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Artworks

466 records · Drypoint on paper
Woman Standing before a Corpse, plate four from Death and Resurrection
Woman Standing before a Corpse, plate four from Death and Resurrection
Otto Dix
Drypoint on paper · 1922
Art Institute of Chicago
A Cove on the Potomac
A Cove on the Potomac
A. H. O. Rolle
color etching and drypoint on paper · 1922
Smithsonian American Art Museum
Ciotat Harbor
Ciotat Harbor
Kerr Eby
drypoint on paper · 1922
Smithsonian American Art Museum
In the Wine-Press, the Grape was Crushed, plate 48 from Miserere
In the Wine-Press, the Grape was Crushed, plate 48 from Miserere
Georges Rouault
Heliogravure, with aquatint, roulette, and drypoint on paper · 1922
Art Institute of Chicago
Death Took Him as he Rose from his Bed of Nettles, plate 45 from Miserere
Death Took Him as he Rose from his Bed of Nettles, plate 45 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, burnishing, and drypoint on paper · 1922
Art Institute of Chicago
We Have to Die, We and All That is Ours, plate 43 from Miserere
We Have to Die, We and All That is Ours, plate 43 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, roulette, and drypoint on paper · 1922
Art Institute of Chicago
We Are Fools, plate 39 from Miserere
We Are Fools, plate 39 from Miserere
Georges Rouault
Heliogravure, with sugar-lift, scraping, burnishing, roulete, and drypoint on paper · 1922
Art Institute of Chicago
Among so many different commands lies the beautiful task of sowing on a hostile earth, plate 22 from Miserere
Among so many different commands lies the beautiful task of sowing on a hostile earth, plate 22 from Miserere
Georges Rouault
Heliogravure with sugar-lift aquatint, scraping, burnishing, drypoint on paper · 1922
Art Institute of Chicago
Street of the Lonely, plate 23 from Miserere
Street of the Lonely, plate 23 from Miserere
Georges Rouault
Heliogravure with sugar-lift aquatint, roulette, drypoint on paper · 1922
Art Institute of Chicago
A Girl, Called Joy, plate fourteen from Miserere
A Girl, Called Joy, plate fourteen from Miserere
Georges Rouault
Heliogravure, with aquatint, scraping, burnishing and drypoint on paper · 1922
Art Institute of Chicago
Alone in this life of pitfalls and malice, plate five from Miserere
Alone in this life of pitfalls and malice, plate five from Miserere
Georges Rouault
Heliogravure with burnishing, roulette and drypoint on paper · 1922
Art Institute of Chicago
Bridge at Old Lyme
Bridge at Old Lyme
Childe Hassam
etching and drypoint on paper · 1922
Smithsonian American Art Museum
Desert Freight
Desert Freight
Kerr Eby
drypoint on paper · 1922
Smithsonian American Art Museum
Sometimes one finds a beautiful path..., plate nine from Miserere
Sometimes one finds a beautiful path..., plate nine from Miserere
Georges Rouault
Heliogravure, aquatint, roulette, drypoint on paper · 1922
Art Institute of Chicago
Shadows on the Dunes
Shadows on the Dunes
Kerr Eby
drypoint on paper · 1921
Smithsonian American Art Museum
Deserted Farm, St. Cyr
Deserted Farm, St. Cyr
Kerr Eby
drypoint on paper · 1921
Smithsonian American Art Museum
Birch Trunks in the Tiergarten, from Tiergarten
Birch Trunks in the Tiergarten, from Tiergarten
Lovis Corinth
Drypoint on paper · 1921
Art Institute of Chicago
Indian Homes, Salt River Mountains, Arizona
Indian Homes, Salt River Mountains, Arizona
George Elbert Burr
drypoint on paper · 1920
Smithsonian American Art Museum
Day's End
Day's End
Kerr Eby
drypoint on paper · 1920
Smithsonian American Art Museum
Desert Monuments, Arizona
Desert Monuments, Arizona
George Elbert Burr
etching and drypoint on paper · 1920
Smithsonian American Art Museum
A Summer Day
A Summer Day
Kerr Eby
drypoint on paper · 1920
Smithsonian American Art Museum
Springtime, Paradise Valley, Arizona
Springtime, Paradise Valley, Arizona
George Elbert Burr
drypoint on paper · 1920
Smithsonian American Art Museum
Fleurie Church
Fleurie Church
Kerr Eby
drypoint on paper · 1920
Smithsonian American Art Museum
Little House, Amboise
Little House, Amboise
Kerr Eby
drypoint on paper · 1920
Smithsonian American Art Museum
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