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Artworks
Vuë du fameux Chataignier de l'Etna...(View of the Famous Chestnut Tree of Mount Etna, called Centum Cavalli)
François Alix
Etching and engraving in black on ivory laid paper · 1774
Art Institute of Chicago
Margaret, Countess of Carlisle
James Watson
Mezzotint with engraving in black on ivory laid paper · 1773
Art Institute of Chicago
Margaret, Countess of Carlisle
Watson
Mezzotint with engraving in black on ivory laid paper · 1773
Art Institute of Chicago
Margaret, Countess of Carlisle
James Watson
Mezzotint with engraving in black on ivory laid paper · 1773
Art Institute of Chicago
An Incantation
John Dixon
Mezzotint with touches of engraving in black on ivory laid paper · 1772
Art Institute of Chicago
A Philosopher Shewing an Experiment on the Air Pump
Valentine Green
Mezzotint with traces of engraving in black on ivory laid paper · 1769
Art Institute of Chicago
A Philosopher Shewing an Experiment on the Air Pump
Valentine Green
Mezzotint with traces of engraving in black on ivory laid paper · 1769
Art Institute of Chicago
The Ruins of the Pirnaischer Suburb with the Palais Fürstenhof
Bernardo Bellotto
Etching with engraving in black on ivory laid paper · 1766
Art Institute of Chicago
The Tooth Puller, plate nine from Selection of Pictures from Venetian Collections
Jacopo Leonardis
Etching and engraving in black on ivory laid paper · 1765
Art Institute of Chicago
Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde
Pieter
Engraving in black on ivory laid paper · 1753
Art Institute of Chicago
Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde
Pieter Tanje
Engraving in black on ivory laid paper · 1753
Art Institute of Chicago
Portrait of a Sixty-year-old Woman, from Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde
Pieter Tanje
Engraving in black on ivory laid paper · 1753
Art Institute of Chicago
L'Aveugle (The Blind Man Begging)
Louis Surugue
Engraving in black on ivory laid paper · 1748
Art Institute of Chicago
Plate Four, from Marriage à la Mode
Simon Francis Ravenet
Etching and engraving in black on ivory laid paper · 1745
Art Institute of Chicago
Plate Five, from Marriage à la Mode
Simon Francis Ravenet
Etching and engraving in black on ivory laid paper · 1745
Art Institute of Chicago
Plate Three, from Marriage à la Mode
Bernard Baron
Etching and engraving in black on ivory laid paper · 1745
Art Institute of Chicago
Plate One, from Marriage à la Mode
Gérard Scotin, II
Etching and engraving in black on ivory laid paper · 1745
Art Institute of Chicago
Plate Six, from Marriage à la Mode
Gérard Scotin, II
Etching and engraving in black on ivory laid paper · 1745
Art Institute of Chicago
Pierre Mignard
Georg Friedrich Schmidt
Engraving in black on ivory laid paper · 1744
Art Institute of Chicago
Les tours de cartes (The card trick)
Louis Surugue
Engraving in black on ivory laid paper · 1744
Art Institute of Chicago
Portrait of Elizabeth de Gouy
Johann Georg Wille
Engraving in black on ivory laid paper · 1743
Art Institute of Chicago
The Monkey Antiquarian
Pierre Louis de Surugue
Etching with engraving in black on ivory laid paper · 1743
Art Institute of Chicago
The Monkey Painter
Pierre Louis de Surugue
Etching with engraving in black on ivory laid paper · 1743
Art Institute of Chicago
Adoration of the Shepherds
Pierre François Basan
Engraving in black on ivory laid paper, laid down on ivory laid paper with an ivory laid paper collar, decoated with ruled pen and black ink lines on strips of ivory laid paper · 1743
Art Institute of Chicago