotton, cotton and linen, and linen, plain weaves; block, copperplate, and roller printed · 1795
Art Institute of Chicago
Sampler
Sampler
Polly Bedford
Wool, plain weave; embroidered with silk floss and silk yarns in back, chain, Cretan, individual back, individual running, Roman, satin, stem, and surface satin stitches; laid work, couching, and Roumanian couching · 1791
Art Institute of Chicago
Pocket
Pocket
Sally Standish
Cotton, plain weaves; some embroidered with silk in chain and cross stitches; some printed; pieced; edged with cotton, plain weaves; some printed; lined with linen · 1790
Art Institute of Chicago
Fragment
Fragment
Philippe de La Salle
Silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; French knot · 1775
Art Institute of Chicago
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