Database / Artworks
Artworks

The Death of the Vagabond
Alphonse Legros
Etching, aquatint and drypoint on cream wove paper · 1855
Art Institute of Chicago

Large Trees Seen against the Sun (Les grandes arbres: Effet du soir)
Alphonse Legros
etching, aquatint, and drypoint · 1837
National Gallery of Art

Water's Edge by Morning Light (Au bord de l'eau (Effet du matin))
Alphonse Legros
etching, aquatint and drypoint? · 1837
National Gallery of Art

Fisherman with a Hoop-net (La peche a la truble)
Alphonse Legros
etching, aquatint and drypoint? · 1837
National Gallery of Art

Death of the Vagabond (La mort du vagabond)
Alphonse Legros
etching, aquatint and drypoint · 1837
National Gallery of Art

Death of the Vagabond (La mort du vagabond)
Alphonse Legros
etching, aquatint and drypoint · 1837
National Gallery of Art

The Cabinet-Maker and Upholsterer's Guide: being a Complete Drawing Book; in which will be comprised Treatises on Geometry and Perspective, as applicable to the above branches of mechanics
George Albert Smith
Illustrations: engraving, etching, aquatint, hand-colored · 1828
The Metropolitan Museum of Art

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, aquatint, roulette, and traces of drypoint, on ivory laid paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, aquatint, and roulette, with touches of drypoint, printed in black on white laid paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, hard ground etching, aquatint, and roulette printed from two plates in red-brown and black on white laid paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black, on ivory laid paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching from two plates, hard ground etching, aquatint, and roulette on paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black on white laid paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, aquatint, and roulette inked à la poupée in black and brown on white wove paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, hard ground etching, aquatint, and roulette, printed from two plates in red-brown and black on white laid paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching, aquatint, and roulette, with touches of drypoint, printed in black on white wove paper · 1826
Art Institute of Chicago

Portrait of a Man in an Armchair, from Collection d'imitations de Dessins d'après les Principaux Maîtres Hollandais et Flamands
Christian Josi
Soft ground etching from two plates, etching, aquatint, and roulette, with brush and grey wash, on paper · 1826
Art Institute of Chicago

The Blind Singer
Francisco Goya
etching, aquatint and/or lavis, drypoint and burin on laid paper · 1824
National Gallery of Art

Disparate puntual (Sure Folly)
Francisco Goya
etching, aquatint and (drypoint?) · 1816
National Gallery of Art

Disparate femenino (Feminine Folly)
Francisco Goya
etching, aquatint and (drypoint?) · 1816
National Gallery of Art

Disparate desordenado (Disorderly Folly)
Francisco Goya
etching, aquatint and drypoint · 1816
National Gallery of Art

Modo de volar (A Way of Flying)
Francisco Goya
etching, aquatint and (drypoint?) [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art

Disparate desordenado (Disorderly Folly)
Francisco Goya
etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art

Disparate ridiculo (Ridiculous Folly)
Francisco Goya
etching, aquatint and drypoint [trial proof printed posthumously circa 1854-1863] · 1816
National Gallery of Art