Database / Artworks
Artworks
Ambiguous Standards of Diagnosis (II)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Ambiguous Standards of Diagnosis (IV)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Ambiguous Standards of Protest (II)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Immeasurability: The Ridge
AD—WO
Cotton, cotton-polyester blend, laminated gold metallic foil-wrapped extruded filament threads, and possibly other synthetic blends, in variations of plain and twill weave; woven on a digital jacquard loom; hemmed and machine stitched, Edition 1/3 · 2020
Art Institute of Chicago
Ambiguous Standards of Protest (IV)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Ambiguous Standards of Food (I)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Untitled (Nina Challenge #4)
Amanda Williams
Collage of torn, printed papers on white wove paper · 2019
Art Institute of Chicago
Toolkit for La Rentrada
Maria Elena Pombo
Avocado seeds, avocado seed brick, avocado seed taparita, avocado seed plastic, avocado
seed leather, avocado seed glass, avocado seed powder, avocado seed oil, avocado seed
water, glycerin, sodium alginate, sargassum algae, tropical pine resin brick, tropical pine resin, and glass containers · 2019
Art Institute of Chicago
Sleep over, from the series "The Royal House of Allure"
Sabelo Mlangeni
Gelatin silver print · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
We Were Lost in Our Country
Tuan Andrew Nguyen
Single-channel video installation, sound, color, 35 min. · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen and ballpoint pen · 2019
Art Institute of Chicago
Room 31, Southeast, Madlener House
Nelly Agassi
Gold gilt bullion wire, cloths of gold and silver with metallicized cotton, wool felt, and cotton thread on linen blend · 2019
Art Institute of Chicago
Tiger Water Maker Jaguar
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
Leslie Hewitt Reading 2.1511: That Is How a Picture Is Attached to Reality: It Reaches Right Out to It
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Tiny Spy
Penny Siopis
Glue, ink and oil on canvas · 2019
Art Institute of Chicago
Lore
Sky Hopinka
Single-channel video (transferred from 16mm film), color, sound; 10 min. 16 sec. · 2019
Art Institute of Chicago
Hanging Drawing X
Jared Ginsburg
Bamboo, rubber, string, wire packed in wooden box (wood, felt, metal clasps, cloth, velcro) · 2019
Art Institute of Chicago
Liquid Intelligence, Ellen Gallagher with Edgar Cleijne
Irma Boom
Book · 2019
Art Institute of Chicago
Lucas Blalock Reading 3.221: Objects Can Only Be Named. Signs Are Their Representatives. I Can Only Speak About Them: I Cannot Put Them Into Words. Propositions Can Only Say How Things Are, Not What They Are.
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Pradeep Dalal Reading 4.021: A Proposition Is a Picture of Reality: for it I Understand a Proposition, I Know the Situation It Represents. And I Understand the Proposition. Without Having Had Its Sense Explained to Me.
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Arash Fewzee Reading 4.2211: Even if the World Is Infinitely Complex, so That Every Fact Consists of Infinitely Many States of Affairs and Every State of Many Objects, There Would Still Have to Be Objects and States of Affairs
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago