Database / Artworks

Artworks

78 records · DAT
Le Chef d'oeuvre inconnu
Le Chef d'oeuvre inconnu
Pablo Picasso
Text and cover with 67 wood engravings, bound with black tooled leather spine gilded with the title, artist and date, and corners over canvas-covered boards embellished with an impression of the cover wood engraving in gold. 12 etchings hors-texte stored separately. · 1931
Art Institute of Chicago
Textile
Textile
Herman A. Elsberg, American
woven textiles, textile — medium: silk and metallic threads technique: cut and voided supplementary warp pile in a plain compound foundation (velvet) · 1919
Cooper Hewitt, Smithsonian Design Museum
Samples
Samples
Herman A. Elsberg, American
sample books, samples — medium: silk warp, cotton weft technique: cut and voided supplementary warp pile (velvet) in a satin foundation · 1919
Cooper Hewitt, Smithsonian Design Museum
Midnight Sun
Midnight Sun
Herman A. Elsberg, American
woven textiles, textile — medium: silk, metallic technique: cut and voided supplementary warp pile (velvet) in a plain compound foundation · 1915
Cooper Hewitt, Smithsonian Design Museum
Textile
Textile
Herman A. Elsberg, American
woven textiles, textile — medium: silk technique: cut, uncut and voided supplementary warp pile in a plain weave foundation (ciselé velvet) · 1915
Cooper Hewitt, Smithsonian Design Museum
Textile
Textile
Herman A. Elsberg, American
woven textiles, textile — medium: silk technique: cut and voided supplementary warp pile (velvet) in plain weave foundation · 1915
Cooper Hewitt, Smithsonian Design Museum
Midnight Sun
Midnight Sun
Herman A. Elsberg, American
Medium: silk, metal wrapped cotton core Technique: cut and voided supplementary warp pile (velvet) in a plain compound foundation · 1915
Cooper Hewitt, Smithsonian Design Museum
Curtain Panel
Curtain Panel
Gavin Morton
Cotton, plain weave foundation with supplementary weft patterning · 1905
Art Institute of Chicago
Studies of Foreshortenings, Horses: Running
Studies of Foreshortenings, Horses: Running
Eadweard J. Muybridge
Albumen silver print from a wet-collodion glass negative, print date 1881 · 1878
Museum of Modern Art
Sampler
Sampler
Francisca Herrera Piebla
embroidery & stitching, sampler — medium: cotton embroidery on cotton foundation technique: embroidered in withdrawn element work on plain weave foundation · 1864
Cooper Hewitt, Smithsonian Design Museum
Sampler
Sampler
Anna Joaquina Aguirre y Guadalajara
embroidery & stitching, sampler — medium: glass beads and silk embroidery on cotton foundation technique: embroidered in cross, long-armed cross, and overcasting sewing on beads, on plain weave foundation · 1860
Cooper Hewitt, Smithsonian Design Museum
Fragment with factory marks
Fragment with factory marks
I & L Simpson
printed, dyed & painted textiles, fragment with factory marks — medium: cotton technique: roller printed with color added by block on plain weave foundation · 1858
Cooper Hewitt, Smithsonian Design Museum
Crimean Photographs
Crimean Photographs
James Robertson
Book of photographs (24) on lightly albumenized paper from collodian negatives, dated 1855; bound in leather · 1855
Art Institute of Chicago
Fragment
Fragment
Shoolbreds & Co.
printed, dyed & painted textiles, fragment — medium: cotton technique: roller printed on plain weave foundation · 1850
Cooper Hewitt, Smithsonian Design Museum
Ceremonial Food Cloth
Ceremonial Food Cloth
Hinduism
Cotton foundation, drawn work, silk embroidery, and mirrors · 1850
Art Institute of Chicago
Fragment with factory stamp
Fragment with factory stamp
Miles & Edwards, 1847
printed, dyed & painted textiles, fragment with factory stamp — medium: cotton technique: block printed on plain weave foundation. block registration marks are visible. blocks for ten different colors were used. four bands of red weft (now faded) were woven into fabric at heading. · 1830
Cooper Hewitt, Smithsonian Design Museum
Fragment
Fragment
Miles & Edwards, 1847
printed, dyed & painted textiles, fragment — technique: block printed on plain weave foundation; block registration marks visible · 1830
Cooper Hewitt, Smithsonian Design Museum
Fragment with factory stamp
Fragment with factory stamp
Miles & Edwards, 1847
printed, dyed & painted textiles, fragment with factory stamp — medium: cotton technique: block printed on plain weave foundation; block registration marks visible · 1830
Cooper Hewitt, Smithsonian Design Museum
Map sampler
Map sampler
Lucy C. Berry
embroidery & stitching, map sampler — medium: silk embroidery, watercolor paint, silk foundation technique: embroidered in stem, satin, laid, and back stitches on plain weave, painted label: silk embroidered with silk in stem, satin, laid, and back stitches, with watercolor paint · 1824
Cooper Hewitt, Smithsonian Design Museum
Textile
Textile
C. Widmer
printed, dyed & painted textiles, textile — medium: cotton technique: block printed in red on a plain weave foundation that had been dyed gold. a mark where the fabric was secured from the gold dye bath is at both of the lower corners. woven with one band of heavier weft at the bottom of the fabric. · 1820
Cooper Hewitt, Smithsonian Design Museum
Les monuments de Roma
Les monuments de Roma
Jean-Baptiste Huet, French
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave foundation · 1811
Cooper Hewitt, Smithsonian Design Museum
Oiseaux et ecureuils
Oiseaux et ecureuils
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragments — medium: cotton technique: printed by engraved plate on plain weave foundation · 1806
Cooper Hewitt, Smithsonian Design Museum
The deities of Olympus (The Olympian Gods)
The deities of Olympus (The Olympian Gods)
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved plate on plain weave foundation · 1805
Cooper Hewitt, Smithsonian Design Museum
Sampler
Sampler
Anna Maria Blagg, English
embroidery & stitching, sampler — medium: silk, linen technique: cross stitch embroidery on plain weave foundation · 1804
Cooper Hewitt, Smithsonian Design Museum
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