Database / Artworks

Artworks

320 records · Drypoint on paper
[title not known]
[title not known]
Jasper Johns
Etching and drypoint on paper · 1967
Tate
[title not known]
[title not known]
Jasper Johns
Etching and drypoint on paper · 1967
Tate
Untitled (with Dog and Axe)
Untitled (with Dog and Axe)
Georg Baselitz
Etching and drypoint on paper · 1967
Tate
Rote Ubermalung
Rote Ubermalung
Arnulf Rainer
Drypoint on paper · 1958
Art Institute of Chicago
Venetian Domes
Venetian Domes
Rudy Pozzatti
Engraving and drypoint on paper · 1955
Art Institute of Chicago
Holy Face
Holy Face
Bernard Buffet
Drypoint on paper · 1954
Tate
Le buste (The Bust)
Le buste (The Bust)
Jacques Villon
Etching and drypoint on paper · 1938
Art Institute of Chicago
The Call of Life: The Girls
The Call of Life: The Girls
Jacques Villon
Etching and drypoint on paper · 1938
Art Institute of Chicago
Cafeteria
Cafeteria
Raphael Soyer
Etching and drypoint on paper · 1936
Art Institute of Chicago
Summer Evening
Summer Evening
Emil Ganso
aquatint, softgound etching and drypoint on paper · 1935
Smithsonian American Art Museum
Superstition Mountain, Apache Trail, Arizona, Right [no. 2]
Superstition Mountain, Apache Trail, Arizona, Right [no. 2]
George Elbert Burr
tinted mezzotint and drypoint on paper · 1930
Smithsonian American Art Museum
Zicht op de Pont d'Alma in Parijs
Zicht op de Pont d'Alma in Parijs
Eugène Bejot
drypoint on paper · 1929
Rijksmuseum
Zicht op de Pont d'Alma in Parijs
Zicht op de Pont d'Alma in Parijs
Eugène Bejot
drypoint on paper · 1929
Rijksmuseum
Navajo Country Evening
Navajo Country Evening
George Elbert Burr
drypoint on paper · 1929
Smithsonian American Art Museum
Young Woman
Young Woman
Arshile Gorky
drypoint on paper · 1928
Smithsonian American Art Museum
In These Dark Times of Vanity and Unbelief, Our Lady of The Ends of the Earth keeps watch, plate 56 from Miserere
In These Dark Times of Vanity and Unbelief, Our Lady of The Ends of the Earth keeps watch, plate 56 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
De profundis, plate 47 from Miserere
De profundis, plate 47 from Miserere
Georges Rouault
Heliogravure, with aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
This Will Be the Last Time, Dear Father!, plate 36 from Miserere
This Will Be the Last Time, Dear Father!, plate 36 from Miserere
Georges Rouault
Heliogravure, sugar- lift, scraping, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
The Children The Gall
The Children The Gall
Adolphe Marie Timothée Beaufrère
Drypoint on paper · 1927
Art Institute of Chicago
Virgin of the Seven Swords, plate 53 from Miserere
Virgin of the Seven Swords, plate 53 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1926
Art Institute of Chicago
With Tooth and Nail, plate 50 from Miserere
With Tooth and Nail, plate 50 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, scraping, burnishing, and drypoint on paper · 1926
Art Institute of Chicago
The Chinese, They Say, Invented Gunpowder and Made Us a Gift of it, plate 38 from Miserere
The Chinese, They Say, Invented Gunpowder and Made Us a Gift of it, plate 38 from Miserere
Georges Rouault
Heliogravure, with scraping, burnishing, roulette, and drypoint on paper · 1926
Art Institute of Chicago
Even the Ruins Have Been Destroyed, plate 34 from Miserere
Even the Ruins Have Been Destroyed, plate 34 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, scraping, roulette, and drypoint on paper · 1926
Art Institute of Chicago
The Poultryman
The Poultryman
George Overbury ("Pop") Hart
aquatint, softground etching and drypoint on paper · 1926
Smithsonian American Art Museum
Go to pageof 14