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Artworks

540 records · Etching, aquatint
Y aun no se van! (And Still They Don't Go!)
Y aun no se van! (And Still They Don't Go!)
Francisco Goya
etching, aquatint, and engraving with burnishing on laid paper · 1799
National Gallery of Art
Buen Viage (Bon Voyage)
Buen Viage (Bon Voyage)
Francisco Goya
etching, aquatint, and engraving with burnishing on laid paper · 1799
National Gallery of Art
Si quebro el cantaro (Yes He Broke the Pot)
Si quebro el cantaro (Yes He Broke the Pot)
Francisco Goya
etching, aquatint and drypoint on laid paper · 1799
National Gallery of Art
Volaverunt (They Have Flown)
Volaverunt (They Have Flown)
Francisco Goya
etching, aquatint, and drypoint on laid paper · 1799
National Gallery of Art
Quien mas rendido?  (Which of Them Is the More Overcome?)
Quien mas rendido? (Which of Them Is the More Overcome?)
Francisco Goya
etching, aquatint, and drypoint on laid paper · 1799
National Gallery of Art
Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)
Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)
Francisco Goya
etching, aquatint, drypoint, and burin on laid paper · 1799
National Gallery of Art
Ni asi la distingue  (Even Thus He Cannot Make Her Out)
Ni asi la distingue (Even Thus He Cannot Make Her Out)
Francisco Goya
etching, aquatint and drypoint on laid paper [proof before letters] · 1797
National Gallery of Art
Al Conde Palatino (To the Count Palatine)
Al Conde Palatino (To the Count Palatine)
Francisco Goya
etching, aquatint, drypoint and burin on laid paper [proof before letters] · 1797
National Gallery of Art
Francisco Goya y Lucientes, Painter, plate one from Los Caprichos
Francisco Goya y Lucientes, Painter, plate one from Los Caprichos
Francisco Goya
Etching, aquatint, drypoint and burin in black on ivory laid paper · 1797
Art Institute of Chicago
Vue d'un pont sur l'Aar, Canton de Berne (View of a Bridge on the Aar, Berne)
Vue d'un pont sur l'Aar, Canton de Berne (View of a Bridge on the Aar, Berne)
Charles Melchior Descourtis
etching, aquatint, and wash manner, printed in color on laid paper · 1785
National Gallery of Art
Venus Surrounded by Putti
Venus Surrounded by Putti
Arthur Pond
Etching, aquatint, and colored woodcut · 1730
The Metropolitan Museum of Art
Tokyo Tower (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)
Tokyo Tower (One Hundred Views of Tokyo, Message to the 21st Century 東京百景 21世紀へのメッセジ)
Ikeda Masuo (池田満寿夫)
Etching, aquatint, drypoint, and roulette
Art Institute of Chicago
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