Database / Artworks
Artworks
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Untitled
Robert Heinecken
Collotype, from the portfolio "Are You Rea" (1968) · 1964
Art Institute of Chicago
Macao
John Thomson
Collotype, pl. XXIII from the album "Illustrations of China and its People, Volume I" (1873) · 1963
Art Institute of Chicago
1961
Georges Hugnet
Issued unbound; stitched and inserted in sea green paper covers with one paper collage signed by the artist and four collotypes after photomontages · 1961
Art Institute of Chicago
Poster for As-tu cueilli la fleur de barbe, Galerie Daniel Cordier, Paris, April 27 - May 31, 1960
Jean Dubuffet
Collotype · 1960
Museum of Modern Art
l'Avanguardia Internazionale, Volume 4/l'Avant-Garde Internationale, Volume 4/The International Avant-Garde, Volume 4
Marcelle Cahn
15 etchings (some with soft ground etching, aquatint, and/or drypoint), 2 soft ground etchings (1 with aquatint), 1 drypoint, and 1 collotype, printed in black; and 1 linoleum cut · 1960
Museum of Modern Art
Bullfighter and Young Lady (Torero y señorita) (unbound plate) from Le Carmen des Carmen
Pablo Picasso
Lithograph from an illustrated book with three aquatints (one with etching), one drypoint, and one lithograph, plus 91 collotype reproductions of drawings · 1960
Museum of Modern Art
Picador at Rest (Picador au repos) (unbound plate) from Le Carmen des Carmen
Pablo Picasso
Drypoint from an illustrated book with three aquatints (one with etching), one drypoint, and one lithograph, plus 91 collotype reproductions of drawings · 1960
Museum of Modern Art
Sur Marcel Duchamp
Marcel Duchamp
Enclosed in a brown cloth covered case with reproductions of Duchamp's notes, sketches and images on lining papers; Case includes small compartment with magnetic closure containing a collotype and stencil facsimile of the "Large Glass" and large compartment containing the book, with black velvet paper covered compartment cover with a torn silhouette profile of the artist on tan paper; mounted on the front of case is a blue enamel coated metial plaque lettered in white "Eau & gaz à tous les estages" · 1959
Art Institute of Chicago