Database / Artworks
Artworks
Designs for Tableware, Plate XVI of Designs of Chinese Buildings, Furniture, Dresses, Machines and Utensils.
William Chambers, British, b. Sweden
tableware designs, print — engraving on tan laid paper · 1757
Cooper Hewitt, Smithsonian Design Museum
![Porte Huillier [Designs for Cruets], pl. 60 in Oeuvre de Juste-Aurele Meissonnier](/api/images/artworks/cooper_hewitt/chndm_1921-6-212-23-b.jpg)
Porte Huillier [Designs for Cruets], pl. 60 in Oeuvre de Juste-Aurele Meissonnier
Juste-Aurèle Meissonnier, French, b. Italy
tableware designs, print — etching on off-white laid paper · 1748
Cooper Hewitt, Smithsonian Design Museum
![Ecritoire de Porcelaine [Design for a Porcelain Writing Set, Elevation, 2nd plate], pl. 45 in Oeuvre de Juste-Aurele Meissonnier](/api/images/artworks/cooper_hewitt/chndm_1921-6-212-15-a.jpg)
Ecritoire de Porcelaine [Design for a Porcelain Writing Set, Elevation, 2nd plate], pl. 45 in Oeuvre de Juste-Aurele Meissonnier
Juste-Aurèle Meissonnier, French, b. Italy
tableware designs, print — etching on off-white laid paper · 1748
Cooper Hewitt, Smithsonian Design Museum
![Plan de l'Ecritoire de Porcelaine [Design for Porcelain Writing Set, Plan, 2nd pl.], pl. 45 in Oeuvre de Juste-Aurele Meissonnier](/api/images/artworks/cooper_hewitt/chndm_1921-6-212-15-b.jpg)
Plan de l'Ecritoire de Porcelaine [Design for Porcelain Writing Set, Plan, 2nd pl.], pl. 45 in Oeuvre de Juste-Aurele Meissonnier
Juste-Aurèle Meissonnier, French, b. Italy
tableware designs, print — etching on off- white laid paper · 1748
Cooper Hewitt, Smithsonian Design Museum
Porte Huillier [Designs for Cruets], pl. 60 in Oeuvre de Juste-Aurele Meissonnier
Juste-Aurèle Meissonnier, French, b. Italy
tableware designs, print — etching on off-white laid paper · 1748
Cooper Hewitt, Smithsonian Design Museum
Designs for the Top and Bottom of a Small Rectangular Box
Louis Félix de La Rue
Pen and dark brown ink, brush and light brown wash, over black chalk, with framing lines around each design · 1730
The Metropolitan Museum of Art
Angelica and Medoro
Giovanni Battista Cipriani
pen and black ink with brown and gray wash over graphite on laid paper; verso, design of four concentric circles surrounding laurel wreath drawn on verso in pen and black ink and graphite · 1727
National Gallery of Art
Septembre (Sous le protection de Vulcan); Octobre (Sous le protection de Minerve et de Mars) from the suite Les mois grotesques
Claude Audran III, French
textile designs, print — engraving on off white laid paper · 1726
Cooper Hewitt, Smithsonian Design Museum
Framed Design for an Altar
Giuseppe Galli Bibiena
Pen and brown ink, brush and brown and gray wash over traces of leadpoint, on cream laid paper; vertical line in leadpoint trough the center to create the symmetry of the design · 1710
The Metropolitan Museum of Art
Framed Design for an Altar
Giuseppe Galli Bibiena, Italian
Pen and brown ink, brush and brown and gray wash over traces of leadpoint, on cream laid paper; vertical line in leadpoint trough the center to create the symmetry of the design · 1710
The Metropolitan Museum of Art
Outline Drawing: Stage Set Design for a Performance of "Iphigenia". Verso: Two Designs for Palace Interiors.
Fabrizio Galliari
Pen and black ink, over black chalk or graphite. Verso: pen and dark brown ink over black chalk; separate design in black chalk · 1709
The Metropolitan Museum of Art
Designs for Gobelins Tapestry, June (Les Mois Grotesques par Bandes)
Claude Audran III, French
textile designs, drawing — red chalk, pen and brown ink on cream laid paper · 1709
Cooper Hewitt, Smithsonian Design Museum
Designs for Gobelins Tapestry, October (Les Mois Grotesques par Bandes)
Claude Audran III, French
textile designs, drawing — red chalk, pen and brown ink on cream laid paper · 1709
Cooper Hewitt, Smithsonian Design Museum
Eight Vases, from "Raccol
Pierre-Jean Mariette, French
graphic design, print — etching on white laid paper · 1646
Cooper Hewitt, Smithsonian Design Museum
Six Vases, from "Raccolta
Pierre-Jean Mariette, French
graphic design, print — etching on white laid paper · 1646
Cooper Hewitt, Smithsonian Design Museum
Eight Vases, from "Raccol
Pierre-Jean Mariette, French
graphic design, print — etching on white laid paper · 1646
Cooper Hewitt, Smithsonian Design Museum
Christ on the Mount of Olives (recto); Study of a Cypress (verso)
Alonso Cano
Pen and brown ink, brush and brown wash, over traces of black chalk; framing line in pen and brown ink, and black chalk; verso: since it is lined with Japan paper and thus the design is indistinct; black chalk (?) · 1640
The Metropolitan Museum of Art
To Each His Own Pastime (Elck Sijn Tijt-Verdrijff)
Adriaen van de Venne
Red chalk; verso: the design partially traced in red-brown chalk and wash · 1632
The Metropolitan Museum of Art
Writing Example from Spieghel der Schrijfkonste. Tweede Deel (The Mirror of Art Writing, Second Part)
Jan van de Velde I, Netherlandish
graphic design, print — engraving on laid paper · 1609
Cooper Hewitt, Smithsonian Design Museum
Design for a Fountain with Two Basins One on Top of the Other and Statues of Venus and Putti on the Top.
Francesco Fanelli
Pen and black and brown ink, brush and gray wash over traces of graphite, with vertical line in graphite through the center to create the symmetry of the design · 1608
The Metropolitan Museum of Art
Fragment of a Bowl
Byzantine
Ceramic, sgraffito design · 1601
Art Institute of Chicago
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci, Italian
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art