Database / Artworks
Artworks
![[title not known]](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-600_svFBqUp.jpg)
[title not known]
Jasper Johns
Etching and drypoint on paper · 1967
Tate
![[title not known]](https://media.tate.org.uk/aztate-prd-ew-dg-wgtail-st1-ctr-data/images/.width-600_UYrQDQF.jpg)
[title not known]
Jasper Johns
Etching and drypoint on paper · 1967
Tate

Untitled (with Dog and Axe)
Georg Baselitz
Etching and drypoint on paper · 1967
Tate

Rote Ubermalung
Arnulf Rainer
Drypoint on paper · 1958
Art Institute of Chicago

Venetian Domes
Rudy Pozzatti
Engraving and drypoint on paper · 1955
Art Institute of Chicago

Holy Face
Bernard Buffet
Drypoint on paper · 1954
Tate

Le buste (The Bust)
Jacques Villon
Etching and drypoint on paper · 1938
Art Institute of Chicago

The Call of Life: The Girls
Jacques Villon
Etching and drypoint on paper · 1938
Art Institute of Chicago

Cafeteria
Raphael Soyer
Etching and drypoint on paper · 1936
Art Institute of Chicago

Summer Evening
Emil Ganso
aquatint, softgound etching and drypoint on paper · 1935
Smithsonian American Art Museum
![Superstition Mountain, Apache Trail, Arizona, Right [no. 2]](/api/images/artworks/smithsonian/saam_1983_83_6.jpg)
Superstition Mountain, Apache Trail, Arizona, Right [no. 2]
George Elbert Burr
tinted mezzotint and drypoint on paper · 1930
Smithsonian American Art Museum

Zicht op de Pont d'Alma in Parijs
Eugène Bejot
drypoint on paper · 1929
Rijksmuseum

Zicht op de Pont d'Alma in Parijs
Eugène Bejot
drypoint on paper · 1929
Rijksmuseum

Navajo Country Evening
George Elbert Burr
drypoint on paper · 1929
Smithsonian American Art Museum

Young Woman
Arshile Gorky
drypoint on paper · 1928
Smithsonian American Art Museum

In These Dark Times of Vanity and Unbelief, Our Lady of The Ends of the Earth keeps watch, plate 56 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago

De profundis, plate 47 from Miserere
Georges Rouault
Heliogravure, with aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago

This Will Be the Last Time, Dear Father!, plate 36 from Miserere
Georges Rouault
Heliogravure, sugar- lift, scraping, burnishing, and drypoint on paper · 1927
Art Institute of Chicago

The Children The Gall
Adolphe Marie Timothée Beaufrère
Drypoint on paper · 1927
Art Institute of Chicago

Virgin of the Seven Swords, plate 53 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1926
Art Institute of Chicago

With Tooth and Nail, plate 50 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, scraping, burnishing, and drypoint on paper · 1926
Art Institute of Chicago

The Chinese, They Say, Invented Gunpowder and Made Us a Gift of it, plate 38 from Miserere
Georges Rouault
Heliogravure, with scraping, burnishing, roulette, and drypoint on paper · 1926
Art Institute of Chicago

Even the Ruins Have Been Destroyed, plate 34 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, scraping, roulette, and drypoint on paper · 1926
Art Institute of Chicago

The Poultryman
George Overbury ("Pop") Hart
aquatint, softground etching and drypoint on paper · 1926
Smithsonian American Art Museum