Database / Artworks
Artworks
Roses in a Vase
Georges Seurat
Black Conté crayon on ivory laid paper, discolored to tan, edge mounted on tan wove paper · 1881
Art Institute of Chicago
The Swallows
Félix Bracquemond
Pen and brush and black ink, with black chalk and graphite and touches of black Conté crayon, on tan wove paper · 1881
Art Institute of Chicago
Strange Flower (Little Sister of the Poor)
Odilon Redon
Various charcoals, with touches of black chalk and black Conté crayon, stumping, incising and erasing, on yellowish cream wove paper altered to a golden tone · 1880
Art Institute of Chicago
Strange Flower (Little Sister of the Poor)
Odilon Redon
Various charcoals, with touches of black chalk and black Conté crayon, stumping, incising and erasing, on yellowish cream wove paper altered to a golden tone · 1880
Art Institute of Chicago
The Church of San Giorgio Maggiore
James McNeill Whistler
pastel and conté crayon on brown wove paper · 1880
National Gallery of Art
![Pea Harvesters [recto]](https://api.nga.gov/iiif/01ae11ed-6df9-4815-bed3-1d8eb38aae8c/full/!800,800/0/default.jpg)
Pea Harvesters [recto]
Camille Pissarro
conté crayon and transparent and opaque watercolor on wove paper · 1880
National Gallery of Art
Strange Flower (Little Sister of the Poor)
Odilon Redon, French
Various charcoals, with touches of black chalk and black Conté crayon, stumping, incising and erasing, on yellowish cream wove paper altered to a golden tone · 1880
Art Institute of Chicago
Suggestion
Odilon Redon
Various charcoals and black pastel (a later reworking), with touches of black Conté crayon, incising, stumping, wiping, erasing, and subtractive brushwork, on pale-pink wove paper with red and blue fibers altered to a golden tone · 1880
Art Institute of Chicago
Los Caprichos: Se Repulen
James Ensor
Black Conté crayon on ivory wove paper (discolored to cream) · 1880
Art Institute of Chicago
Strange Flower (Little Sister of the Poor)
Odilon Redon
Various charcoals, with touches of black chalk and black Conté crayon, stumping, incising and erasing, on yellowish cream wove paper altered to a golden tone · 1880
Art Institute of Chicago
The Palace; white and pink
James McNeill Whistler
pastel and conté crayon on brown wove paper · 1879
National Gallery of Art
Self-Portrait
James Ensor
Charcoal with graphite and touches of black Conté crayon on ivory wove paper · 1878
Art Institute of Chicago
The Old Cock
Félix Bracquemond
conté crayon with brush and brown-black wash on wove paper · 1877
National Gallery of Art
Academic Male Nude
Georges Seurat
Black Conté crayon, black chalk, and charcoal, with stumping and erasing, on cream laid paper · 1877
Art Institute of Chicago
a) Mephistopheles, also known as Harlequin (recto) b) Winged Figure with Serpent (verso)
Odilon Redon
Pencil and colored conté crayon on paper · 1877
Museum of Modern Art
Landscape
Georges Seurat
Black Conté crayon on off-white laid paper · 1876
Art Institute of Chicago
Evening
Albert Lebourg
conté crayon and charcoal with stumping and white gouache on laid paper discolored to brown · 1874
Barrister at Court (recto); Courtroom Scene (verso)
Jean-Louis Forain
Black Conté crayon, with red chalk and stumping, heightened with white chalk (recto), and black chalk with stumping and red chalk (verso), on cream wove paper (discolored to tan) · 1872
Art Institute of Chicago
Sketch of Man and Woman at a Party (recto); Sheet of Sketches: Group of Two Men and a Woman (verso)
Jean-Louis Forain
Black Conté crayon, with touches of graphite (recto), and Black Conté crayon (verso), on cream laid paper · 1872
Art Institute of Chicago
Mantelpiece Still Life
James Ensor
Black chalk with graphite and touches of black Conté crayon on off-white wove paper · 1870
Art Institute of Chicago
Landscape
Odilon Redon
Various charcoals, with black chalk and black Conté crayon, wiping, stumping and erasing on cream wove paper altered to a golden tone · 1868
Art Institute of Chicago
Drapery Study for "Battledore" (recto); Two Women (verso)
Joseph Albert
Black conté crayon and white chalk on brown paper (recto); black chalk (verso) · 1868
The Metropolitan Museum of Art
Madame Ditte
Henri Fantin-Latour
black conté crayon, black chalk and blue pastel, stumping and erasure, with touches of white on laid paper · 1867
National Gallery of Art
Rouen Cathedral
Léon Augustin Lhermitte
Charcoal, with brown Conté crayon, over graphite, on cream laid paper (discolored to tan), laid down on cream wove paper · 1864
Art Institute of Chicago