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Artworks

La Route de Jouy (The Road to Jouy) (Furnishing Fabric)
Delmès
Cotton, plain weave; copperplate printed · 1814
Art Institute of Chicago

The Travels of Doctor Syntax (Furnishing Fabric)
Thomas Rowlandson
Cotton, plain weave; probably engraved roller printed · 1812
Art Institute of Chicago

Map of North America (Handkerchief)
Ronald Gray
Cotton, plain weave; copperplate printed; glazed · 1811
Art Institute of Chicago

Map of North America (Handkerchief)
Gray
Cotton, plain weave; copperplate printed; glazed · 1811
Art Institute of Chicago

Les Monuments du Midi (Monuments of the South of France) (Furnishing Fabric)
Hippolyte Lebas
Cotton, plain weave; engraved roller printed · 1811
Art Institute of Chicago

Map of North America (Handkerchief)
R. Gray
Cotton, plain weave; copperplate printed; glazed · 1811
Art Institute of Chicago

Eight Fables of La Fontaine (Furnishing Fabric)
Hartmann et Fils
Cotton, plain weave; copperplate printed · 1810
Art Institute of Chicago

Achille reconnu par Ullysse (Achilles Recognized by Ulysses) (Furnishing Fabric)
Favre-Petitpierre et Cie.
Cotton, plain weave; copperplate printed · 1810
Art Institute of Chicago

Allegorie à l'Amour (Homage to Love) (Furnishing Fabric)
Favre-Petitpierre et Cie.
Cotton, plain weave; engraved roller printed · 1810
Art Institute of Chicago

The Elements (Furnishing Fabric)
Bonaventure M. Lebert
Cotton, plain weave; copperplate printed · 1810
Art Institute of Chicago

La Trève de Dieu (God's Truce) (Furnishing Fabric)
Philippe Wyngaert
Cotton, plain weave; engraved roller printed · 1810
Art Institute of Chicago

Panel (Furnishing Fabric)
Bannister Hall Print Works
Cotton, plain weave; block printed · 1805
Art Institute of Chicago

Panel (Furnishing Fabric)
Bannister Hall Print Works
Cotton, plain weave; block printed · 1805
Art Institute of Chicago

Panel
Bannister Hall Print Works
Cotton, plain weave; block printed · 1805
Art Institute of Chicago

Panel (Furnishing Fabric)
Jean Baptiste Huet
Cotton, plain weave; copperplate printed · 1805
Art Institute of Chicago

Le Mariage (Furnishing Fabric)
Jean Baptiste Mallet
Cotton, plain weave; block printed · 1805
Art Institute of Chicago

Shakespeare's Seven Ages (of Man) (Furnishing Fabric)
Robert Smirke
Cotton, plain weave; copperplate printed · 1801
Art Institute of Chicago

Woman's Ceremonial Skirt (tapis)
Paminggir
Six loom widths: four loom widths of: silk, cotton and silver-leaf-over-lacquered-paper-strip wrapped cotton, plain weave with supplementary patterning wefts; embroidered with silk, cotton and gold-leaf-over-lacquered-paper-strip wrapped cotton in back and straight stitches; laidwork and couching; embellished with metal-backed glass mirrors; and two loom widths of cotton, plain weave; embroidered with silk, cotton, gold leaf-over-lacquered-paper-strip wrapped cotton and gold-colored metal strip, in back, double running, split, stem, and surface satin stitches; laidwork and couching; embellished with metal-backed glass mirrors · 1801
Art Institute of Chicago

Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, and bands of interlocking tapestry weave; ends of wool, plain weave; fulled; underlaid with cotton, plain weave; embroidered with cotton and gilt-metal-strip-wrapped cotton in laidwork and paper padded couching; embellished with gold-colored-metal spangles; edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip; plain weave with secondary binding warps and supplementary patterning wefts; underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe · 1801
Art Institute of Chicago

Handkerchief
Boston Chemical Printing Company
Cotton, plain weave; printed · 1801
Art Institute of Chicago

Woman's Ceremonial Skirt (tapis)
Paminggir
Two panels joined: stripes of cotton, warp resist dyed (warp ikat), plain weave with paired warps; cotton and silk, plain weave with supplementary brocading wefts: and stripes of cotton, plain weave embroidered with silk and gold-leaf-over-lacquered-paper-strip wrapped silk in back, chain, stem and surface satin stitches; laidwork and couching · 1801
Art Institute of Chicago

Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton; in bands of plain weave, plain weave with supplementary patterning wefts and slit and dovetailed tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton and gilt-metal strip, plain weave with supplementary wefts; underlaid with tape of cotton, plain weave with extended paired weft and silvered-metal coil fringe · 1801
Art Institute of Chicago

Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of weft-faced warp ribbed plain weave, plain weave with supplementary patterning wefts, and bands of slit tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip; plain weave with secondary binding warps and supplementary patterning wefts; underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe · 1801
Art Institute of Chicago

Shakespeare's Seven Ages (of Man) (Furnishing Fabric)
Robert Smirke, the elder
Cotton, plain weave; copperplate printed · 1801
Art Institute of Chicago