Database / Artworks
Artworks
Composition
Pierre Courtin
Etching, engraving, and built up plate · 1956
Museum of Modern Art
Of Earth and Water
Gabor Peterdi
Etching, engraving, and aquatint in blue on ivory wove paper · 1955
Art Institute of Chicago
Cascade (Waterfall), from Of Earth and Water
Gabor Peterdi
Lift-ground etching, engraving, and aquatint in black on ivory wove paper · 1955
Art Institute of Chicago
Wounded Darkness
Gabor Peterdi
Etching, engraving, aquatint with four stenciled colors on white wove paper · 1954
Art Institute of Chicago
Night and Day
Stanley William Hayter
Color etching, soft ground etching, engraving and scorper on paper · 1952
Art Institute of Chicago
Pierced and Beset
Lee Chesney
Etching, engraving, and aquatint · 1951
Museum of Modern Art
Studio
Gabor Peterdi
Color etching, engraving and aquaint on ivory wove paper · 1950
Art Institute of Chicago
Self Portrait
John Paul Jones
Etching, engraving, and aquatint · 1950
Museum of Modern Art
Mappemonde
Louise Bourgeois
Etching, engraving, and drypoint, with hand additions · 1948
Museum of Modern Art
Mappemonde
Louise Bourgeois
Etching, engraving, and drypoint · 1948
Museum of Modern Art
Thompson Street
Louise Bourgeois
Etching, engraving, and monotype, with selective wiping · 1948
Museum of Modern Art
Untitled
Joan Miró
Etching, engraving, and aquatint · 1947
Museum of Modern Art
L'Allée Montante
Louise Bourgeois
Etching, engraving, and aquatint · 1947
Museum of Modern Art
Variant of Coffee Mill Du Cubisme (On Cubism)
Marcel Duchamp
Etching, engraving, and drypoint from the supplementary suite of an illustrated book with seven etchings (two with engraving, one with drypoint, one with both), three drypoints, two aquatint and engravings, and a supplementary suite of twenty-two plates · 1947
Museum of Modern Art
Duplicate of Coffee Mill from Du Cubisme (On Cubism)
Marcel Duchamp
Etching, engraving, and drypoint from the supplementary suite of an illustrated book with seven etchings (two with engraving, one with drypoint, one with both), three drypoints, two aquatint and engravings, and a supplementary suite of twenty-two plates · 1947
Museum of Modern Art
Coffee Mill (page 85) from Du Cubisme (On Cubism)
Marcel Duchamp
Etching, engraving, and drypoint from an illustrated book with seven etchings (two with engraving, one with drypoint, one with both), three drypoints, two aquatint and engravings, and a supplementary suite of twenty-two plates · 1947
Museum of Modern Art
Untitled (Plate 7) from La femme tondue (The Shaven-Headed Woman)
Anton Prinner
One from an illustrated book with eight etching, engraving, and drypoints · 1946
Museum of Modern Art
Untitled (Plate 1) from La femme tondue (The Shaven-Headed Woman)
Anton Prinner
One from an illustrated book with eight etching, engraving, and drypoints · 1946
Museum of Modern Art
Untitled (Plate 6) from La femme tondue (The Shaven-Headed Woman)
Anton Prinner
One from an illustrated book with eight etching, engraving, and drypoints · 1946
Museum of Modern Art
Untitled (Plate 2) from La femme tondue (The Shaven-Headed Woman)
Anton Prinner
One from an illustrated book with eight etching, engraving, and drypoints · 1946
Museum of Modern Art
Untitled (Plate 4) from La femme tondue (The Shaven-Headed Woman)
Anton Prinner
One from an illustrated book with eight etching, engraving, and drypoints · 1946
Museum of Modern Art
Untitled (Plate 3) from La femme tondue (The Shaven-Headed Woman)
Anton Prinner
One from an illustrated book with eight etching, engraving, and drypoints · 1946
Museum of Modern Art
Untitled (Plate 8) from La femme tondue (The Shaven-Headed Woman)
Anton Prinner
One from an illustrated book with eight etching, engraving, and drypoints · 1946
Museum of Modern Art
Untitled (Plate 5) from La femme tondue (The Shaven-Headed Woman)
Anton Prinner
One from an illustrated book with eight etching, engraving, and drypoints · 1946
Museum of Modern Art