Database / Artworks
Artworks
Vestment (For a First-degree Taoist Priest)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, cotton, gold-leaf-over-lacquered-paper-strip-wrapped cotton, gilt-metal-strip-wrapped cotton, and gold-leaf-over-lacquered paper in satin stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; lined with silk, 4:1 satin damask weave · 1775
Art Institute of Chicago
William Penn's Treaty with the Indians (Furnishing Fabric)
John Boydell
Cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
Fragment Entitled "William Penn's Treaty with the Indians"
John Boydell
Cotton, plain weave; copperplate and block printed · 1775
Art Institute of Chicago
America Presenting at the Altar of Liberty Medallions of her Illustrious Sons (Furnishing Fabric)
Pierre Eugene du Simitiere
Linen and cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
Les Plaisirs des Quatre Saisons (Pleasures of the Four Seasons) (Furnishing Fabric)
Jean Baptiste Huet
Cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
Panel
Jean Baptiste Pillement
Cotton and linen, plain weave; block printed · 1775
Art Institute of Chicago
Panel (Furnishing Fabric)
D. Richards
Cotton and linen, plain weave; copperplate printed · 1775
Art Institute of Chicago
The Temple of Diana (Furnishing Fabric)
Bromley Hall
Cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
A Visit to the Camp (Furnishing Fabric)
Henry William Bunbury
Cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
America Presenting at the Altar of Liberty Medallions of Her Illustrious Sons (Furnishing Fabric)
Pierre Eugene du Simitiere
Linen and cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
Le Couronnement de la Rosière (The Crowning of the Rose Maiden) (Furnishing Fabric)
Jean Baptiste Huet
Cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
Scènes Flamandes (Furnishing Fabric)
Jean Baptiste Huet
Cotton, plain weave; copperplate printed · 1775
Art Institute of Chicago
Curtain
Bromley Hall, Middlesex, England
printed, dyed & painted textiles, curtain — medium: cotton technique: copperplate printed on plain weave · 1774
Cooper Hewitt, Smithsonian Design Museum
Chinese Figures
Bromley Hall, Middlesex, England
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave label: cotton printed by engraved plate · 1774
Cooper Hewitt, Smithsonian Design Museum
Textile with chef de piece
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile with chef de piece — medium: linen warp, cotton weft technique: block printed on plain weave · 1770
Cooper Hewitt, Smithsonian Design Museum
Fragment
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, fragment — medium: linen warp, cotton weft technique: plain weave foundation. mordants for the four madder colors, black, lavender and two reds were block-printed. yellow and blue were painted on by hand. · 1770
Cooper Hewitt, Smithsonian Design Museum
Les Vendages
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, valance — medium: cotton technique: printed by engraved plate on plain weave · 1770
Cooper Hewitt, Smithsonian Design Museum
Jeux d'enfants
Oberkampf & Cie., Jouy-en-Josas, France
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave foundation · 1770
Cooper Hewitt, Smithsonian Design Museum
Dress
Bromley Hall, Middlesex, England
costume & accessories, dress — medium: cotton technique: printed by engraved copper plate on plain weave · 1770
Cooper Hewitt, Smithsonian Design Museum
Chef de piece
Gorgerat Frères et Cie., Nantes, France
printed, dyed & painted textiles, chef de piece — medium: cotton technique: printed by engraved copper plate on plain weave · 1770
Cooper Hewitt, Smithsonian Design Museum
Chef de piece
Gorgerat Frères et Cie., Nantes, France
printed, dyed & painted textiles, chef de piece — medium: cotton technique: block printed on plain weave · 1770
Cooper Hewitt, Smithsonian Design Museum
Fragments
John Munns
printed, dyed & painted textiles, fragments — medium: cotton technique: printed by engraved plate on plain weave · 1770
Cooper Hewitt, Smithsonian Design Museum
Shakespeare Monument with Fantastic Fountains and Trees (Furnishing Fabric)
John Munns
Cotton, plain weave; copperplate printed · 1770
Art Institute of Chicago
Piece
Lecler Pére et fils
Cotton, copperplate printed · 1770
The Metropolitan Museum of Art