Database / Artworks
Artworks
Guardian
Robert Rauschenberg
Lithograph with embossing · 1968
Museum of Modern Art
Water Stop
Robert Rauschenberg
Lithograph with embossing · 1968
Museum of Modern Art
The Mirror of Genoveva from S.M.S. No. 2
Meret Oppenheim
Offset lithograph with embossing · 1968
Museum of Modern Art
Gamble
Robert Rauschenberg
Lithograph with embossing · 1968
Museum of Modern Art
Drizzle
Robert Rauschenberg
Lithograph with embossing · 1968
Museum of Modern Art
Notes
Claes Oldenburg
Illustrated book with 12 lithograph and offset lithographs (four with embossing and/or varnish additions) · 1968
Museum of Modern Art
Histoire des rechutes
Enrique Zañartu
Illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art
Plate (folio 16 verso) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art
Plate (folio 4) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art
Plate (folio 13 verso) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art
In-text plate (folio 8 verso) from Histoire des rechutes
Enrique Zañartu
Engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art
Plate (folio 19) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art
In-text plate (folio 11 verso) from Histoire des rechutes
Enrique Zañartu
Engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art
Embossed Print (Erosion), plate 84 from 101 Prints
Norman Roland Eppink
Line etching in black and embossing on white wove paper · 1967
Art Institute of Chicago
Etching, Engraving, Soft Ground, Aquatint, and Embossing (City Complex), plate 44 from 101 Prints
Norman Roland Eppink
Etching, engraving, soft ground etching, and acquaint in black, with embossing, on ivory wove paper · 1967
Art Institute of Chicago
Drizzle
Robert Rauschenberg
Color lithograph with embossing on white wove paper · 1967
Art Institute of Chicago
Drizzle
Robert Rauschenberg
Photolithograph in black with embossing from one stone and one plate on white wove paper · 1967
Art Institute of Chicago
Drizzle
Robert Rauschenberg
Photolithograph in black with embossing from one stone and one plate on white wove paper · 1967
Art Institute of Chicago
Experimental Plate, for Fifth Stone, Sixth Stone
Lee Bontecou
Etching with aquatint from one plate in black ink, with embossing, on ivory wove paper · 1967
Art Institute of Chicago
Experimental Plate, for Fifth Stone, Sixth Stone
Lee Bontecou
Etching with aquatint from one plate in black ink, with embossing, on ivory wove paper · 1967
Art Institute of Chicago
Experimental Plate, for Fifth Stone, Sixth Stone
Lee Bontecou
Etching with aquatint from one plate in black ink, with embossing, on ivory wove paper · 1967
Art Institute of Chicago
Plate III, from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching from one plate in black ink with embossing on ivory wove paper · 1967
Art Institute of Chicago
Plate III, from Fifth Stone, Sixth Stone
Lee Bontecou
Aquatint with etching in black and embossing in white on ivory wove paper · 1967
Art Institute of Chicago
O'Hara Reading
Larry Rivers
Graphite, with embossing, on white wove paper · 1967
Art Institute of Chicago