Database / Artworks
Artworks
Sampler
Mary Follet
embroidery & stitching, sampler — medium: silk embroidery on linen foundation technique: plain weave foundation; cross, stem, chain, running, and surface satin stitching · 1802
Cooper Hewitt, Smithsonian Design Museum
Les Losange
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved plate on plain weave foundation · 1800
Cooper Hewitt, Smithsonian Design Museum
Medallions et cartouches a l'antique
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved plate on plain weave foundation · 1800
Cooper Hewitt, Smithsonian Design Museum
Textile
Bouvel Frere et Cie
printed, dyed & painted textiles, textile — medium: cotton technique: plain weave foundation. block-printed; red, black, blue, yellow (yellow over blue for green). · 1800
Cooper Hewitt, Smithsonian Design Museum
Waistcoat
Robert et Cie
costume & accessories, waistcoat — medium: silk fronts, linen back technique: printed by engraved copper plate on 7&1 satin foundation · 1799
Cooper Hewitt, Smithsonian Design Museum
Sample
Johann Friedrich Netto, German
embroidery & stitching, sample — medium: silk and metallic foil on silk core embroidery on silk foundation technique: embroidered in satin, stem, couching and knot stitches, with appliqué on plain weave foundation; painted details · 1798
Cooper Hewitt, Smithsonian Design Museum
Sampler
Brunnell
Medium: wool foundation, silk embroidery, linen edging tape Technique: counted and uncounted stitches; cross, eye, stem and satin stitches on plain weave foundation · 1795
Cooper Hewitt, Smithsonian Design Museum
Sampler
Ann Wood, American
embroidery & stitching, sampler — medium: silk embroidery on linen foundation technique: embroidered in cross, flame, and eye stitches on plain weave foundation · 1794
Cooper Hewitt, Smithsonian Design Museum
"L'abreuvoir' (The Well)
Jean-Baptiste Huet, French
textile — medium: technique: plain weave foundation. printed (with a mordant for red) by engraved plate. · 1792
Cooper Hewitt, Smithsonian Design Museum
La Couronnement de la Rosiere
Jean-Baptiste Huet, French
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave foundation printing width of plate: 93 cm (36 1/2 in.) printing height of plate: 99 cm (39 in.). · 1789
Cooper Hewitt, Smithsonian Design Museum
Fragments
DuBois Pere et Freres, late 18th century
printed, dyed & painted textiles, fragments — medium: cotton technique: printed by woodblock on plain weave foundation · 1785
Cooper Hewitt, Smithsonian Design Museum
Le Parc du Chateau
Jean-Baptiste Huet, French
printed, dyed & painted textiles, valance — medium: cotton technique: plate printed on plain weave foundation · 1783
Cooper Hewitt, Smithsonian Design Museum
La liberte Americain
Jean-Baptiste Huet, French
printed, dyed & painted textiles, textile — medium: cotton technique: printed by engraved plate on plain weave foundation. · 1783
Cooper Hewitt, Smithsonian Design Museum
L'Escarpolette
Jean-Baptiste Huet, French
printed, dyed & painted textiles, fragment — medium: cotton technique: printed by engraved plate on plain weave foundation · 1783
Cooper Hewitt, Smithsonian Design Museum
The Pier with a Lamp
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Sawhorse
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, scratching [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Drawbridge
Giovanni Battista Piranesi
etching, engraving, scratching [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Giant Wheel
Giovanni Battista Piranesi
etching, engraving [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Round Tower
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Grand Piazza
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
Fragments
Nixon & Co.
printed, dyed & painted textiles, fragments — medium: cotton technique: printed by engraved plate on plain weave foundation; plain weave has paired warps and paired wefts · 1775
Cooper Hewitt, Smithsonian Design Museum
Textile
Mainville & Fils
printed, dyed & painted textiles, textile — medium: cotton technique: block printed, with yellow and blue applied by brush, on plain weave foundation · 1775
Cooper Hewitt, Smithsonian Design Museum
Embroidered picture
Miss A Grubb
embroidery & stitching, embroidered picture — medium: wool embroidery on linen foundation technique: embroidered in counted stitches · 1775
Cooper Hewitt, Smithsonian Design Museum
Length
Lasalle
Silk, brocaded lampas with twill foundation weave · 1760
The Metropolitan Museum of Art