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Artworks

Nancy Outside in July XXII: Ten Layers of Gray
Jim Dine
Hard and soft ground etching and aquatint from eight copper plates on white wove paper · 1981
Art Institute of Chicago

Nancy Outside in July XXIV: Brilliant Dutch Gloss
Jim Dine
Hard and soft ground etching, drypoint, and aquatint from two copper plates in gray and black inks, with enamel paint on white wove paper · 1981
Art Institute of Chicago

Nancy Outside in July XX: Among French Plants
Jim Dine
Photogravure and aquatint from three copper plates in black and orange on white wove paper · 1981
Art Institute of Chicago

Nancy Outside in July XVI: Japanese Bistre
Jim Dine
Photogravure from one copper plate on ivory oatmeal paper · 1981
Art Institute of Chicago

Nancy Outside in July XVIII: Full of Expression
Jim Dine
Photogravure, hard and soft ground etching, and aquatint from two copper plates, with pastel on white wove paper · 1981
Art Institute of Chicago

Nancy Outside in July XIV: Wrestling with Spirits
Jim Dine
Hard and soft ground etching and aquatint from three copper plates, in blue, gray, and black inks on white wove paper · 1981
Art Institute of Chicago

Nancy Outside in July XI: Red Sweater in Paris
Jim Dine
Hard and soft ground etching, drypoint and aquatint from four copper plates in turquoise, buff and black inks, with hand-painting in acrylic on white wove paper · 1980
Art Institute of Chicago

Nancy Outside in July VII
Jim Dine
Hard and soft ground etching, drypoint, and engraving from one copper plate, with watercolor and crayon on white wove paper · 1980
Art Institute of Chicago

Nancy Outside in July VIII
Jim Dine
Hard and soft ground etching, drypoint and engraving from one copper plate on gray wove paper · 1980
Art Institute of Chicago

Nancy Outside in July IX: March in Paris (Tulips)
Jim Dine
Hard and soft ground etching, drypoint, engraving and aquatint from one copper plate, with pastel and watercolor on white wove paper · 1980
Art Institute of Chicago

Nancy Outside in July X: Young and Blue
Jim Dine
Hard and soft ground etching, drypoint and aquatint from three copper plates in brown, rose, blue-green, and black inks, with hand-painting on buff wove paper · 1980
Art Institute of Chicago

Portrait of Anne Baruch
Jirí Anderle
Drypoint, brushed cut and punctured copper plate in black and brown ink, on ivory wove paper · 1980
Art Institute of Chicago

Nancy Outside in July VI, Flowers of the Holy Land
Jim Dine
Hard and soft ground etching and drypoint from two copper plates, with hand-coloring on pinkish cream wove paper · 1979
Art Institute of Chicago

The Last Spring of my Grandmother
Jirí Anderle
Drypoint and mezzotint on brushed copper plate on cream vellum · 1979
Art Institute of Chicago

Nancy Outside in July V
Jim Dine
Hard and soft ground etching and drypoint from one copper plate on golden cream mulberry paper · 1978
Art Institute of Chicago

Nancy Outside in July II
Jim Dine
Hard and soft ground etching from one copper plate on golden cream mulberry paper · 1978
Art Institute of Chicago

Nancy Outside in July III
Jim Dine
Hard and soft ground etching, aquatint, roulette and drypoint from two copper plates on paper · 1978
Art Institute of Chicago

Nancy Outside in July I
Jim Dine
Hard and soft ground etching and aquatint from three copper plates in green, cream, and black inks, with watercolor on ivory wove paper · 1978
Art Institute of Chicago

Land's End
Jasper Johns
Color etching from three copper plates on white wove paper · 1978
Art Institute of Chicago

Discord Merely Magnifies, from The Blue Guitar
David Hockney
Color etching and aquatint from two copper plates on white wove paper · 1977
Art Institute of Chicago

Doctor Faustroll
Thomas Chimes
Oil on canvas mounted on wood panel in artist wood frame with copper plate · 1977
Museum of Modern Art

Cher Maitre, from Eight Sheets from an Undefined Novel
Jim Dine
Etching with soft ground from one copper plate, with touches of watercolor on white wove paper · 1976
Art Institute of Chicago

Title Page, from The Blue Guitar
David Hockney
Color etching and aquatint from two copper plates on white wove paper · 1976
Art Institute of Chicago

Parade, from The Blue Guitar
David Hockney
Color etching and aquatint from two copper plates on white wove paper · 1976
Art Institute of Chicago