Database / Artworks
Artworks
Stamp for Adinkra Textile
Asante
Calabash, sticks, cloth, and string · 1875
Art Institute of Chicago
"A, B, C, D"-Shaped Stamp for Adinkra Textile
Asante
Calabash, sticks, cloth, and string · 1875
Art Institute of Chicago
Checkerboard-Shaped Stamp for Adinkra Textile
Asante
Calabash, sticks, cloth, and string · 1875
Art Institute of Chicago
Heart-Shaped Stamp for Adinkra Textile
Asante
Calabash, sticks, cloth, and string · 1875
Art Institute of Chicago
Necklace (Odigba Ifa)
Yoruba
Glass beads, cloth, and leather · 1875
Art Institute of Chicago
Hat
Yoruba
Cloth, glass beads, and thread · 1875
Art Institute of Chicago
"Hairstyle of Court Attendants" Stamp for Adinkra Textile
Asante
Calabash, sticks, cloth, and string · 1875
Art Institute of Chicago
"Hairstyle of Court Attendants" Stamp for Adinkra Textile
Asante
Calabash, sticks, cloth, and string · 1875
Art Institute of Chicago
Coverlet
John Schneider
Wool, plain weave double cloth; main warp fringe; woven on loom with Jacquard attachment; two loom widths joined · 1872
Art Institute of Chicago
Bookmark "The Last Rose of Summer"
Thomas Stevens
Silk, plain cloth, brocaded · 1871
Art Institute of Chicago
Chair
George Jakob Hunzinger
furniture, decorative arts, chair — maple, cord, cloth-covered metal · 1869
Cooper Hewitt, Smithsonian Design Museum
The Cats' Rendezvous
Édouard Manet
Lithograph in black on ivory wove paper, laid down on ivory cloth · 1868
Art Institute of Chicago
Sketchbook of Landscape and Animal Subjects
Thomas Hewes Hinckley
Drawings in graphite, ink (?) washes, gouache, and sgraffito on green, tan, and buff-colored wove paper, bound in a cloth cover · 1860
The Metropolitan Museum of Art
Sketchbook of Landscape and Animal Subjects
Thomas Hewes Hinckley
Drawings in graphite, ink (?) washes, gouache, and sgraffito on green, tan, and buff-colored wove paper, bound in a cloth cover · 1860
The Metropolitan Museum of Art
Coverlet
Harry Tyler
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined · 1857
Art Institute of Chicago
Coverlet
William Craig, Jr.
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1855
Art Institute of Chicago
Coverlet
John Craig
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1855
Art Institute of Chicago
Coverlet
Matthew Rattray
Wool and cotton, double cloth; two loom widths joined; woven on a loom with a Jacquard attatchment · 1853
Art Institute of Chicago
Coverlet
John Rogers
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1853
Art Institute of Chicago
Coverlet
James M. Hart
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; full loom width; seamless · 1851
Art Institute of Chicago
Coverlet
James M. Hart
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; full loom width; seamless · 1851
Art Institute of Chicago
Coverlet
James M. Hart
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; full loom width; seamless · 1851
Art Institute of Chicago
Coverlet
Hart James
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; full loom width; seamless · 1851
Art Institute of Chicago
Coverlet
James Hart
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; full loom width; seamless · 1851
Art Institute of Chicago