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Artworks

98,525 records · Foam · Art Institute Chicago
Immeasurability: The Ridge
Immeasurability: The Ridge
AD—WO
Cotton, cotton-polyester blend, laminated gold metallic foil-wrapped extruded filament threads, and possibly other synthetic blends, in variations of plain and twill weave; woven on a digital jacquard loom; hemmed and machine stitched, Edition 1/3 · 2020
Art Institute of Chicago
Steve McQueen
Steve McQueen
Irma Boom
Book · 2020
Art Institute of Chicago
Anxious Red Painting November 29th
Anxious Red Painting November 29th
Rashid Johnson
Oil on linen · 2020
Art Institute of Chicago
Ambiguous Standards of Food (I)
Ambiguous Standards of Food (I)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Averno
Averno
Richard Rezac
Painted cherry wood and aluminum · 2020
Art Institute of Chicago
Ambiguous Standards of Protest (II)
Ambiguous Standards of Protest (II)
Ambiguous Standards Institute
Inkjet print · 2020
Art Institute of Chicago
Toolkit for La Rentrada
Toolkit for La Rentrada
Maria Elena Pombo
Avocado seeds, avocado seed brick, avocado seed taparita, avocado seed plastic, avocado seed leather, avocado seed glass, avocado seed powder, avocado seed oil, avocado seed water, glycerin, sodium alginate, sargassum algae, tropical pine resin brick, tropical pine resin, and glass containers · 2019
Art Institute of Chicago
Study for ‘Medusa’s Flight’
Study for ‘Medusa’s Flight’
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen · 2019
Art Institute of Chicago
Leslie Hewitt Reading 2.1511: That Is How a Picture Is Attached to Reality: It Reaches Right Out to It
Leslie Hewitt Reading 2.1511: That Is How a Picture Is Attached to Reality: It Reaches Right Out to It
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen and ballpoint pen · 2019
Art Institute of Chicago
Room 31, Southeast, Madlener House
Room 31, Southeast, Madlener House
Nelly Agassi
Gold gilt bullion wire, cloths of gold and silver with metallicized cotton, wool felt, and cotton thread on linen blend · 2019
Art Institute of Chicago
Pierre Huyghe
Pierre Huyghe
Irma Boom
Book · 2019
Art Institute of Chicago
Golden Millet Dream
Golden Millet Dream
Bingyi
Ink on silk · 2019
Art Institute of Chicago
Pulling off James Brown’s skinny flowery pants (Icon Matheu, makeup artist Akanbi Ade), from the series "The Royal House of Allure"
Pulling off James Brown’s skinny flowery pants (Icon Matheu, makeup artist Akanbi Ade), from the series "The Royal House of Allure"
Sabelo Mlangeni
Gelatin silver print · 2019
Art Institute of Chicago
Screen (Trees and Moon)
Screen (Trees and Moon)
Silke Otto-Knapp
Watercolor on canvas, five joined panels · 2019
Art Institute of Chicago
French Fashion, Women, and the First World War
French Fashion, Women, and the First World War
Irma Boom
Book · 2019
Art Institute of Chicago
Horizontal Civil Tapestry
Horizontal Civil Tapestry
Theaster Gates
Wood and decommissioned fire hose · 2019
Art Institute of Chicago
Interlace, Woven Research
Interlace, Woven Research
Irma Boom
Book · 2019
Art Institute of Chicago
Reef
Reef
Liz Larner
Ceramic, glaze, stones, minerals · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen · 2019
Art Institute of Chicago
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