Database / Artworks
Artworks

Map of Connecticut and Long Island
Louise Bourgeois
Etching and engraving, with hand additions · 2001
Museum of Modern Art

Map of Connecticut and Long Island
Louise Bourgeois
Etching and engraving, with hand additions · 2001
Museum of Modern Art

Map of Connecticut and Long Island
Louise Bourgeois
Etching and engraving, with hand additions · 2001
Museum of Modern Art

Map of Connecticut and Long Island
Louise Bourgeois
Etching and engraving, with hand additions · 2001
Museum of Modern Art

Map of Connecticut and Long Island
Louise Bourgeois
Etching and engraving, with hand additions · 2001
Museum of Modern Art

Hinged Landscape at a Distance
Louise Bourgeois
Etching and engraving, with hand additions · 1999
Museum of Modern Art

Eight in Bed
Louise Bourgeois
Etching and engraving, with hand additions · 1998
Museum of Modern Art

Eight in Bed
Louise Bourgeois
Etching and engraving, with hand additions · 1998
Museum of Modern Art

Mind Your Own Business
Louise Bourgeois
Etching and engraving, with hand additions · 1995
Museum of Modern Art

Fatherhood
Roberto Barni
Etching and engraving on paper · 1982
Tate

Codex Coner-Mesura di Ventura
Michael Goldberg
Etching and engraving · 1981
Museum of Modern Art

Folding Linen
Robert Baxter
Etching and engraving on white wove paper · 1980
Art Institute of Chicago

Plate (page 35) from La Rose séparée
Enrique Zañartu
Etching and engraving from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Plate (page 27) from La Rose séparée
Enrique Zañartu
Etching and engraving from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Frontispiece from La Rose séparée
Enrique Zañartu
Etching and engraving from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Plate (page 43) from La Rose séparée
Enrique Zañartu
Etching and engraving from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Plate (page 49) from La Rose séparée
Enrique Zañartu
Etching and engraving from an illustrated book with six etchings (five with engraving) and two blind embossings · 1972
Museum of Modern Art

Undersea II
Helen Joy Weinberg
Color etching and engraving on cream wove paper · 1968
Art Institute of Chicago

Plate (folio 4) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Plate (folio 19) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Plate (folio 16 verso) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Plate (folio 13 verso) from Histoire des rechutes
Enrique Zañartu
Etching and engraving from an illustrated book with six engravings (four with etching) and one blind embossing · 1968
Museum of Modern Art

Combined Process (The Square), plate 85 from 101 Prints
Norman Roland Eppink
Etching and engraving in black, and color lithograph and linocut on white wove paper · 1967
Art Institute of Chicago

Etching, Engraving, and Color Offset from Linoleum (Webs), plate 46 from 101 Prints
Norman Roland Eppink
Etching and engraving in black, and color offset, on ivory wove paper · 1967
Art Institute of Chicago