Database / Artworks
Artworks

Embossed Nude #1
Tom Wesselmann
Embossing with pencil and watercolor additions · 1965
Museum of Modern Art

Study for cover of Beloe-chernoe (White and Black)
Varvara Rodchenko
Relief halftone with embossing and ink additions · 1965
Museum of Modern Art

Ozymandias
Letterio Calapai
Engraving, aquatint, open bite, embossing, and photo plate on cream wove paper · 1964
Art Institute of Chicago

Enchantress and Twilight Bird
Betye Saar
Etching and aquatint with blind embossing · 1964
Museum of Modern Art

The Quick & the Dead
Betye Saar
Etching and collagraph with hand addtions and embossing with stamped ink · 1964
Museum of Modern Art

Concetto Spaziale from Six Original Etchings (Sei Acqueforti Originali)
Lucio Fontana
One from a portfolio of six etchings with embossing · 1964
Museum of Modern Art

Concetto Spaziale from Six Original Etchings (Sei Acqueforti Originali)
Lucio Fontana
One from a portfolio of six etchings with embossing · 1964
Museum of Modern Art

Concetto Spaziale from Six Original Etchings (Sei Acqueforti Originali)
Lucio Fontana
One from a portfolio of six etchings with embossing · 1964
Museum of Modern Art

Concetto Spaziale from Six Original Etchings (Sei Acqueforti Originali)
Lucio Fontana
One from a portfolio of six etchings with embossing · 1964
Museum of Modern Art

Concetto Spaziale from Six Original Etchings (Sei Acqueforti Originali)
Lucio Fontana
One from a portfolio of six etchings with embossing · 1964
Museum of Modern Art

Concetto Spaziale from Six Original Etchings (Sei Acqueforti Originali)
Lucio Fontana
One from a portfolio of six etchings with embossing · 1964
Museum of Modern Art

Nuclear Bomber No. 2
Colin Self
Relief print with embossing and decal additions · 1964
Museum of Modern Art

Dum-Dum Roses from New York Ten
Robert Kulicke
Screenprint with varnish additions from a portfolio with seven screenprints, one etching, one lithograph, and one embossing · 1964
Museum of Modern Art

James Bond Meets Pussy Galore from New York Ten
Nicholas Krushenick
Screenprint from a portfolio with seven screenprints, one etching, one lithograph, and one embossing · 1964
Museum of Modern Art

Self-Portrait (Zinc & Acid) from New York Ten
Jim Dine
Etching from a portfolio with seven screenprints, one etching, one lithograph, and one embossing · 1964
Museum of Modern Art

New York Ten
George Segal
Portfolio of seven screenprints, one etching, one lithograph, and one embossing · 1964
Museum of Modern Art

Untitled #1, 1964 from New York Ten
Mon Levinson
Screenprint from a portfolio with seven screenprints, one etching, one lithograph, and one embossing · 1964
Museum of Modern Art

Flying Pizza from New York Ten
Claes Oldenburg
Lithograph from a portfolio with seven screenprints, one etching, one lithograph, and one embossing · 1964
Museum of Modern Art

Woman Brushing Her Hair from New York Ten
George Segal
Screenprint from a portfolio with seven screenprints, one etching, one lithograph, and one embossing · 1964
Museum of Modern Art

Seascape I from New York Ten
Roy Lichtenstein
Screenprint on laminated plastic from a portfolio with seven screenprints, one etching, one lithograph, and one embossing · 1964
Museum of Modern Art

The Little Machine
Omar Rayo
Uninked embossing · 1963
Museum of Modern Art

Plate 20 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Georges Vantongerloo
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art

Plate 1 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Josef Albers
Engraving from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art

Plate 19 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
Gino Severini
Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving · 1962
Museum of Modern Art