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Database / Artworks

Artworks

3,869 records · Gold
Untitled (1347 Strokes)
Untitled (1347 Strokes)
Robert Morris
Graphite on wove paper prepared with a sprayed gold ground · 1962
Art Institute of Chicago
Genesis 1:4
Genesis 1:4
Harold Keeler
Lithograph in blue, black, and gold on ivory wove paper · 1961
Art Institute of Chicago
Plate from Monochrome und Feuer
Plate from Monochrome und Feuer
Yves Klein
Screenprint from exhibition catalogue with two screenprints and one gold leaf on cardboard · 1961
Museum of Modern Art
Plate from Monochrome und Feuer
Plate from Monochrome und Feuer
Yves Klein
Screenprint from exhibition catalogue with two screenprints and one gold leaf on cardboard · 1961
Museum of Modern Art
Monochrome und Feuer
Monochrome und Feuer
Yves Klein
Exhibition catalogue with two screenprints and one gold leaf on cardboard · 1961
Museum of Modern Art
Untitled, plate XIII from Fragments
Untitled, plate XIII from Fragments
Garo Antreasian
Color lithograph with paper collé and gold leaf on ivory paper · 1960
Art Institute of Chicago
Sundial
Sundial
Lygia Clark
Aluminum with gold patina · 1960
Museum of Modern Art
Salt shaker and pepper grinder
Salt shaker and pepper grinder
Frederick Anson Miller
Silver, gold, and enamel · 1959
Art Institute of Chicago
Golden Tension
Golden Tension
Will Barnet
Oil and gold leaf on canvas · 1959
Museum of Modern Art
FILTER
FILTER
Joseph Beuys
Graphite and gold paint on paper · 1958
Tate
Untitled
Untitled
Andy Warhol
Pen and black ink over graphite on ivory wove paper, tipped onto cream wove paper; blotted onto ivory wove paper, prepared with gold-colored foil · 1957
Art Institute of Chicago
Pomegranate
Pomegranate
Pamela Bianco
Oil and gold leaf on canvas · 1957
Museum of Modern Art
Remoulade (Furnishing Fabric)
Remoulade (Furnishing Fabric)
Jack Lenor Larsen
Wool, cotton, linen, rayon, gold gilt strip wound around cotton fiber core, metallic strip encased in synthetic film, nylon, and polyethylene, plain weave with supplementary patterning warps · 1956
Art Institute of Chicago
Remoulade (Furnishing Fabric)
Remoulade (Furnishing Fabric)
Jack Lenor Larsen
Wool, cotton, linen, rayon, metallic strip encased in synthetic film, nylon, gold gilt strip wound around a cotton fiber core, polyethylene, plain weave with supplementary patterning warps · 1956
Art Institute of Chicago
Chalice (one of a group)
Chalice (one of a group)
Renard Koehnemann
Silver, gold plating, and red enamel · 1955
Art Institute of Chicago
Plate from 17 variazioni su temi proposti per una pura ideologia fonetica
Plate from 17 variazioni su temi proposti per una pura ideologia fonetica
Alberto Burri
Scorched fabric from illustrated book with cover, scorched fabric, and ink and gold leaf on paper · 1955
Museum of Modern Art
Plate from 17 variazioni su temi proposti per una pura ideologia fonetica
Plate from 17 variazioni su temi proposti per una pura ideologia fonetica
Alberto Burri
Ink and gold leaf on paper from illustrated book with cover, scorched fabric, and ink and gold leaf on paper · 1955
Museum of Modern Art
Cover for 17 variazioni su temi proposti per una pura ideologia fonetica
Cover for 17 variazioni su temi proposti per una pura ideologia fonetica
Alberto Burri
Cover (ink and gold leaf on canvas) from an illustrated book with cover, scorched fabric, and ink and gold leaf on paper · 1955
Museum of Modern Art
17 variazioni su temi proposti per una pura ideologia fonetica
17 variazioni su temi proposti per una pura ideologia fonetica
Alberto Burri
Illustrated book with cover (ink and gold leaf on canvas), scorched fabric, and ink and gold leaf on paper · 1955
Museum of Modern Art
Bathroom of Circe
Bathroom of Circe
Joseph Beuys
Watercolour and gold paint on paper and board · 1954
Tate
Oval Drinking Glass
Oval Drinking Glass
Carlo Moretti
Glass with gold trim · 1954
Museum of Modern Art
The Fuji (Rosanjin)
The Fuji (Rosanjin)
Kitaoji Rosanjin
gold · 1953
Untitled
Untitled
Robert Rauschenberg
Gold leaf on fabric and glue on canvas, in wood-and-glass frame · 1953
Museum of Modern Art
White (Bianco)
White (Bianco)
Alberto Burri
Oil, enamel, metallic paint, fabric, synthetic polymer, tar, paper, thread, and gold leaf on fabric · 1952
Art Institute of Chicago
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