Database / Artworks
Artworks

Coverlet
James McDougal Hart
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; full loom width; seamless · 1851
Art Institute of Chicago

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JR
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1850
Art Institute of Chicago

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William Craig, Jr.
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1850
Art Institute of Chicago

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JR
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1850
Art Institute of Chicago

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Rebexy Gray Hamilton
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1849
Art Institute of Chicago

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Matthew Rattray
Cotton and wool, plain weave double cloth; two loom widths joined; fringed · 1846
Art Institute of Chicago

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Abram William Van Doren
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; cotton, machine-knit fringe; two loom widths joined; all selvages present · 1846
Art Institute of Chicago

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William Craig, Sr.
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; main warp fringe; two loom widths joined · 1846
Art Institute of Chicago

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James Cunningham
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined · 1843
Art Institute of Chicago

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William Craig, Sr.
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined; fringed · 1842
Art Institute of Chicago

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James Cunningham
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined · 1841
Art Institute of Chicago

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Sarah Smith
Cotton and wool, plain weave with supplementary patterning wefts (overshot); two loom widths joined; fringed · 1840
Art Institute of Chicago

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Michael Franz
Cotton and wool, plain weave with plain interlacings of secondary binding warps and patterning wefts (Beiderwand); woven on loom with Jacquard attachment; two loom widths joined; fringed · 1840
Art Institute of Chicago

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James Alexander Simpson
Cotton and wool, plain weave double cloth; two loom widths joined · 1839
Art Institute of Chicago

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Alexander James
Cotton and wool, plain weave double cloth; two loom widths joined · 1839
Art Institute of Chicago

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James Alexander Simpson
Cotton and wool, plain weave double cloth; two loom widths joined · 1839
Art Institute of Chicago

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James Wilson Alexander MacDonald
Cotton and wool, plain weave double cloth; two loom widths joined · 1839
Art Institute of Chicago

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James Alexander Simpson
Cotton and wool, plain weave double cloth; two loom widths joined · 1839
Art Institute of Chicago

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Alexander Robertson James
Cotton and wool, plain weave double cloth; two loom widths joined · 1839
Art Institute of Chicago

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James Alexander Thomason
Cotton and wool, plain weave double cloth; two loom widths joined · 1839
Art Institute of Chicago

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Abram Allen
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; full loom width; seamless; fringed · 1839
Art Institute of Chicago

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Abram Allen
Cotton and wool, plain weave double cloth with main warp fringe; woven on loom with Jacquard attachment · 1839
Art Institute of Chicago

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Archibald Davidson
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined · 1838
Art Institute of Chicago

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David D. Haring
Cotton and wool, plain weave double cloth; woven on loom with Jacquard attachment; two loom widths joined · 1832
Art Institute of Chicago