Database / Artworks
Artworks

Young Woman
Jacques Villon
Engraving and drypoint on ivory wove paper · 1942
Art Institute of Chicago

Young Girl
Jacques Villon
Engraving and drypoint on white wove paper · 1942
Art Institute of Chicago

Head of a Young Girl III (supplementary plate, facing page 6) from from the illustrated book Non Vouloir
Pablo Picasso
Engraving and drypoint · 1942
Museum of Modern Art

Variant of Head of a Young Girl III (4th supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving and drypoint · 1942
Museum of Modern Art

Variant of Head of a Young Girl III (3rd supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving and drypoint · 1942
Museum of Modern Art

Variant of Head of a Young Girl III (2nd supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving and drypoint · 1942
Museum of Modern Art

Non Vouloir
Pablo Picasso
Illustrated book with 4 engravings over line block reproductions after wash drawings; supplementary engraving and drypoint with 3 variants; and supplementary suite of variant engravings over line block reproductions · 1942
Museum of Modern Art

Eaux-fortes originale pour des textes de Buffon (Histoire naturelle)
Pablo Picasso
Illustrated book with thirty-one aquatints (thirteen with drypoint, thirteen with etching and drypoint, three with engraving and drypoint, and one with etching, engraving, and drypoint) · 1936
Museum of Modern Art

Plate (folio 15) from 23 Gravures
Justino Fernández
Engraving and drypoint from an illustrated book with twelve etchings (one with aquatint and drypoint), five drypoints, three engravings (one with drypoint), two lithographs, and one woodcut · 1935
Museum of Modern Art

Untitled (4)
Jackson Pollock
Engraving and drypoint · 1934
Museum of Modern Art

Untitled, from L'Apocalypse
Stanley William Hayter
Engraving and drypoint on ivory wove paper · 1931
Art Institute of Chicago

Untitled, from L'Apocalypse
Stanley William Hayter
Engraving and drypoint on ivory wove paper · 1931
Art Institute of Chicago

Untitled, from L'Apocalypse
Stanley William Hayter
Engraving and drypoint on ivory wove paper · 1930
Art Institute of Chicago

Rue de la Villette
Stanley William Hayter
Engraving and drypoint · 1930
Museum of Modern Art

Two Women of the Mangue with Blinds (Duas mulheres do Mangue com persiana)
Lasar Segall
Engraving and drypoint · 1928
Museum of Modern Art

The Clock Tower, Paris
Charles Méryon
Etching, engraving and drypoint (plate has been scraped and burnished) on ivory wove chine, laid down on ivory laid paper · 1852
Art Institute of Chicago

Frontispiece, from Othello
Théodore Chassériau
Etching, engraving and drypoint on ivory chine, laid down on white wove paper · 1844
Art Institute of Chicago

If I Do Die Before Thee, plate eight from Othello
Théodore Chassériau
Etching, engraving and drypoint on ivory China paper, laid down on white wove paper · 1844
Art Institute of Chicago

She Lov’d Me for the Dangers I Had Pass’d, plate 3 (act 1, scene 3) from Othello,
Théodore Chassériau
Etching, engraving and drypoint on ivory China paper, laid down on white wove paper · 1844
Art Institute of Chicago

Owake! What Ho! Brabantio!plate 1 (act 1, scene 1) from Othello
Théodore Chassériau
Etching, engraving and drypoint on ivory China paper, laid down on white wove paper · 1844
Art Institute of Chicago

If I Do Die Before Thee, plate eight from Othello
Théodore Chassériau
Etching, engraving and drypoint on off-white China paper, laid down on cream wove paper · 1844
Art Institute of Chicago

Frontispiece, from Othello
Théodore Chassériau
Etching, engraving and drypoint on white wove paper · 1844
Art Institute of Chicago
The Tomb of Nero
Giovanni Battista Piranesi, Italian
etching with engraving and drypoint · 1747
Cleveland Museum of Art

Jan Lutma
Rembrandt van Rijn
etching, engraving and drypoint on laid paper · 1656
National Gallery of Art