Database / Artworks
Artworks

White 14-15, from A la pintura
Robert Motherwell
Color etching and aquatint from two copper plates, with letterpress, on white wove paper · 1972
Art Institute of Chicago

White 10-13, from A la pintura
Robert Motherwell
Color soft ground etching from two copper plates, with leterpress, on white wove paper · 1972
Art Institute of Chicago

Message from Degas
Helen Frankenthaler
Color etching, aquatint, and liquid aquatint from three copper plates on white mulberry laid paper · 1972
Art Institute of Chicago

Message from Degas
Helen Frankenthaler
Color etching and aquatint from three copper plates on ivory wove paper · 1972
Art Institute of Chicago

To the Palette, from A la pintura
Robert Motherwell
Color lift-ground aquatint and soft ground etching from two copper plates, with letterpress, on white wove paper · 1971
Art Institute of Chicago

White 3-6, from A la pintura
Robert Motherwell
Color etching from one copper plate, with letterpress, on white wove paper · 1971
Art Institute of Chicago

White 7-9, from A la pintura
Robert Motherwell
Color aquatint and lift-ground aquatint from three copper plates, with letterpress, on white wove paper · 1971
Art Institute of Chicago

Red 8-11, from A la pintura
Robert Motherwell
Color aquatint and lift-ground aquatint from two copper plates, with letterpress, on white wove paper · 1971
Art Institute of Chicago

White 1-2, from A la pintura
Robert Motherwell
Color lift-ground etching and aquatint from one copper plate, with letterpress, on white wove paper · 1971
Art Institute of Chicago

Red 1-3, from A la pintura
Robert Motherwell
Color aquatint and lift-ground aquatint from two copper plates, with letterpress, on white wove paper · 1971
Art Institute of Chicago

Blue 12-13, from A la pintura
Robert Motherwell
Color aquatint and etching from two copper plates, with letterpress, on white wove paper · 1971
Art Institute of Chicago

Blue 6-11, from A la pintura
Robert Motherwell
Color aquatint and lift-ground etching from two copper plates, with letterpress, on white wove paper · 1971
Art Institute of Chicago

Black 5-11, from A la pintura
Robert Motherwell
Color aquatint and lift-ground aquatint, with etching, from two copper plates, with letterpress, on white wove paper · 1971
Art Institute of Chicago

Blue 4, from A la pintura
Robert Motherwell
Color aquatint and lift-ground etching from two copper plates, with letterpress, on white wove paper · 1971
Art Institute of Chicago

Gauloises Bleues (Yellow with Black Square)
Robert Motherwell
Color aquatint from two plates and line cut from one copper plate on ivory wove paper · 1971
Art Institute of Chicago

Gauloises Bleues (Raw Umber Edge)
Robert Motherwell
Color aquatint from two copper plates and line etching from one copper plate on ivory wove paper · 1971
Art Institute of Chicago

Paintbrush
Jim Dine
Etching from one copper plate on white wove paper · 1971
Art Institute of Chicago

Gauloises Bleues (White)
Robert Motherwell
Color aquatint from one copper plate and line cut from one copper plate on ivory wove paper · 1970
Art Institute of Chicago

Cancelled copper plate for Untitled (Walking Machine; From Genot to Unimate, plate 4) from the illustrated book The Conditional Probability Machine
Eduardo Paolozzi
Photogravure copper plate · 1970
Museum of Modern Art

The Conditional Probability Machine
Eduardo Paolozzi
Illustrated book with twenty-five photogravures; and one cancelled copper plate · 1970
Museum of Modern Art

To the Paintbrush, from A la pintura
Robert Motherwell
Color soft ground etching with aquatint from one copper plate, with letterpress, on white wove paper · 1969
Art Institute of Chicago

Red 4-7, from A la pintura
Robert Motherwell
Color aquatint and lift-ground etching from two copper plates, with letterpress, on white wove paper · 1969
Art Institute of Chicago

Blue 1-3, from A la pintura
Robert Motherwell
Color aquatint and lift-ground with etching from two copper plates, with letterpress, on white wove paper · 1969
Art Institute of Chicago

Blue 5, from A la pintura
Robert Motherwell
Color aquatint and lift-ground etching from two copper plates, with letterpress, on white wove paper · 1969
Art Institute of Chicago