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Artworks

199 records · Engraving and drypoint
Young Woman
Young Woman
Jacques Villon
Engraving and drypoint on ivory wove paper · 1942
Art Institute of Chicago
Young Girl
Young Girl
Jacques Villon
Engraving and drypoint on white wove paper · 1942
Art Institute of Chicago
Head of a Young Girl III (supplementary plate, facing page 6) from from the illustrated book Non Vouloir
Head of a Young Girl III (supplementary plate, facing page 6) from from the illustrated book Non Vouloir
Pablo Picasso
Engraving and drypoint · 1942
Museum of Modern Art
Variant of Head of a Young Girl III (4th supplementary plate) from the illustrated book Non Vouloir
Variant of Head of a Young Girl III (4th supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving and drypoint · 1942
Museum of Modern Art
Variant of Head of a Young Girl III (3rd supplementary plate) from the illustrated book Non Vouloir
Variant of Head of a Young Girl III (3rd supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving and drypoint · 1942
Museum of Modern Art
Variant of Head of a Young Girl III (2nd supplementary plate) from the illustrated book Non Vouloir
Variant of Head of a Young Girl III (2nd supplementary plate) from the illustrated book Non Vouloir
Pablo Picasso
Engraving and drypoint · 1942
Museum of Modern Art
Non Vouloir
Non Vouloir
Pablo Picasso
Illustrated book with 4 engravings over line block reproductions after wash drawings; supplementary engraving and drypoint with 3 variants; and supplementary suite of variant engravings over line block reproductions · 1942
Museum of Modern Art
Eaux-fortes originale pour des textes de Buffon (Histoire naturelle)
Eaux-fortes originale pour des textes de Buffon (Histoire naturelle)
Pablo Picasso
Illustrated book with thirty-one aquatints (thirteen with drypoint, thirteen with etching and drypoint, three with engraving and drypoint, and one with etching, engraving, and drypoint) · 1936
Museum of Modern Art
Plate (folio 15) from 23 Gravures
Plate (folio 15) from 23 Gravures
Justino Fernández
Engraving and drypoint from an illustrated book with twelve etchings (one with aquatint and drypoint), five drypoints, three engravings (one with drypoint), two lithographs, and one woodcut · 1935
Museum of Modern Art
Untitled (4)
Untitled (4)
Jackson Pollock
Engraving and drypoint · 1934
Museum of Modern Art
Untitled, from L'Apocalypse
Untitled, from L'Apocalypse
Stanley William Hayter
Engraving and drypoint on ivory wove paper · 1931
Art Institute of Chicago
Untitled, from L'Apocalypse
Untitled, from L'Apocalypse
Stanley William Hayter
Engraving and drypoint on ivory wove paper · 1931
Art Institute of Chicago
Untitled, from L'Apocalypse
Untitled, from L'Apocalypse
Stanley William Hayter
Engraving and drypoint on ivory wove paper · 1930
Art Institute of Chicago
Rue de la Villette
Rue de la Villette
Stanley William Hayter
Engraving and drypoint · 1930
Museum of Modern Art
Two Women of the Mangue with Blinds (Duas mulheres do Mangue com persiana)
Two Women of the Mangue with Blinds (Duas mulheres do Mangue com persiana)
Lasar Segall
Engraving and drypoint · 1928
Museum of Modern Art
The Clock Tower, Paris
The Clock Tower, Paris
Charles Méryon
Etching, engraving and drypoint (plate has been scraped and burnished) on ivory wove chine, laid down on ivory laid paper · 1852
Art Institute of Chicago
Frontispiece, from Othello
Frontispiece, from Othello
Théodore Chassériau
Etching, engraving and drypoint on ivory chine, laid down on white wove paper · 1844
Art Institute of Chicago
If I Do Die Before Thee, plate eight from Othello
If I Do Die Before Thee, plate eight from Othello
Théodore Chassériau
Etching, engraving and drypoint on ivory China paper, laid down on white wove paper · 1844
Art Institute of Chicago
She Lov’d Me for the Dangers I Had Pass’d, plate 3 (act 1, scene 3) from Othello,
She Lov’d Me for the Dangers I Had Pass’d, plate 3 (act 1, scene 3) from Othello,
Théodore Chassériau
Etching, engraving and drypoint on ivory China paper, laid down on white wove paper · 1844
Art Institute of Chicago
Owake! What Ho! Brabantio!plate 1 (act 1, scene 1) from Othello
Owake! What Ho! Brabantio!plate 1 (act 1, scene 1) from Othello
Théodore Chassériau
Etching, engraving and drypoint on ivory China paper, laid down on white wove paper · 1844
Art Institute of Chicago
If I Do Die Before Thee, plate eight from Othello
If I Do Die Before Thee, plate eight from Othello
Théodore Chassériau
Etching, engraving and drypoint on off-white China paper, laid down on cream wove paper · 1844
Art Institute of Chicago
Frontispiece, from Othello
Frontispiece, from Othello
Théodore Chassériau
Etching, engraving and drypoint on white wove paper · 1844
Art Institute of Chicago
The Tomb of Nero
The Tomb of Nero
Giovanni Battista Piranesi, Italian
etching with engraving and drypoint · 1747
Cleveland Museum of Art
Jan Lutma
Jan Lutma
Rembrandt van Rijn
etching, engraving and drypoint on laid paper · 1656
National Gallery of Art
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