Database / Artworks

Artworks

150 records · Dish
It was a Religious Mystery, plate four from Love
It was a Religious Mystery, plate four from Love
Maurice Denis
Lithograph in yellow, reddish brown, and slate blue on light ivory wove paper · 1898
Art Institute of Chicago
Study from Model
Study from Model
Anders Zorn
Etching printed in reddish brown ink on light blue laid paper · 1898
Art Institute of Chicago
Last Poppies
Last Poppies
Theodore Roussel
Etching and softground in dark reddish-brown on bluish-ivory laid paper · 1897
Art Institute of Chicago
Head of a Woman
Head of a Woman
Constantin Brancusi
Pen and reddish-brown ink on light gray wove paper, laid down on brown woodpulp board · 1896
Art Institute of Chicago
Narrow Street Viewed from Above, from Some Scenes of Paris Life
Narrow Street Viewed from Above, from Some Scenes of Paris Life
Pierre Bonnard
Lithograph in dark brown, reddish gray, pink and blue, with scraping on stone, on cream China paper · 1896
Art Institute of Chicago
The Massage With Coarse Hair Glove, Wash and Line Plate
The Massage With Coarse Hair Glove, Wash and Line Plate
Jean-Louis Forain
Lithograph in reddish-brown on cream laid paper · 1895
Art Institute of Chicago
Tahitian Idol—the Goddess Hina
Tahitian Idol—the Goddess Hina
Paul Gauguin
Wood-block print in black ink, over brush and solvent thinned and selectively applied yellow ocher, reddish-orange and touches of green and pink wax-and resin-based media, on cream wove paper · 1894
Art Institute of Chicago
Aha oe feii? (What! Are You Jealous?)
Aha oe feii? (What! Are You Jealous?)
Paul Gauguin
Watercolor monotype from a glass matrix, with brush and white gouache, reddish-brown and black water color, on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago
Tahitian Idol—the Goddess Hina
Tahitian Idol—the Goddess Hina
Paul Gauguin
Wood-block print in reddish-brown ink with blue-gray watercolor on ivory wove paper, laid down on ivory wove paper · 1894
Art Institute of Chicago
Tahitian Idol—the Goddess Hina
Tahitian Idol—the Goddess Hina
Paul Gauguin
Wood-block print in black ink, over brush and solvent thinned and selectively applied ocher, reddish-orange and touches of green wax-and-resin-based media, on cream wove paper · 1894
Art Institute of Chicago
Healey Gold
Healey Gold
Chryso-Ceramics, American
ceramics, decorative arts, dish — gilt porcelain · 1893
Cooper Hewitt, Smithsonian Design Museum
Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite
Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed three times in reddish-brown, black, and light black ink, with touches of brush and black gouache and silver-gray watercolor (altered from black), on ivory laid Japanese paper, laid down on ivory wove Japanese paper (a laminate made by the artist) · 1893
Art Institute of Chicago
Auti te pape (Women at the River), from the Noa Noa Suite
Auti te pape (Women at the River), from the Noa Noa Suite
Paul Gauguin
Wood-block print, printed in reddish-brown and black ink on ivory wove paper (previously mounted on mottled blue wove paper laid down on cream wove card [a presentation mount]) · 1893
Art Institute of Chicago
Noa Noa (Fragrant), from the Noa Noa Suite
Noa Noa (Fragrant), from the Noa Noa Suite
Paul Gauguin
Wood-block print in black ink, with touches of reddish-brown watercolor and black ink, over yellow ink tone block and transferred golden-yellow, orange, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), on cream Japanese paper, laid down on heavy cream wove card · 1893
Art Institute of Chicago
Human Miseries, from the Volpini Suite
Human Miseries, from the Volpini Suite
Paul Gauguin
Zincograph in reddish-brown on chrome yellow wove paper · 1889
Art Institute of Chicago
Abandoned, plate five from A Life
Abandoned, plate five from A Life
Max Klinger
Etching and aquatint in dark brown and reddish-orange ink on lightweight off-white wove paper, laid down on heavy off-white wove plate paper · 1884
Art Institute of Chicago
Fan-Shaped Butter Dish
Fan-Shaped Butter Dish
Simpson, Hall, Miller, & Co., Wallingford, Connecticut
metalwork, decorative arts, butter dish — silver plated, metal, gold · 1880
Cooper Hewitt, Smithsonian Design Museum
Butter Dish in the Shape of a Folded Napkin
Butter Dish in the Shape of a Folded Napkin
Simpson, Hall, Miller, & Co., Wallingford, Connecticut
metalwork, decorative arts, butter dish — silver plated, metal, gold · 1880
Cooper Hewitt, Smithsonian Design Museum
Dish and cover
Dish and cover
Wedgwood, English, established 1759
ceramics, decorative arts, dish and cover — molded and glazed earthenware ("majolica") · 1880
Cooper Hewitt, Smithsonian Design Museum
Dish and cover
Dish and cover
Wedgwood, English, established 1759
ceramics, decorative arts, dish and cover — glazed earthenware · 1880
Cooper Hewitt, Smithsonian Design Museum
Dish
Dish
Wedgwood, English, established 1759
ceramics, decorative arts, dish — glazed earthenware · 1879
Cooper Hewitt, Smithsonian Design Museum
The Entombment
The Entombment
Edward Burne-Jones
Green, blue, brown and touches of reddish bodycolor, heightened with white gouache (bodycolor) · 1879
The Metropolitan Museum of Art
Footed dish
Footed dish
Ludwig Lobmeyr, Austrian
glasswares, decorative arts, footed dish — enameled and gilt glass · 1877
Cooper Hewitt, Smithsonian Design Museum
Dish and cover
Dish and cover
George Jones & Sons, Ltd., active 1861 – 1951
ceramics, decorative arts, dish and cover — glazed earthenware · 1875
Cooper Hewitt, Smithsonian Design Museum
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