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Artworks
Cover-Frontispiece for the Temptation of St. Anthony
Odilon Redon
Bi-fold portfolio cover with lithograph in black on blue-green wove paper · 1888
Art Institute of Chicago
Then There Appears a Singular Being, Having the Head of a Man on a Body of a Fish (Ensuite parait un être singulier, ayant une tête d'homme sur un corps de poisson) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
One from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
It Is a Skull, Crowned with Roses. It Dominates a Woman's Pearly-White Torso (C'est une tête de mort, avec une couronne des roses. Elle domine un torse de femme d'une blancheur nacrée) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
. . . The Chimera with Green Eyes Turns, Bays (. . . La Chimère aux yeux verts tournoie, aboie) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
He Raises the Bronze Urn (Il hausse le vase d'airan) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Everywhere Eyeballs Are Ablaze (Partout des prunelles flamboient) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
. . . And a Large Bird, Descending from the Sky, Hurled Itself Against the Topmost Point of Her Hair . . . ( . . . Et un grand oiseau qui descend du ciel, vient s'abattre sur le sommet de sa chevelure . . . ) from The Tempation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
And All Manner of Frightful Creatures Arise (Et toutes sortes de bêtes effroyables surgissent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
....First a Pool of Water, Then a Prostitute, the Corner of a Temple, a Soldier's Face, a Chariot with Two White Rearing Horses (....D'abord une flaque d'eau, ensuite une prostituée, le coin d'un temple, une figure de soldat, un char avec deux chevaux blancs qui se cabrent) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
The Temptation of Saint Anthony (La Tentation de Saint-Antoine) (first series)
Odilon Redon
Portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Cover/Frontispiece from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
. . . And in the Very Disk of the Sun Shines the Face of Jesus Christ (. . . Et dans le disque même du soleil rayonne la face de Jésus-Christ) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
It Is the Devil, Bearing beneath His Two Wings the Seven Deadly Sins (C'est le diable, portant sous ses deux ailes les sept péchés capitaux) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)
Odilon Redon
Lithograph on chine appliqué from a portfolio of 11 lithographs (including cover, ten on chine appliqué) · 1888
Museum of Modern Art
Comptometer
Felt and Tarrant Mfg. Co.
appliances & tools, decorative arts, calculator and cover — metal, plastic · 1887
Cooper Hewitt, Smithsonian Design Museum
ceiling paper
F. E. James Co., New York, New York
wallcoverings, ceiling paper — machine-printed on paper · 1887
Cooper Hewitt, Smithsonian Design Museum
Cover for "Le Juré"
Odilon Redon
Bi-fold portfolio cover with text lithographed in black on gray wove paper · 1887
Art Institute of Chicago
Child with Christmas Card
Alden Finney Brooks
Watercolor, graphite, and gold paint on wove cardboard
Watercolor, light scraping to retain whites, graphite underdrawings; gold paint [border]; Stipple rich in face; used a combination of thin washes, layered to enchance and modify color and thick opaque color [red] which has a slight gloss [perhaps coated or combined with gun arabie]; entire sheet is covered · 1886
The Metropolitan Museum of Art
Arcadia
May Morris, British
wallcoverings, sidewall — block-printed paper · 1886
Cooper Hewitt, Smithsonian Design Museum
The House that Jack Built
Walter Crane, English
wallcoverings, sidewall — machine-printed paper · 1886
Cooper Hewitt, Smithsonian Design Museum
Cover for "La Nuit"
Odilon Redon
Bi-fold portfolio cover with text lithographed in black on cream wove paper · 1886
Art Institute of Chicago
Frieze
Standard Wall-Paper Company, Standard Wall-Paper Company, Pittsburgh, Pennsylvania
wallcoverings, frieze — machine printed on ingrain paper · 1885
Cooper Hewitt, Smithsonian Design Museum
Sidewall
York Card & Paper Co., 1891
wallcoverings, sidewall — machine-printed on paper · 1885
Cooper Hewitt, Smithsonian Design Museum
Dado
Frederick Beck & Co., 1860
wallcoverings, dado — block-printed paper · 1885
Cooper Hewitt, Smithsonian Design Museum
ceiling paper
F. E. James Co., New York, New York
wallcoverings, ceiling paper — machine-printed on paper · 1885
Cooper Hewitt, Smithsonian Design Museum