Database / Artworks

Artworks

353 records · Form
Untitled (Living Room)
Untitled (Living Room)
André Komatsu
Wood, formica and brass · 2005
Tate
9th International Istanbul Biennial - Istanbul
9th International Istanbul Biennial - Istanbul
Esen Karol
Postcard - Press accreditation form · 2005
Art Institute of Chicago
Grossraum (Borders of Europe)
Grossraum (Borders of Europe)
Lonnie van Brummelen
35mm film (color, silent; 35 min.) and publication, "The Formal Trajectory" · 2004
Museum of Modern Art
Good Feelings in Good Times
Good Feelings in Good Times
Roman Ondak
Performance, people · 2003
Tate
Flowers I-X
Flowers I-X
Alejandro Cesarco
Ink on paper receipts, documentation of a performance · 2003
Museum of Modern Art
Out of Blue
Out of Blue
Zarina Bhimji
Single-channel video (transferred form 16 mm film), color, sound; 18 min. 25 sec. · 2002
Art Institute of Chicago
Untitled (Havana, 2000)
Untitled (Havana, 2000)
Tania Bruguera
Sugar cane bagasse, video (black and white, silent; 4:37 min.), and live performance · 2000
Museum of Modern Art
Softremote
Softremote
Sam Hecht
Pressure-formed ElekTex on siliconized foam and rubberized silicon with IR transmission capability · 2000
Museum of Modern Art
Keyboard
Keyboard
Sam Hecht
Pressure-formed Elektex on siliconized foam and rubberized silicon with IR transmission capability · 2000
Museum of Modern Art
Splatter Table
Splatter Table
Richard Artschwager
Synthetic polymer paint and formica on wood with metal plate, five parts · 1997
Museum of Modern Art
Information America
Information America
Julia Scher
Metal office desk, five 9" NTSC monitors with metal wall brackets, 13" color monitor, plastic and vinyl signage, three black-and-white surveillance cameras, removable lenses, transformers, video matrix switchers, two time-lapse recorders, Amiga A1200HD computer, Sony Watch-Cam, two media players, desk lamp, office chair, wires and cables · 1995
Museum of Modern Art
Away from the Flock
Away from the Flock
Damien Hirst
Glass, stainless steel, Perspex, acrylic paint, lamb and formaldehyde solution · 1994
Tate
Mother and Child (Divided)
Mother and Child (Divided)
Damien Hirst
Glass, stainless steel, Perspex, acrylic paint, cow, calf and formaldehyde solution · 1993
Tate
Untitled ("She is not sleepy smoky") from the series Time of My Life
Untitled ("She is not sleepy smoky") from the series Time of My Life
Yoshitomo Nara
Crayon and pen and ink and pencil on graph paper form notebook · 1992
Museum of Modern Art
Splatter Chair I
Splatter Chair I
Richard Artschwager
Enamel on wood and formica · 1992
Museum of Modern Art
The Acquired Inability to Escape
The Acquired Inability to Escape
Damien Hirst
Glass, steel, silicone rubber, Formica, fibreboard, chair, ashtray, lighter and cigarettes · 1991
Tate
Incubus
Incubus
Gary Hume
Alkyd paint on Formica · 1991
Tate
Sample
Sample
Suzanne Lentz
Cotton and silk, plain weave with supplementary pile warps forming cut voided velvet; ikat dyed pile warps · 1991
Art Institute of Chicago
Language Must Speak for Itself
Language Must Speak for Itself
Joseph Kosuth
Neon tubing, transformers, and wire · 1991
Museum of Modern Art
Horizon III
Horizon III
Richard Artschwager
Acrylic on Celotex and Formica on wood · 1990
Art Institute of Chicago
Rambouillet (Furnishing Fabric)
Rambouillet (Furnishing Fabric)
Osborne & Little (Firm)
Cotton, plain weave with supplementary pile warps forming cut and uncut voided velvet · 1990
Art Institute of Chicago
Kyoto Evergreen (Furnishing Fabric)
Kyoto Evergreen (Furnishing Fabric)
Maya Romanoff
Rayon, plain weave with supplementary pile warps forming cut solid velvet; tie-dyed · 1989
Art Institute of Chicago
Anatolia (Furnishing Fabric)
Anatolia (Furnishing Fabric)
Osborne & Little (Firm)
Cotton, plain weave with supplementary pile warps forming uncut solid velvet · 1988
Art Institute of Chicago
Imperale (Furnishing Fabric)
Imperale (Furnishing Fabric)
Gretchen Bellinger
Wool, cotton, rayon, and acrylic, plain weave with two-color supplementary pile warps forming uncut, solid "velvet" · 1988
Art Institute of Chicago
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