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Artworks

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Untitled
Untitled
Al Taylor
Wooden broomsticks with enamel paint mounted on formica laminate · 1988
Museum of Modern Art
Pink Panther
Pink Panther
Jeff Koons
Porcelain on formica base · 1988
Museum of Modern Art
Double Sitting
Double Sitting
Richard Artschwager
Synthetic polymer paint on board and paint on formica · 1988
Museum of Modern Art
Untitled (Detergent)
Untitled (Detergent)
Victor Schrager
Gelatin silver and chromogenic color prints, mounted on formica · 1987
Art Institute of Chicago
Tormented Self-Portrait (Susie at Arles)
Tormented Self-Portrait (Susie at Arles)
Ashley Bickerton
Acrylic on anodized aluminum, bronze powder and lacquer on wood, rubber, plastic, formica, leather, chrome-plated steel, and canvas · 1987
Museum of Modern Art
Book
Book
Richard Artschwager
Multiple of wood and formica · 1987
Museum of Modern Art
Bowl
Bowl
Edward Moulthrop
Leopard maple (Acer Rubrum, a form of Red Maple) · 1987
Museum of Modern Art
Ballet of the Woodpeckers
Ballet of the Woodpeckers
Rebecca Horn
Glass, metal, tranformers, motors and egg · 1986
Tate
Neckpiece
Neckpiece
Ivy Ross
Colorcore Formica, stainless steel, silver, and rubber · 1985
Art Institute of Chicago
Necklace
Necklace
Ivy Ross
Colorcore Formica and silver · 1985
Art Institute of Chicago
Bracelet
Bracelet
Ivy Ross
Formica, oxidized silver, and mother of pearl · 1985
Art Institute of Chicago
Panel
Panel
Mirella Spinella
Rayon, plain weave with supplementary pile warps forming cut solid velvet; block or screen printed · 1985
Art Institute of Chicago
Pair of Earrings
Pair of Earrings
Suzanne Bucher
Formica · 1984
Art Institute of Chicago
Collar
Collar
Suzanne Bucher
Formica · 1984
Art Institute of Chicago
Cuff
Cuff
Suzanne Bucher
Formica · 1984
Art Institute of Chicago
Pair of Cuff Links and Three Studs
Pair of Cuff Links and Three Studs
Ivy Ross
Colorcore Formica · 1984
Art Institute of Chicago
My Dog Bear
My Dog Bear
Ethel Stein
Cotton, plain weave with discontinuous supplementary wefts bound in twill interlacings and supplementary pile warps forming cut and voided velvet; supplementary warp twining; woven on a loom with a drawloom attachment fabricated by the artist · 1984
Art Institute of Chicago
A Change in the Weather
A Change in the Weather
Ethel Stein
Cotton, plain weave with discontinuous supplementary wefts bound in twill interlacings and supplementary pile warps forming cut and voided velvet; woven on a loom with a drawloom attachment fabricated by the artist · 1984
Art Institute of Chicago
Silk Overshot Wearable Poncho
Silk Overshot Wearable Poncho
Keiko Kobayashi
Four panels joined to form a poncho: silk, plain weave with supplementary patterning wefts · 1984
Art Institute of Chicago
Bracelet
Bracelet
Ivy Ross
Wood, Colorcore Formica, and plastic · 1983
Art Institute of Chicago
Ancestors
Ancestors
Ethel Stein
Cotton, plain weave with discontinuous supplementary wefts bound in twill interlacings and supplementary pile warps forming cut and voided velvet; woven on a loom with a drawloom attachment fabricated by the artist · 1983
Art Institute of Chicago
Government Approved Home Fallout Shelter Snack Bar
Government Approved Home Fallout Shelter Snack Bar
Michael Smith
Props, furniture, linoleum, Vacuform, cinder blocks, wood paneling, sound recording, video game with purpose-built cabinet, television, standard-definition video (color, sound; 24:10 min.), seven pencil drawings on paper, and ephemera · 1983
Museum of Modern Art
Yuan (Furnishing Fabric)
Yuan (Furnishing Fabric)
Ben Rose
Cotton, plain weave with supplementary pile warps forming cut velvet; screen printed · 1982
Art Institute of Chicago
Orion
Orion
Ásgerður Ester Búadóttir
Linen, wool, and horsehair, slit and double interlocking tapestry weave with eccentric wefts and supplementary wrapping wefts forming cut pile; backing bands of jute, plain weave · 1981
Art Institute of Chicago