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Artworks

320 records · Copper plate
Dance II/Diptych
Dance II/Diptych
Eldzier Cortor
Copper plate · 1936
Art Institute of Chicago
Copper plate for "The Pool of Tears"
Copper plate for "The Pool of Tears"
Vera Berdich
Copper plate · 1935
Art Institute of Chicago
The 26 Etchings (Second Venice set)
The 26 Etchings (Second Venice set)
James McNeill Whistler
Bound volume of etchings and drypoints printed from original cancelled copper plates · 1924
Art Institute of Chicago
Cronos
Cronos
Stanley William Hayter
Copper plate for engraving · 1921
Art Institute of Chicago
Self-Portrait - The Last Etching
Self-Portrait - The Last Etching
Ivan Albright
Copper plate for drypoint · 1912
Art Institute of Chicago
Unknown Subject
Unknown Subject
Ivan Albright
Copper plate for drypoint · 1912
Art Institute of Chicago
Two Nude Figures: Woman with a Guitare and Boy with a Cup
Two Nude Figures: Woman with a Guitare and Boy with a Cup
Pablo Picasso
Drypoint on copper plate on ivory laid paper · 1909
Art Institute of Chicago
Anger, from The Deadly Sins
Anger, from The Deadly Sins
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago
Gluttony, from The Deadly Sins
Gluttony, from The Deadly Sins
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago
Envy, from The Deadly Sins
Envy, from The Deadly Sins
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago
Avarice, from The Deadly Sins
Avarice, from The Deadly Sins
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago
Perplexed Masks
Perplexed Masks
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago
Pride, from The Deadly Sins
Pride, from The Deadly Sins
James Ensor
Etching with drypoint from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago
The Deadly Sins Dominated by Death, from The Deadly Sins
The Deadly Sins Dominated by Death, from The Deadly Sins
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago
Darwin D. Martin House: "Tree of Life" Window
Darwin D. Martin House: "Tree of Life" Window
Frank Lloyd Wright
Clear, translucent, and colored glass in brass-coated, copper plated zinc cames · 1904
Art Institute of Chicago
Sloth, from The Deadly Sins
Sloth, from The Deadly Sins
James Ensor
Etching with drypoint from a copper plate, with hand-coloring, on ivory wove paper · 1902
Art Institute of Chicago
Small View of Mariakerke, second plate
Small View of Mariakerke, second plate
James Ensor
Etching from a copper plate, on ivory wove paper · 1900
Art Institute of Chicago
Napoleon's Farewell
Napoleon's Farewell
James Ensor
Etching with drypoint from a copper plate, on cream wove paper · 1897
Art Institute of Chicago
The Bad Doctors
The Bad Doctors
James Ensor
Etching from a copper plate, in black ink, on cream wove paper · 1895
Art Institute of Chicago
Fridolin and Gragapança of Yperdamme
Fridolin and Gragapança of Yperdamme
James Ensor
Etching and drypoint from a copper plate, on cream wove paper · 1895
Art Institute of Chicago
Two Human Beings. The Lonely Ones
Two Human Beings. The Lonely Ones
Edvard Munch
Drypoint, roulette, and burnisher on copper plate printed on cream wove paper · 1894
Art Institute of Chicago
Elevator Grille from the Chicago Stock Exchange, Chicago, IL
Elevator Grille from the Chicago Stock Exchange, Chicago, IL
Louis Sullivan
Iron and copper plate · 1893
Museum of Modern Art
The Multiplication of the Fishes
The Multiplication of the Fishes
James Ensor
Etching with touches of drypoint from a copper plate, on cream Japanese paper · 1891
Art Institute of Chicago
The Thunderstorm
The Thunderstorm
James Ensor
Etching with sulphuring from a copper plate, printed in bistre, on cream wove paper · 1889
Art Institute of Chicago
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