Database / Artworks
Artworks
Untitled from Surtsey
Dieter Roth
One from a portfolio of eighteen collotypes · 1973
Museum of Modern Art
Still Life with Picasso from Homage to Picasso (Hommage à Picasso)
Roy Lichtenstein
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Cy Twombly
Lithograph and collotype from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Acide doux from Homage to Picasso (Hommage à Picasso)
Wifredo Lam
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Emil Schumacher
Etching and aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Studies for Les Demoiselles d'Avignon (Études pour Les Demoiselles d'Avignon) from Homage to Picasso (Hommage à Picasso)
Pol Bury
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Fritz Wotruba
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Picasso's Meninas from Homage to Picasso (Hommage à Picasso)
Richard Hamilton
Etching, aquatint, engraving, and drypoint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Greetings Pablo Ruiz from Homage to Picasso (Hommage à Picasso)
R. B. Kitaj
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Heinz Mack
Screenprint and embossing from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Salut Picasso from Homage to Picasso (Hommage à Picasso)
Niki de Saint Phalle
Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Joseph Beuys
Lithograph from a portfolio of 31 lithographs (one with aquatint, one with collotype, one with screenprint), 22 screenprints (one with embossing, one with flocking, one with stencil), 11 etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Pierre Alechinsky
Lithograph and aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Eduardo Chillida
Etching and aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
French Cooking from Homage to Picasso (Hommage à Picasso)
Allen Jones
Screenprint and stencil from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Ecstatic Tree (L'Arbre extatique) from Homage to Picasso (Hommage à Picasso)
Corneille (Guillaume van Beverloo)
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Sidi Ifni from Homage to Picasso (Hommage à Picasso)
Frank Stella
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Big Red Wrench in a Landscape from Homage to Picasso (Hommage à Picasso)
Jim Dine
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Four Reclining Figures from Homage to Picasso (Hommage à Picasso)
Henry Moore
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Ariadne from Homage to Picasso (Hommage à Picasso)
Gerhard Altenbourg
Woodcut from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Helmut A. P. Grieshaber
Woodcut from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Viva Picasso from Homage to Picasso (Hommage à Picasso)
Jean Tinguely
Lithograph and screenprint with collage additions from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Hans Bellmer
Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art
Homage to Picasso from Homage to Picasso (Hommage à Picasso)
Eduardo Paolozzi
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973
Museum of Modern Art