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Artworks

308 records · Drypoint on laid paper
Emigrants
Emigrants
James Jacques Joseph Tissot
etching and drypoint on laid paper · 1836
National Gallery of Art
Grand Garde (Souvenir du siège de Paris)
Grand Garde (Souvenir du siège de Paris)
James Jacques Joseph Tissot
etching and drypoint on laid paper · 1836
National Gallery of Art
A Sketch at Dieppe
A Sketch at Dieppe
James McNeill Whistler
etching and drypoint on laid paper · 1834
National Gallery of Art
The Little Hat
The Little Hat
James McNeill Whistler
etching and drypoint on laid paper · 1834
National Gallery of Art
A Blacksmith (Un Forgeron)
A Blacksmith (Un Forgeron)
Eugene Delacroix
aquatint and drypoint on laid paper · 1833
National Gallery of Art
Tourelle, Rue de l'École de Médecine, 22, Paris
Tourelle, Rue de l'École de Médecine, 22, Paris
Charles Méryon
etching and drypoint on laid paper · 1821
National Gallery of Art
Dios se lo pague a vsted (May God Repay You)
Dios se lo pague a vsted (May God Repay You)
Francisco Goya
etching, aquatint and drypoint on laid paper [trial proof printed posthumously before 1867] · 1804
National Gallery of Art
Ya van desplumados (There They Go Plucked)
Ya van desplumados (There They Go Plucked)
Francisco Goya
etching, burnished aquatint and drypoint on laid paper [proof before letters] · 1799
National Gallery of Art
Si quebro el cantaro (Yes He Broke the Pot)
Si quebro el cantaro (Yes He Broke the Pot)
Francisco Goya
etching, aquatint and drypoint on laid paper · 1799
National Gallery of Art
Linda maestra! (Pretty Teacher!)
Linda maestra! (Pretty Teacher!)
Francisco Goya
etching, burnished aquatint, and drypoint on laid paper · 1799
National Gallery of Art
Volaverunt (They Have Flown)
Volaverunt (They Have Flown)
Francisco Goya
etching, aquatint, and drypoint on laid paper · 1799
National Gallery of Art
Quien mas rendido?  (Which of Them Is the More Overcome?)
Quien mas rendido? (Which of Them Is the More Overcome?)
Francisco Goya
etching, aquatint, and drypoint on laid paper · 1799
National Gallery of Art
Ni asi la distingue  (Even Thus He Cannot Make Her Out)
Ni asi la distingue (Even Thus He Cannot Make Her Out)
Francisco Goya
etching, aquatint and drypoint on laid paper [proof before letters] · 1797
National Gallery of Art
The Personifications of the Arts and Sciences Pay Tribute to Carl Theodor von der Pfalz
The Personifications of the Arts and Sciences Pay Tribute to Carl Theodor von der Pfalz
Joseph Fratrel
etching and drypoint on laid paper · 1783
National Gallery of Art
Das glückliche Weltalter (The Happy New Age)
Das glückliche Weltalter (The Happy New Age)
Bernhard Rode
etching with drypoint on laid paper · 1778
National Gallery of Art
The Goddess of Fame Placing a Laurel Wreath on the Memorial to General Keith
The Goddess of Fame Placing a Laurel Wreath on the Memorial to General Keith
Bernhard Rode
etching and drypoint on laid paper · 1774
National Gallery of Art
Darius Receiving Water from the Helmet of One of Alexander's Soldiers
Darius Receiving Water from the Helmet of One of Alexander's Soldiers
Bernhard Rode
etching and drypoint on laid paper · 1774
National Gallery of Art
Hirsch Michel
Hirsch Michel
Georg Friedrich Schmidt
etching with drypoint on laid paper · 1762
National Gallery of Art
Le tonneau d'arrosage [upper half]
Le tonneau d'arrosage [upper half]
Gabriel Jacques de Saint-Aubin
etching, retouched with drypoint on laid paper · 1762
National Gallery of Art
Les chaises [lower half]
Les chaises [lower half]
Gabriel Jacques de Saint-Aubin
etching, retouched with drypoint on laid paper · 1760
National Gallery of Art
The Rescue of the Infant Oedipus
The Rescue of the Infant Oedipus
Salvator Rosa
etching with drypoint on laid paper · 1663
National Gallery of Art
Jason and the Dragon
Jason and the Dragon
Salvator Rosa
etching and drypoint on laid paper · 1663
National Gallery of Art
Alexander in the Studio of Apelles
Alexander in the Studio of Apelles
Salvator Rosa
etching and drypoint on laid paper · 1662
National Gallery of Art
The Crucifixion of Polycrates
The Crucifixion of Polycrates
Salvator Rosa
etching and drypoint on laid paper · 1662
National Gallery of Art
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