Database / Artworks
Artworks
Eight in Bed
Louise Bourgeois
Etching, engraving, and drypoint, with hand additions · 1998
Museum of Modern Art
Eight in Bed
Louise Bourgeois
Etching, engraving, and drypoint, with hand additions · 1998
Museum of Modern Art
Eight in Bed
Louise Bourgeois
Etching, engraving, and drypoint, with hand additions · 1998
Museum of Modern Art
Eight in Bed
Louise Bourgeois
Etching, engraving, and drypoint, with hand additions · 1998
Museum of Modern Art
Eight in Bed
Louise Bourgeois
Etching, engraving, and drypoint, with hand additions · 1998
Museum of Modern Art
Eight in Bed
Louise Bourgeois
Etching, engraving, and drypoint, with hand additions · 1998
Museum of Modern Art
Eight in Bed
Louise Bourgeois
Etching, engraving, and drypoint, with hand additions · 1998
Museum of Modern Art
Eight in Bed
Louise Bourgeois
Etching, engraving, and drypoint, with hand additions · 1998
Museum of Modern Art
Untitled, plate 3 of 5, from the illustrated book, and plate 3 of 7, from the portfolio, Metamorfosis
Louise Bourgeois
Etching, engraving, and drypoint · 1997
Museum of Modern Art
Untitled, plate 3 of 5, from the illustrated book, and plate 3 of 7, from the portfolio, Metamorfosis
Louise Bourgeois
Etching, engraving, and drypoint · 1997
Museum of Modern Art
Untitled, plate 3 of 5, from the illustrated book, and plate 3 of 7, from the portfolio, Metamorfosis
Louise Bourgeois
Etching, engraving, and drypoint · 1997
Museum of Modern Art
HOW A GREAT DAILY ORGAN IS TURNED OUT
Richard Hamilton
Etching, engraving and aquatint on paper · 1990
Tate
Leopold Bloom
Richard Hamilton
Etching, engraving and aquatint on paper · 1983
Tate
In Horne’s house
Richard Hamilton
Etching, engraving and aquatint on paper · 1981
Tate
Berlin interior
Richard Hamilton
Photo-etching, engraving and aquatint on paper · 1979
Tate
Disappearing 8 (ii)
Misch Kohn
Sugar-lift ground aquatint etching, engraving, silver leaf, rainbow-roll and color woodcut chine collé on heavy cream Japanese paper · 1976
Art Institute of Chicago
Upway Landscape No. 1, State II/III
Fred Williams
Etching, engraving and drypoint · 1965
Museum of Modern Art
Arctic Bird I
Gabor Peterdi
Etching, engraving, aquatint in six colors on cream wove paper · 1964
Art Institute of Chicago
March Ballet
Doris Kreindler
Etching, engraving, and aquatint · 1964
Museum of Modern Art
In-text plate (folio 19) from 21 Etchings and Poems
Kurt Roesch
Etching, engraving, and aquatint from an illustrated book with 14 etchings (six with aquatint, four with engraving, one with drypoint), two aquatints, two engravings, two drypoints, and one photogravure · 1960
Museum of Modern Art
Vertical Rock
Gabor Peterdi
Etching, engraving, aquatint on cream wove paper · 1959
Art Institute of Chicago
Glowing Tree
Gabor Peterdi
Color etching, engraving and lift ground aquatint on white wove paper · 1958
Art Institute of Chicago
The Vision
Mauricio Lasansky
Etching, engraving, aquatint, soft ground, electric stippler, scraping and burnishing in yellow ocre and black on ivory wove paper · 1956
Art Institute of Chicago
Spain
Mauricio Lasansky
Color etching, engraving, aquatint, soft ground, scraping and burnishing in yellow ocre and black on white wove paper · 1956
Art Institute of Chicago