Database / Artworks
Artworks
Yet She Must Die, plate eleven from Othello
Théodore Chassériau
Etching, engraving, roulette and drypoint on off-white China paper, laid down on cream laid paper · 1844
Art Institute of Chicago
Frontispiece, from Othello
Théodore Chassériau
Etching, engraving and drypoint on white wove paper · 1844
Art Institute of Chicago
She Lov'd Me for the Dangers, plate three from Othello
Théodore Chassériau
Etching, engraving, roulette and drypoint on ivory China paper, laid down on ivory wove paper · 1844
Art Institute of Chicago
Villain, Thou Diest, plate ten from Othello
Théodore Chassériau
Etching, engraving and aquatint on light gray China paper, laid down on white wove paper · 1844
Art Institute of Chicago
Fan leaf featuring Maria Malibran and musical motifs
Jean-Denis Nargeot
Etching, engraving, and stipple engraving, printed in black and red ink · 1825
The Metropolitan Museum of Art
Vue perspective de la Chambre à coucher du Cit. V à Paris (Perspective View of the Bedroom of Cit. V in Paris), plate 13, in Recueil de décorations intérieures (Collection of Interior Decorations)
Charles Percier, French
architecture, interiors, print — etching, engraving on cream laid paper · 1812
Cooper Hewitt, Smithsonian Design Museum
The Arch with a Shell Ornament
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, drypoint · 1800
National Gallery of Art
The Gothic Arch
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing · 1800
National Gallery of Art
Prisoners on a Projecting Platform
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing · 1800
National Gallery of Art
The Smoking Fire
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing · 1800
National Gallery of Art
Scrapbook Containing Prints, Drawings, and Manuscript Text
Gerard de Lairesse
Various media including etching, engraving, and handwritten text · 1800
Art Institute of Chicago
The Fall of Rosamond (after Thomas Stothard)
William Blake
Etching, engraving and watercolour on paper · 1783
Tate
Edward, Lord Thurlow
Francesco Bartolozzi
Etching, engraving, and stipple engraving on off-white paper · 1782
Art Institute of Chicago
The Pier with a Lamp
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Sawhorse
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, scratching [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Drawbridge
Giovanni Battista Piranesi
etching, engraving, scratching [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Giant Wheel
Giovanni Battista Piranesi
etching, engraving [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Round Tower
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
The Grand Piazza
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, burnishing [date should be read as "published 1780s"] · 1780
National Gallery of Art
Recueil d'Ornemens A l'Usage des Jeunes Artistes qui se destinent à la décoration des bâtimens
Gilles Paul Cauvet
Etching, engraving · 1777
The Metropolitan Museum of Art
Préliminaire Apologétique Sur La Forge.
Jean Lamour, French
print — etching, engraving, letterpress and woodcut on laid paper · 1767
Cooper Hewitt, Smithsonian Design Museum
Dedication Page to Charles III of Spain and the Two Sicilies, frontispiece for Paolantonio Paoli, Rovine della città di Pesto detta ancora Posidonia (1784)
Giovanni Battista Tiepolo, Italian
figures, print — etching, engraving on off-white laid paper · 1765
Cooper Hewitt, Smithsonian Design Museum
The Round Tower
Giovanni Battista Piranesi
etching, engraving, sulphur tint or open bite, and burnishing on laid paper · 1761
National Gallery of Art
The Round Tower, plate 3 from the second edition of Carceri d'invenzione (Imaginary Prisons)
Giovanni Battista Piranesi
Etching, engraving, sulphur tint, and burnishing in black on ivory laid paper · 1761
Art Institute of Chicago