Database / Artworks
Artworks
Boxers
Roberto Matta
Charcoal and white chalk on tan wove paper · 1955
Art Institute of Chicago
London Bridge, from In Thackeray's London
Francis Hopkinson Smith
Charcoal and white chalk, with gray pastel and stumping, on light gray paper with blue fibers, laid down on wood pulp board · 1912
Art Institute of Chicago
The Reform Club, from In Thackeray's London
Francis Hopkinson Smith
Charcoal and white chalk, with gray pastel and stumping, heightened with touches of white gouache, on light gray laid paper with blue fibers, laid down on wood pulp board · 1912
Art Institute of Chicago
St. Bartholomew's the Great, from In Thackeray's London
Francis Hopkinson Smith
Charcoal and white chalk, with gray pastel and stumping, on gray laid paper with blue fibers, laid down on wood pulp board · 1912
Art Institute of Chicago
Jermyn Street, from In Thackeray's London
Francis Hopkinson Smith
Charcoal and white chalk, with touches of gray pastel and stumping, heightened with touches of white gouache, on light gray laid paper with blue fibers, laid down on wood pulp board · 1912
Art Institute of Chicago
Smithfield Market, from In Thackeray's London
Francis Hopkinson Smith
Charcoal and white chalk, with gray pastel and stumping, on light gray laid paper with blue fibers, laid down on wood pulp board · 1912
Art Institute of Chicago
Washhouse Court — Grey Friars, from In Thackeray's London
Francis Hopkinson Smith
Charcoal and white chalk, with gray pastel and stumping, heightened with traces of white gouache, on light gray paper with blue fibers, laid down on wood pulp board · 1912
Art Institute of Chicago
Outside View of Colonel Newcome's Rooms, from In Thackeray's London
Francis Hopkinson Smith
Charcoal and white chalk, with gray and white pastel, brush and black gouache, and stumping, heightened with touches of white gouache, on light gray laid paper with blue fibers, laid down on wood pulp board · 1912
Art Institute of Chicago
Study of Kneeling Nude Figure
Louis Schaettle, American
Charcoal and white chalk on brown paper · 1900
Cooper Hewitt, Smithsonian Design Museum
Study for "Frieze of Prophets"
John Singer Sargent
charcoal and white chalk on gray laid paper · 1890
National Gallery of Art
Study of Ezekiel for "Frieze of Prophets"
John Singer Sargent
charcoal and white chalk on gray laid paper · 1890
National Gallery of Art
Satan Rides and Drives the World
Francesco Paolo Michetti
charcoal and white chalk on gray paper · 1882
National Gallery of Art
Mrs. Levicz as Peace, Study for "Justice and Peace"
Daniel Huntington, American
Charcoal and white chalk on grey laid paper · 1878
Cooper Hewitt, Smithsonian Design Museum
Studies of Peace for "Justice and Peace"
Daniel Huntington, American
Charcoal and white chalk on gray-brown laid paper · 1878
Cooper Hewitt, Smithsonian Design Museum
Mrs. B as Peace, Study for "Justice and Peace"
Daniel Huntington, American
Charcoal and white chalk on beige-gray laid paper · 1878
Cooper Hewitt, Smithsonian Design Museum
Group Composition from Fantasia Enchained
Adolf Hirémy-Hirschl
Charcoal and white chalk, with stumping, on tan wove paper · 1873
Art Institute of Chicago
Female Nude, Study for "Mercy's Dream"
Daniel Huntington, American
Charcoal and white chalk on gray wove paper · 1857
Cooper Hewitt, Smithsonian Design Museum
Cows and Sheep under Trees
Constant Troyon
charcoal and white chalk with touches of red chalk on blue-gray laid paper · 1845
National Gallery of Art
Study for "The Landing of Columbus on San Salvador, October 12, 1492": Roderigo Sánchez of Segovia
John Vanderlyn
Charcoal and white chalk (lightly affixed) on light gray laid paper · 1840
The Metropolitan Museum of Art
Study for "The Landing of Columbus on San Salvador, October 12, 1492": Roderigo Sánchez of Segovia
John Vanderlyn
Charcoal and white chalk (lightly affixed) on light gray laid paper · 1840
The Metropolitan Museum of Art
Study for "The Landing of Columbus on San Salvador, October 12, 1492": Roderigo Sánchez of Segovia
John Vanderlyn
Charcoal and white chalk (lightly affixed) on light gray laid paper · 1840
The Metropolitan Museum of Art
Dionysian Revelers
Elihu Vedder
charcoal and white chalk on green wove paper · 1836
National Gallery of Art
Farmyard with Ducks
Jules Dupré
Charcoal and white chalk · 1830
The Metropolitan Museum of Art
Highland Lassie
Edwin Henry Landseer
graphite, charcoal and white chalk · 1824
Cleveland Museum of Art