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Artworks

465 records · Drypoint on paper
Superstition Mountain, Apache Trail, Arizona, Right [no. 2]
Superstition Mountain, Apache Trail, Arizona, Right [no. 2]
George Elbert Burr
tinted mezzotint and drypoint on paper · 1930
Smithsonian American Art Museum
The United States Capitol
The United States Capitol
Joseph C. Claghorn
drypoint on paper · 1930
Smithsonian American Art Museum
Bernhard Gutmann Self-Portrait
Bernhard Gutmann Self-Portrait
Bernhard Gutmann
Drypoint on paper · 1930
National Portrait Gallery
Zicht op de Pont d'Alma in Parijs
Zicht op de Pont d'Alma in Parijs
Eugène Bejot
drypoint on paper · 1929
Rijksmuseum
Zicht op de Pont d'Alma in Parijs
Zicht op de Pont d'Alma in Parijs
Eugène Bejot
drypoint on paper · 1929
Rijksmuseum
Navajo Country Evening
Navajo Country Evening
George Elbert Burr
drypoint on paper · 1929
Smithsonian American Art Museum
Young Woman
Young Woman
Arshile Gorky
drypoint on paper · 1928
Smithsonian American Art Museum
In These Dark Times of Vanity and Unbelief, Our Lady of The Ends of the Earth keeps watch, plate 56 from Miserere
In These Dark Times of Vanity and Unbelief, Our Lady of The Ends of the Earth keeps watch, plate 56 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
De profundis, plate 47 from Miserere
De profundis, plate 47 from Miserere
Georges Rouault
Heliogravure, with aquatint, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
This Will Be the Last Time, Dear Father!, plate 36 from Miserere
This Will Be the Last Time, Dear Father!, plate 36 from Miserere
Georges Rouault
Heliogravure, sugar- lift, scraping, burnishing, and drypoint on paper · 1927
Art Institute of Chicago
The Children The Gall
The Children The Gall
Adolphe Marie Timothée Beaufrère
Drypoint on paper · 1927
Art Institute of Chicago
Portrait of Dr. Kieser
Portrait of Dr. Kieser
Fritz Pauli
Etching and drypoint on paper · 1926
Art Institute of Chicago
Virgin of the Seven Swords, plate 53 from Miserere
Virgin of the Seven Swords, plate 53 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, burnishing, and drypoint on paper · 1926
Art Institute of Chicago
With Tooth and Nail, plate 50 from Miserere
With Tooth and Nail, plate 50 from Miserere
Georges Rouault
Heliogravure, with sugar-lift aquatint, scraping, burnishing, and drypoint on paper · 1926
Art Institute of Chicago
The Chinese, They Say, Invented Gunpowder and Made Us a Gift of it, plate 38 from Miserere
The Chinese, They Say, Invented Gunpowder and Made Us a Gift of it, plate 38 from Miserere
Georges Rouault
Heliogravure, with scraping, burnishing, roulette, and drypoint on paper · 1926
Art Institute of Chicago
Even the Ruins Have Been Destroyed, plate 34 from Miserere
Even the Ruins Have Been Destroyed, plate 34 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, scraping, roulette, and drypoint on paper · 1926
Art Institute of Chicago
The Poultryman
The Poultryman
George Overbury ("Pop") Hart
aquatint, softground etching and drypoint on paper · 1926
Smithsonian American Art Museum
Spring Plowing
Spring Plowing
Kerr Eby
drypoint on paper · 1925
Smithsonian American Art Museum
Coal Station, Amsterdam
Coal Station, Amsterdam
Lovis Corinth
Drypoint on paper · 1925
Art Institute of Chicago
Houses in Amsterdam, from Eight Unpublished Drypoints
Houses in Amsterdam, from Eight Unpublished Drypoints
Lovis Corinth
Drypoint on paper · 1925
Art Institute of Chicago
Sitting Girl, from Eight Unpublished Drypoints
Sitting Girl, from Eight Unpublished Drypoints
Lovis Corinth
Drypoint on paper · 1925
Art Institute of Chicago
Ecce Homo
Ecce Homo
Lovis Corinth
Drypoint on paper · 1925
Art Institute of Chicago
Calvin Coolidge
Calvin Coolidge
Dwight Case Sturges
Etching and drypoint on paper · 1925
National Portrait Gallery
The Edge of the Desert, Arizona
The Edge of the Desert, Arizona
George Elbert Burr
etching and drypoint on paper · 1924
Smithsonian American Art Museum
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