Database / Artworks
Artworks

The Mine Shaft
Ethel Stein
Cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1998
Art Institute of Chicago

The Scaffold
Ethel Stein
Cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1998
Art Institute of Chicago

The River
Ethel Stein
Cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1998
Art Institute of Chicago

The Forest
Ethel Stein
Cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1998
Art Institute of Chicago

The Little Breeze
Ethel Stein
Cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1998
Art Institute of Chicago

The Tower
Ethel Stein
Cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1998
Art Institute of Chicago

Self-Portraits My Ass
Raymond Pettibon
Translucent and opaque watercolor, with inks, over traces of graphite, on yellow handmade paper, folded into multiple signatures and sewn through the fold in a full-cloth binding · 1998
Art Institute of Chicago

Circus and Slapstick
Ethel Stein
One of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1996
Art Institute of Chicago

Circus and Slapstick
Ethel Stein
One of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1996
Art Institute of Chicago

Circus and Slapstick
Ethel Stein
One of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1996
Art Institute of Chicago

Circus and Slapstick
Ethel Stein
One of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1996
Art Institute of Chicago

Circus and Slapstick
Ethel Stein
One of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1996
Art Institute of Chicago

Circus and Slapstick
Ethel Stein
One of six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1996
Art Institute of Chicago

Circus and Slapstick
Ethel Stein
Six panels configured into a cube: cotton, plain weave, double cloth; woven on a loom with a drawloom attachment fabricated by the artist · 1996
Art Institute of Chicago

Behind the Mask Sign (from 3-D Cover of Not-a-Superhero No. 10)
Luca Buvoli
Wire, plexiglass, cloth, plastic, tinfoil, monofilament, candy wrappers, plastic tubing, plastic straws, plastic netting, and a scrubbie · 1996
Museum of Modern Art

Scrapheap Services
Michael Landy
Video, 4 mannequins, clothes, shredder, bins, brooms, paper and other materials · 1995
Tate

French Tercet (Blanket)
Kristie Strasen
Polyester and rayon, tied and free double cloth of plain and twill weaves self-patterned by main warps and ground wefts; two selvages present · 1995
Art Institute of Chicago

Atlas of Planetary Drawings
Russell Crotty
Book with blue-black ballpoint pen and graphite on white wove paper, folded into multiple signatures sewn through the fold and bound in a full-cloth binding · 1995
Art Institute of Chicago

Bells (Furnishing Fabric)
Ruth Adler Schnee
Cotton and rayon, tied and free twill and plain weave double cloth · 1995
Art Institute of Chicago

Threads (Furnishing Fabric)
Ruth Adler Schnee
Cotton and rayon, mixed twill tied double cloth · 1995
Art Institute of Chicago

Pipedreams (Furnishing Fabric)
Ruth Adler Schnee
Cotton and rayon, mixed twill tied double cloth self-patterned by main warp and ground weft floats · 1995
Art Institute of Chicago

Untitled
Doris Salcedo
Wood, cement, steel, cloth, and leather · 1995
Museum of Modern Art

Crystal Blue Cathedral
Raymond Pettibon
Translucent and opaque watercolor, with pen and inks and black acrylic paint, on ivory wove paper, folded into multiple signatures and sewn through the fold in a quarter-cloth binding with marbled paper covered boards with loose collage elements and blue ribbon page marker · 1994
Art Institute of Chicago

Whiteness 6
Richard Tuttle
Styrofoam, paper, colored pencil, graphite, latex paint, plywood, enamel, nails, cotton cloth, galvanized metal, and masking tape · 1994
Museum of Modern Art