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Artworks

Untitled from Eagle (Adler)
Georg Baselitz
One woodcut with paint additions from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Untitled from Eagle (Adler)
Georg Baselitz
One woodcut with paint additions from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Untitled from Eagle (Adler)
Georg Baselitz
One wood engraving from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Untitled from Eagle (Adler)
Georg Baselitz
One etching and drypoint from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Untitled from Eagle (Adler)
Georg Baselitz
One wood engraving from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Untitled from Eagle (Adler)
Georg Baselitz
One wood engraving from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Bearded Lady from Side Show
Peter Blake
One from a portfolio of five wood engravings · 1974
Museum of Modern Art

Tattooed Man from Side Show
Peter Blake
One from a portfolio of five wood engravings · 1974
Museum of Modern Art

Untitled from Eagle (Adler)
Georg Baselitz
One etching and drypoint from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Untitled from Eagle (Adler)
Georg Baselitz
One etching, aquatint, and drypoint from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Eagle (Adler)
Georg Baselitz
Portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Untitled from Eagle (Adler)
Georg Baselitz
One etching from a portfolio of six woodcuts (four with paint additions; including covers), four etchings on chine collé (two with drypoint, one with aquatint and drypoint), and three wood engravings · 1974
Museum of Modern Art

Containers
Dieter Roth
Portfolio of nine etchings (eight with various collage additions), four offset lithographs, one etching, one transfer print, one double-sided screenprint, two sets of ten offset lithographs on gummed and perforated paper, and three engravings; plus the relief-printed title pages and offset program · 1972
Museum of Modern Art

Plate (folio 16 verso) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Histoire des rechutes
Enrique Zañartu
Illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

In-text plate (folio 8 verso) from Histoire des rechutes
Enrique Zañartu
Engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

In-text plate (folio 11 verso) from Histoire des rechutes
Enrique Zañartu
Engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Plate (folio 4) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Plate (folio 19) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Plate (folio 13 verso) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

W. Profile from Selections from The Nude Ma
Beth Van Hoesen
Engraving and drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art

W. Seated from Selections from The Nude Man
Beth Van Hoesen
Etching and drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art

P. Standing from Selections from The Nude Man
Beth Van Hoesen
Drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art

Father and Son from Selections from The Nude Man
Beth Van Hoesen
Drypoint from a portfolio of seven etchings (two with drypoint and two with aquatint), three drypoints, and two engravings (one with drypoint) · 1965
Museum of Modern Art