Database / Artworks
Artworks

Bedcover
Sisters of the Honorable Amos Patterson
Wool, twill weave; embroidered with wool in buttonhole, herringbone, Roumanian, satin and stem stitches; edged with fringe · 1793
Art Institute of Chicago

Sampler
Ann Sellers
Linen, plain weave; embroidered with silk in cross, satin, individual satin, split, and stem stitches; edged with silk, plain weave · 1793
Art Institute of Chicago

Sampler
Polly Bedford
Wool, plain weave; embroidered with silk floss and silk yarns in back, chain, Cretan, individual back, individual running, Roman, satin, stem, and surface satin stitches; laid work, couching, and Roumanian couching · 1791
Art Institute of Chicago

Sampler
Lucy Potter
Linen, plain weave; embroidered with silk in cross, Rococo, Roumanian, satin, stem, and tent stitches · 1791
Art Institute of Chicago

Emperor's Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; embroidered with silk in satin and stem stitches; painted details; sleeves: bands of silk, plain weave and of silk and gilt-metal-strip-wrapped silk, plain weave; edging and closures: silk, cotton, and gold-leaf-over-lacquered-paper-strip-wrapped cotton, satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; lined with silk, satin damask weave; sleeves lined with cotton, plain weave; metal buttons · 1790
Art Institute of Chicago

Pocket
Sally Standish
Cotton, plain weaves; some embroidered with silk in chain and cross stitches; some printed; pieced; edged with cotton, plain weaves; some printed; lined with linen · 1790
Art Institute of Chicago

Sofa (part of a set)
Lasalle
Walnut, carved and gilded; embroidered satin cover · 1785
The Metropolitan Museum of Art

Picture of Kings College Chapel, Cambridge (Needlework)
S. Smith
Silk, satin weave; embroidered with silk · 1785
Art Institute of Chicago
Wall Covering with Classical Figure
Lasalle
Silk: llampas (satin weave and plain weave variant), brocaded, appliquéd, embroidered · 1780
Cleveland Museum of Art

Fragment
Philippe de la Salle
Silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; French knot · 1775
Art Institute of Chicago

Man's Jifu (Semiformal Court Robe)
Manchu
Silk, 1:1 plain gauze weave; embroidered in stem filling stitches; sleeves: silk, 1:1 plain gauze weave (figured); edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts; neck trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; sleeves and cuffs lined with silk, 1:1 plain gauze weave · 1775
Art Institute of Chicago

Armchair (Fauteuil à la reine) (one of a pair) (part of a set)
François-Honoré-Georges Jacob
Carved and gilded walnut; embroidered silk satin · 1775
The Metropolitan Museum of Art

Embroidered picture
Miss A Grubb
embroidery & stitching, embroidered picture — medium: wool embroidery on linen foundation technique: embroidered in counted stitches · 1775
Cooper Hewitt, Smithsonian Design Museum

Vestment (For a First-degree Taoist Priest)
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, cotton, gold-leaf-over-lacquered-paper-strip-wrapped cotton, gilt-metal-strip-wrapped cotton, and gold-leaf-over-lacquered paper in satin stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; lined with silk, 4:1 satin damask weave · 1775
Art Institute of Chicago

Cushion Cover
Manchu
Silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin, and stem stitches; laid work and couching · 1775
Art Institute of Chicago

Fragment
Philippe de La Salle
Silk, warp-float faced 7:1 satin weave; embroidered with silk in chain, satin, single satin and stem stitches; French knot · 1775
Art Institute of Chicago

Man's Jifu (Semiformal Court Robe)
Manchu
Silk, 1:1 plain gauze weave; embroidered in stem filling stitches; sleeves: silk, 1:1 plain gauze weave (figured); edging and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts; neck trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; sleeves and cuffs lined with silk, 1:1 plain gauze weave · 1775
Art Institute of Chicago

Sampler
Elizabeth Nicholls
Linen, plain weave; embroidered with silk in cross, eyelet, and satin stitches · 1767
Art Institute of Chicago

Sampler
Charlotte Guerin
Linen, plain weave; embroidered with silk in cross, herringbone, stem, satin, and chain stitches; edged with cotton, plain weave · 1765
Art Institute of Chicago

Table Topper
Mary Toppin
Linen, plain weave; embroidered with wool in bullion, chain, and satin stitches · 1760
Art Institute of Chicago

Sampler
Mary Freeman, English
embroidery & stitching, sampler — medium: silk, wool technique:embroidered in cross stitch and flame stitch on plain weave foundation · 1753
Cooper Hewitt, Smithsonian Design Museum

Sampler
Ann Winchester, English
embroidery & stitching, sampler — medium: wool, silk technique: embroidered in eyelet, cross, stem, and satin stitches · 1752
Cooper Hewitt, Smithsonian Design Museum

Panel
Philippe de la Salle
Silk, warp float-faced 7:1 satin weave with supplementary binding warps which tie supplementary brocading wefts and ground wefts in plain weave; with inset ovals of silk, warp-float faced 7:1 satin weave with supplementary brocading wefts tied in twill weave by ground warps; seam embroidered in satin stitch · 1750
Art Institute of Chicago

Cushion Cover
Manchu
Silk, warp-float faced 7:1 satin weave; embroidered in knot, satin, and stem stitches · 1750
Art Institute of Chicago