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Artworks

98,525 records · Digital graphic and interactive software · Art Institute Chicago
Goldweight Depicting a Pyramid Shape with Spiral
Goldweight Depicting a Pyramid Shape with Spiral
Asante
Copper alloy · 1700
Art Institute of Chicago
Caryatid with Yoke and Scroll
Caryatid with Yoke and Scroll
Raphael
Red chalk, with brush and red chalk wash, on ivory laid paper, laid down on card · 1700
Art Institute of Chicago
Holy Family and Saint John the Baptist
Holy Family and Saint John the Baptist
Giovanni Antonio Burrini
Brush and brown and gray wash over traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Goldweight with a Geometric Pattern
Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago
Allegory of Sea Trade
Allegory of Sea Trade
Raphael
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
Half-Length Profile Portrait of a Woman Facing Left
Half-Length Profile Portrait of a Woman Facing Left
George Romney
Red chalk on tan laid paper · 1700
Art Institute of Chicago
Fragment
Fragment
Manchu
Silk brocade · 1700
Art Institute of Chicago
Man with Dog in Forest
Man with Dog in Forest
Thomas Gainsborough
Black crayon on ivory laid paper · 1700
Art Institute of Chicago
Jiasha (Mantle)
Jiasha (Mantle)
Han-Chinese
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; pieced; painted details; edged with silk, warp-float faced 4:1 satin weave; lined with silk, plain weave · 1700
Art Institute of Chicago
Goldweight with a Geometric Design
Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago
Young Woman from Frascati
Young Woman from Frascati
Nicolas Vleughels
Black chalk with brush and gray wash, on tan laid paper, laid down on buff laid paper · 1700
Art Institute of Chicago
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Haggitt
Pen and brown ink, over graphite, on ivory laid paper · 1700
Art Institute of Chicago
Medal
Medal
European
Silver · 1700
Art Institute of Chicago
Pattern for China Plates (Utica)
Pattern for China Plates (Utica)
George Knapton
Pen and black ink, with brush and gray wash, on cream laid paper, laid down on ivory wove paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Montañez Ortiz
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Female Head
Female Head
Thomas Frye
Black chalk heightened with white chalk, on brown wove paper, laid down on brown wove paper · 1700
Art Institute of Chicago
Spandrel Decoration with Two Putti
Spandrel Decoration with Two Putti
Carlo Maratti
Black crayon, over touches of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Montañez Ortiz
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Plaque: Psalm No. 150
Plaque: Psalm No. 150
Govert Willemnz
Tin-glazed earthenware (Delftware) · 1700
Art Institute of Chicago
Anthony van Dyck
Anthony van Dyck
Anthony van Dyck
Pen and black ink, with brush and gray wash, on cream laid paper · 1700
Art Institute of Chicago
Putto Holding Flowers
Putto Holding Flowers
Pellegrino Tibaldi
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), on blue laid paper, laid down on blue wove paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. II
Triumphs of Julius Caesar: Canvas No. II
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700
Art Institute of Chicago
Muse Seen from the Back
Muse Seen from the Back
Raphael
Red chalk with stumping and red chalk wash on cream laid paper · 1700
Art Institute of Chicago
Triumphs of Julius Caesar: Canvas No. IV
Triumphs of Julius Caesar: Canvas No. IV
Andrea Mantegna
Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700
Art Institute of Chicago
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