Artworks

Jan Goeree

Pen and brown ink, with brush and brown wash, over traces of red chalk, on ivory laid paper, tipped onto cream wove paper · 1690

Claude Gillot

Pen and black and red ink, and brush and red wash, on tan laid paper, laid down on tan card · 1690

Domenico Mondo

Pen and brown and black ink, with brush and gray and brown wash, over traces of black chalk, on cream laid paper (upper left corner missing), laid down on ivory laid paper · 1690

Claude Gillot

Pen and brown ink, with traces of brush and brown wash, on buff laid paper, laid down on cream laid card, with blue laid paper border · 1690

François Boitard

Pen and gray brown ink, with brush and gray wash, with additions of blue and green pastel, on pale green tinted paper · 1690

Edward Pierce, the younger

Pen and brown ink, with brush and gray and brown wash, over traces of graphite, with gold paint in borders on ivory laid paper · 1690

Giulio Testone

Pen and brown ink, with brush and gray wash, over traces of graphite, on ivory laid paper · 1690

Carlo Marchionni

Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689

Carlo Marchionni

Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689

Carlo Marchionni

Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689

Pieter Schenk

Mezzotint and engraving in black on ivory laid paper · 1689

Carlo Marchionni

Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689

Giuseppe Nogari

Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689

Pieter Schenk

Mezzotint and engraving in black on ivory laid paper · 1689

Giuseppe Nogari

Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689

Jean Baptiste Monnoyer

Wool and silk, slit and double interlocking tapestry weave · 1688

Mercy Mackett

Linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in Algerian eye, Antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided Italian cross, satin, squared ground, and a variety of buttonhole stitches · 1688

Carlo Antonio Tavella

Pen and iron gall ink on cream laid paper · 1688

Hasegawa Tojyu

Hanging scroll; ink on paper · 1688

JEAN

Wool and silk, slit and double interlocking tapestry weave · 1688

Alessandro Magnasco

Black chalk heightened with touches of white chalk on brown tinted laid paper, laid down on ivory laid paper · 1687

Alessandro Magnasco

Brush and brown ink and brown wash, heightened with white gouache, with touches of black chalk, on tan laid paper with brown fibers, laid down on off-white laid paper · 1687

Giuseppe Mazza

Marble · 1687

Pierre Louis van Schuppen

Engraving on paper · 1687