Browse Artworks

Untitled from Homage to Picasso (Hommage à Picasso)

Helmut A. P. Grieshaber

Woodcut from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Viva Picasso from Homage to Picasso (Hommage à Picasso)

Jean Tinguely

Lithograph and screenprint with collage additions from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Hans Bellmer

Etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Homage to Picasso from Homage to Picasso (Hommage à Picasso)

Eduardo Paolozzi

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Nicholas Krushenick

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Jorge Castillo

Etching, aquatint, and drypoint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

The Student from Homage to Picasso (Hommage à Picasso)

David Hockney

Aquatint and etching from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Joan Miró

Etching and aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Four Reclining Figures from Homage to Picasso (Hommage à Picasso)

Henry Moore

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Earth Ritual from Homage to Picasso (Hommage à Picasso)

Joe Tilson

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Salut Picasso from Homage to Picasso (Hommage à Picasso)

Niki de Saint Phalle

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Still Life with Picasso from Homage to Picasso (Hommage à Picasso)

Roy Lichtenstein

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Cy Twombly

Lithograph and collotype from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Homage to Picasso from Homage to Picasso (Hommage à Picasso)

Robert Rauschenberg

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Michelangelo Pistoletto

Lithograph on steel mirror from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Acide doux from Homage to Picasso (Hommage à Picasso)

Wifredo Lam

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Studies for Les Demoiselles d'Avignon (Études pour Les Demoiselles d'Avignon) from Homage to Picasso (Hommage à Picasso)

Pol Bury

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Fritz Wotruba

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Picasso's Meninas from Homage to Picasso (Hommage à Picasso)

Richard Hamilton

Etching, aquatint, engraving, and drypoint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Greetings Pablo Ruiz from Homage to Picasso (Hommage à Picasso)

R. B. Kitaj

Screenprint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1973

Museum of Modern Art

Style/Natura Morta No. 9

Denis Masi

Collotype · 1973

Museum of Modern Art

Seated Woman from Homage to Picasso (Hommage à Picasso)

Enrico Baj

Screenprint with flocking from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Alan Davie

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972

Museum of Modern Art

Untitled from Homage to Picasso (Hommage à Picasso)

Jan Voss

Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972

Museum of Modern Art